Here are 100 books that The Fictions of Bruno Schulz fans have personally recommended if you like
The Fictions of Bruno Schulz.
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
I love stories that are many things at the same time. They can open a person up to a wider perspective, a greater awareness; that’s the kind of story I love to write. Kafka’s stories can be considered as absurd allegory, as surreal evocations of mystery and magic, as psychological study, as satire, as dark comedy… as all of these and more at once. Many of Kafka’s stories were considered by the author to be unfinished but to me they seem complete. Kafka famously tried to ‘finish’ all of his stories once and for all by instructing his friend to destroy them after his death. Thankfully, he was prevented from adding that final full stop.
This collection of new translations brings together the small proportion of Kafka's works that he thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
A short fantasy, utterly wild and utterly outrageous! It’s not a single coherent world like the others on this list, more a series of surreal scenes, each one a lightning raid into the depths of the human psyche.
The Freudian unconscious turned into real settings and characters! It’s also more cerebral than other books on this list—Carter is playing with ideas, but a kind of play that’s just so much fun. A workout for the imagination that also stretches the mind!
Traditional fantasy, it ain’t! An algorithm for turning up ‘More Books Like This’ doesn’t have a hope (though they’ll try). This book’s an algorithm buster!
Desiderio, an employee of the city under a bizarre reality attack from Doctor Hoffman's mysterious machines, has fallen in love with Albertina, the Doctor's daughter. But Albertina, a beautiful woman made of glass, seems only to appear to him in his dreams. Meeting on his adventures a host of cannibals, centaurs and acrobats, Desiderio must battle against unreality and the warping of time and space to be with her, as the Doctor reduces Desiderio's city to a chaotic state of emergency - one ridden with madness, crime and sexual excess.
A satirical tale of magic and sex, The Infernal Desire…
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic.
Not a traditional autobiography composed of a chronological recounting of memories, Dance of Realityrepaints events from Jodorowsky's life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky's realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual's road to true fulfilment means casting off the phantoms projected by parents on their…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
One can read this book in two ways: as a highly representative collection of Marc Chagall’s works from different periods of his almost century-long life – and as an insightful study of the meaning of Chagall’s works. Harshav’s short analytical essays of Chagall’s major paintings emphasize how Yiddish idioms and the images of traditional Jewish world of the shtetl shape much of Chagall’s later artistic endeavors. Whatever the painter from Vitebsk put on canvas, he was bringing to life his recollections of the language his spoke as a child and artifacts among which he grew up.
This is the first book to focus on Chagall's Jewish roots. Chagall is one of the most popular artists of the 20th Century, with work in every major museum in the world. The book includes 200 illustrations, many from the little-known Russian theatre works, that have rarely been published before. The Russian-born French painter Marc Chagall is recognized as one of the most significant painters and graphic artists of the 20th century. This new book, "Marc Chagall and the Lost Jewish World", is the first book on Chagall, to illustrate succinct interpretations of Chagall's world and iconography, and the nature…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
Some of the stories in this collection, like my own stories, use surreal metaphor, expressing poetic imagery in prose form; others are more about the thrill of absurdity. Though surrealism existed before the term or movement existed (in visual art and literature e.g. Lewis Carroll, Hieronymus Bosch, etc.), Andre Breton and his mates really went for it. Here you can read works by Salvador Dali, Luis Bunuel, Louis Aragon, Leonora Carrington, and more. What I love about all of these artists is their obvious joy in discovering the surreal or poetic image, a joy I know well, and their absolute passion for the importance and potency of expressing such imagery.
Comprised of works by authors from 17 countries, these volumes provide the most extensive assemblage of surrealist writing, much of which is here translated into English for the first time. "The Identity of Things" introduces surrealism's reworking of the fairy tale and the Gothic novel, its essays in the myths, desires and mysteries underlying modern reality.
"I went to fetch my car, but my chauffeur, who has no sense at all, had just buried it', writes Leonora Carrington in this captivating collection of tales from 17 languages." The Observer
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
Post-apocalypse and gritty science fiction doesn’t get any better than this collection. Harlan Ellison writes in a rough and unflinching style that, to me, was like watching a classic 80s action/sci-fi movie. And the novella in this book,A Boy and His Dog, is another favorite of mine. It’s bloody and raw and felt ahead of its time for its prose and structure. After reading it, I saw this was published over fifty years ago, yet it still resonated as something fresh and new.
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
The stories that appear in this book were first published inLilliputin the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.
Published for the first time in a low cost edition, Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit.
A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more…
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
