Here are 100 books that The Infernal Desire Machines of Doctor Hoffman fans have personally recommended if you like
The Infernal Desire Machines of Doctor Hoffman.
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I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).
But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.
I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
My own experiences have made me a strong believer in the potential of journeys, big and small, to change our lives and the way we navigate the world. I made a journey in highly unusual circumstances, a journey that became a pilgrimage, and I think I know now that devotion is the key to transformation on the road. It may be the key to everything, in fact. That’s what I want to read about. Devotion is what every one of these books has in abundance, as well as care for the task, total honesty, and no fear of feeling.
This book produces a feeling of longing in me that I might someday handle the world with the voracity and veracity of Annie Dillard. Assuming that the enormity of wonder she provokes in me as a reader is just a fraction of what she, the originator of her experiences and descriptions, feels, then oh, the enviable richness of her life! Is anyone as astute and lucid as Annie Dillard?
Astounding language, never, ever straying into cliché, every word wondrous and holy and fresh. For me, she blows everyone else out of the water, not with an epic Odyssey or a feat of physicality but with these reverential and beautiful accounts of her frequent journeys to her local creek.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
I love stories that are many things at the same time. They can open a person up to a wider perspective, a greater awareness; that’s the kind of story I love to write. Kafka’s stories can be considered as absurd allegory, as surreal evocations of mystery and magic, as psychological study, as satire, as dark comedy… as all of these and more at once. Many of Kafka’s stories were considered by the author to be unfinished but to me they seem complete. Kafka famously tried to ‘finish’ all of his stories once and for all by instructing his friend to destroy them after his death. Thankfully, he was prevented from adding that final full stop.
This collection of new translations brings together the small proportion of Kafka's works that he thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Long ago, I watched a dream of a movie called Street of Crocodiles by the Quay Brothers. It was based on a story by someone called Bruno Schulz. I bought the book. Though there are only two Bruno Schulz books, it is as if there are a thousand Bruno Schulz books hidden between their words. His stories are often unable to contain themselves and his writing bursts out into reverie. Shot dead by a Nazi officer at the age of fifty, his writing displays a sensitivity that is the antithesis of something as brutal as firing a bullet into a human being. He creates a mood of receptivity. You may find the world more magical, wonderful, and deep after reading Bruno Schulz.
The stories in these pages comprise all the surviving fiction of a man described by John Updike in the introduction as 'one of the great transmogrifiers of the world into words'. They portray the doom-ridden yet comic world of a small Polish town in the years before the war, a world brought vividly to life in prose as memorable and as unique as are the brushstrokes of Marc Chagall.
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic.
Not a traditional autobiography composed of a chronological recounting of memories, Dance of Realityrepaints events from Jodorowsky's life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky's realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual's road to true fulfilment means casting off the phantoms projected by parents on their…
As a queer teenager, I loved reading because it transported me away from my oppressive reality and into another one. My friend, writer Virginia Heffernan, calls it ‘The Trance’—when you’re so into a book, time and space fall away. Recently I learned about the work of cognitive neuroscientist Maryanne Wolf, who writes that “deep reading” of dense, poetic works (not the “skimming” we’re always doing now in our digital culture) uses, remarkably, all areas of the brain—carving neuronal pathways, engendering empathy, imagination, self-reflection, and more. No-brainer: reading is really good for you. While there’s no lack of classics that can do this, here are obscurer titles that have put me in a trance.
There’s no end of books out there on mindfulness and meditation. What I love about meditation teacher, writer, and thinker Sebene Selassie’s book is how funny, personal, awkward, and honest she is about her journey. Each chapter delivers a new perspective on how you—how we all—are connected, how disconnection is at the core of our suffering, and how the one way to get back to a sense of belonging is through the body, the breath, and presence. Selassie is that friend who gently leads you to look inward and understand the power and joy of connection.
"A POWERFUL WORK OF SPIRITUALITY AND ANTI-RACISM"-Publishers Weekly
"IF YOU READ ONE BOOK IN 2020, MAKE IT THIS ONE."-Tricycle
From much-admired meditation expert Sebene Selassie, You Belong is a call to action, exploring our tangled relationship with belonging, connection, and each other
You are not separate. You never were. You never will be.
We are not separate from each other. But we don't always believe it, and we certainly don't always practice it. In fact, we often practice the opposite-disconnection and domination. From unconscious bias to "cancel culture," denial of our inherent interconnection limits our own freedom.
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
This is a one-off, and as far as I know, Wangerin never wrote anything else on the same level. It starts out like an animal fable—the main characters are animals—but gradually takes on a cosmic dimension. By the time I finished, I was gasping for breath and wondering, what was that?!
The three forms of darkness threatening the animals are each more tremendous than the last. They’re genuinely threatening, and the world seems inescapably doomed. Wangerin, like all the best fantasy writers, takes his world very, very seriously—he never belittles his creation as a mere game. In another lifetime, I used to be a university professor (when living through 25 years of writer’s block!), and I’m proud to remember how many students I turned on to this and other fantasy novels.
The timeless National Book Award-winning story of the epic struggle between good and evil.
“Far and away the most literate and intelligent story of the year … Mr. Wangerin’s allegorical fantasy about the age-old struggle between good and evil produces a resonance; it is a taut string plucked that reverberates in memory” —New York Times
“Belongs on the shelf with Animal Farm, Watership Down and The Lord of the Rings. It is, like them, an absorbing, fanciful parade of the war between good and evil. A powerful and enjoyable work of the imagination.” —Los Angeles Times
As a queer teenager, I loved reading because it transported me away from my oppressive reality and into another one. My friend, writer Virginia Heffernan, calls it ‘The Trance’—when you’re so into a book, time and space fall away. Recently I learned about the work of cognitive neuroscientist Maryanne Wolf, who writes that “deep reading” of dense, poetic works (not the “skimming” we’re always doing now in our digital culture) uses, remarkably, all areas of the brain—carving neuronal pathways, engendering empathy, imagination, self-reflection, and more. No-brainer: reading is really good for you. While there’s no lack of classics that can do this, here are obscurer titles that have put me in a trance.
Published in 1980, Hejinian’s breakthrough book of poetry asks for your full attention—not in a demanding way—more like how the aroma of coffee or perfume softly takes you back to your past. It’s a poetic record of her life, year by year. There’s no linear narrative, rather the sentences build upon each other, rub up against the next sentence, lead the mind from one thought to the next like memories do. This book absolutely changed the way I perceive. It allowed me to relax, and let my memories wash in and out. It will coax you to float in the ocean of your existence.
Recognized today as one of the great works of contemporary American literature, My Life is at once poetic autobiography, personal narrative, a woman’s fiction, and an ongoing dialogue with the poet and her experience. Upon its first publication by Sun & Moon Press (the edition reprinted here) the publication Library Journal described the book as one that "is an intriguing journey that both illuminates and perplexes, teases and challenges, as it reveals an innovative artist at work."
Lyn Hejinian is the author of The Cell, The Cold of Poetry, Writing Is an Aid to Memory and A Border Comedy. She…
