92 books like The Ink War

I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too! 

I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too! 

I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too! 

I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too! 

We stumble onto games very early on in life and yet one game alone stood apart for me and hundreds of millions of other people over the centuries: chess. Across 1500 years of the games existence, chess has attracted players numbering in the billions regardless of language, culture, or creed, they were all unified in a passion for the irresistible allure of this remarkable game. In 2016, I was hired by Simon and Schuster to cover the world chess championship featuring arguably the greatest player ever to wield chess pieces, Magnus Carlsen. Fully immersing myself into the game during the researching and writing of the book, I collided with powerful themes.

Kubrick has fascinated me since I watched Paths of Glory at MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable. 

I love games; board games, card games, head games*; any kind of situation in which employing strategy is the only way forward. And yet, I’m not a big game player—aside from word games. I’m also endlessly fascinated by the mechanisms of power and how societies arrange themselves. The marriage between writing and understanding politics (in the traditional, not the partisan sense) is my true north. Writing a book in which a chess-like game provides the foundation felt inevitable for me, for what game better explores the dynamics of power and strategy? *I don’t play head games, but I do find manipulation fascinating fodder for writing.

As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.

I love games; board games, card games, head games*; any kind of situation in which employing strategy is the only way forward. And yet, I’m not a big game player—aside from word games. I’m also endlessly fascinated by the mechanisms of power and how societies arrange themselves. The marriage between writing and understanding politics (in the traditional, not the partisan sense) is my true north. Writing a book in which a chess-like game provides the foundation felt inevitable for me, for what game better explores the dynamics of power and strategy? *I don’t play head games, but I do find manipulation fascinating fodder for writing.

As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.