Here are 100 books that The Rest Is Noise fans have personally recommended if you like
The Rest Is Noise.
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I am a college professor and paleoanthropologist–I study human fossils and the evolution of the human lineage. My field site is in the Afar region of Ethiopia, and I regularly spend a month or so wandering across the desert, picking up fossils. I view myself very much as a scientist and believe that the scientific view is the most reliable in some important ways. However, I came to science fairly late in life–I was an undergraduate philosophy and English literature student and didn’t go to graduate school until I was 30. Because of my liberal arts background, I have always felt it was important to bridge the science-humanities divide.
My father gave me a copy of this book when I was in 6th grade and it introduced the world of natural science to me. This was the first in a series of volumes that collected his monthly essays written for Natural History magazine.
Gould has an eye for unusual scientific phenomena that illuminate a deeper truth about the relationship between humanity and the natural world. He was not afraid to tackle moral issues, such as eugenics and the science of IQ, recognizing the importance of the popular scientist as more than just a translator.
But the most important thing for the 11-year-old me was that he was such a clear writer–I could follow all of his arguments without knowing anything about genetics, statistics, or anatomy. I still have the copy my father gave me–it is dog-eared, and the spine is long broken, but when I thumb through it, I…
Ever Since Darwin, Stephen Jay Gould's first book, has sold more than a quarter of a million copies. Like all succeeding collections by this unique writer, it brings the art of the scientific essay to unparalleled heights.
I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again.
The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.
Those who heard him provide this first-hand account to the…
All of Borges' dazzling fictions have been freshly translated and gathered for the first time into a single volume - from his 1935 debut with The Universal History of Iniquity, through the immensely influential collections Ficciones and the The Aleph, to his final and never before translated work from the 1980s, Shakespeare's Memory.
By the age of nine, I was beginning to wonder why things were the way they were, or if indeed they were at all. Perhaps growing up the youngest of five siblings and listening to conflicting opinions set me on my course. One of my sisters introduced me to literature. I began to write plays based on Shakespeare and Monty Python. The love of absurdity took me early on. I liked books that offered a different view of reality. I still do, and it influences what I write today. I believe Borges said something to the effect that all authors keep writing the same book, just in different ways.
I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.
The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.
It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.…
Probably the most popular book in the history of the Far East, this classic sixteenth century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure. It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
If you’ve ever heard drumrolls and rhythms in your head, this story is for you.
Set during a recession, Sam and her family are experiencing hard times. But sixth grader Sam has a dream to play drums, and she’s gutsy enough to lie and mow lawns to pay for lessons and save for her own drum set someday.
Her worries about friends, cuts to the school’s music program, and her parents fighting over money mean that drumming is the only thing that’s saving Sam.
Through sheer determination and lots of practice, this girl who everyone said would never be good finally plays like the star drummer she is.
“This book is the song of my middle-school heart.” —Michelle Schusterman, author of the I Heart Band! series Sam knows she wants to be a drummer. But she doesn’t know how to afford a drum kit, or why budget cuts end her school’s music program, or why her parents argue so much, or even how to explain her dream to other people. But drums sound all the time in Sam’s head, and she’d do just about anything to play them out loud—even lie to her family if she has to. Will the cost of chasing her dream be too high?…
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that "the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance."
In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only…
After dabbling in music in my youth, I returned to playing roots music over fifteen years ago. I’ve joined music circles, jammed, made new friends, and learned a lot. My husband Gene and I have recorded three albums and played at bars, festivals, weddings, and listening rooms. Professionally, I’ve spent years as a writing teacher and writer, and I also teach at an annual folk music camp. I wanted to share the joys of music with others, so I talked with dozens of musicians, dug down to find rare resources, and pulled it together into Making Music for Life to make it easier for others to pursue their own musical journey.
Madeline Bruser is a professional musician and teacher focused on teaching dedicated music students of all ages. She brings her own meditation practice and fresh insights into improving music practice through mindfulness, attention to the sounds and sensations one experiences while practicing or performing, and increased awareness of the joys of music. Although I haven’t attended music school or spent a career as a professional musician, I still picked up useful tools and insights that have improved my practice time. If you’re finding practice to be boring, painful, or unproductive, this book can help you reorient your approach and savor music more fully.
An illustrated guide for the amateur and professional musician that teaches us how to transform practicing from an often laborious activity into an exhilarating and rewarding experience
Foreword by Yehudi Menuhin • “Give this book to any musician you love and to any person who loves what music does for them and for the world.”—Richard Stoltzman, clarinetist
In The Art of Practicing, acclaimed pianist and teacher Madeline Bruser combines physiological and meditative principles to help musicians release physical and mental tension and unleash their innate musical talent. She offers practical techniques for cultivating free and natural movement, a keen enjoyment…
With three kids, bedtime at my house is usually nuts. When we strike gold with a great bedtime read that’s funny or cozy, or better yet, BOTH, it becomes part of our permanent rotation. I love finding books that make my kids excited about story time (and just maybe encourage them to get through their bedtime routines a little faster). As a children’s picture book author, my own books are inspired by my kids’ everyday lives, and sleep, or lack thereof, is a topic that I always find so very relatable!
My kids and I both love this book, which is a huge plus when reading at bedtime!
The story follows a procession of characters in their PJs on a whimsical nighttime stroll. It could be read as a chant or a song, and we all find ourselves pleasantly humming the rhythm long after we’ve finished storytime.
Join a cast of friends, human and animal alike, as they embark on a musical read-aloud adventure in this upbeat, joyful picture book.
A boy sets off with his flute and his stuffed bear and a rum-pum-pum. As they make their way through the town and the woods, they ask, “Wanna come?” Soon, kids and creatures join in the fun one by one, playing instruments, singing, and dancing to the catchy tune.
But will a storm bring their fun-filled musical parade to an end?
More has been accomplished by music to wake us up that any marches, speeches, injustice, and/or wealth. In the beginning, music and its many forms I followed were an accident. Now I see that music is vital for social expression, intimacy, solitude. The walls in my writing room are covered with photos, CDs, 78s, and most certainly live recordings and books. I feel sorry for the soul(s) who will have to pick through this history when I’ve gone to that Upper Room.
Yes, the title is spelled correctly. I’ve known Stanley Booth from our days in Memphis. He has written about The Rolling Stones, B. B. King, Al Green, and Keith Richards. Keith wrote that “The interesting thing about music to me is that music has always seemed streaks ahead of any other Art form or any other form of social expression.” It has never been said any better.
Stanley Booth’s Rythm Oil contains studies of numerous, forgotten musicians and singers. It is a study of remote history. Stanley Booth doesn’t write with ink. He writes with grit.
A collection of 20 essays centred on Memphis, Tennessee, and comprising a fusion of fact, essays and fiction in which the author describes his encounters with major figures of American blues and soul music. Stanley Booth also wrote "The True Adventures of the Rolling Stones".
Laurie grew up in a rural community and had the good fortune of working with kind and dedicated teachers who were both skillful pedagogues and encouraging mentors. Their passion for quality teaching and high-level musicianship instilled in Laurie the powerful relationship between teaching and artistic performance. Cornelia dreamed of playing the cello beautifully but didn’t have a real teacher until she was twenty. While the work required relearning almost everything she thought she knew, she was old enough to observe her own transformation, guided by a thoughtful and dedicated teacher, and teaching and performing became the inseparable “two sides of the same coin.”They've worked together ever since, writing, teaching, presenting, and sharing great ideas.
The title clearly outlines the premise of the book, and it delivers what it promises.
Although these essays are related to teaching and learning music, the overarching principles are applicable to the development of any skill. Duke challenges any approach that would promote difficult over beautiful, or fast over meticulous, championing music teaching itself as an art.
We’ve read this book dozens of times, used it as a text for classes over the past 25 years, and included it on every suggested reading list that has anything to do with teaching and learning. If a reader takes time to deeply consider the messages in this book and put the recommended strategies into practice, the efficiency and effectiveness of every lesson will improve.
In this collection of insightful essays, the author describes fundamental principles of human learning in the context of teaching music. Written in an engaging, conversational style, the individual essays outline the elements of intelligent, creative teaching. Duke effectively explains how teachers can meet the needs of individual students from a wide range of abilities by understanding more deeply how people learn. Teachers and interested parents alike will benefit from this informative and highly readable book.
