Fans pick 100 books like The Book of the Dun Cow

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.

I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!

A wonderful book in two senses – it’s wonderfully written, and it evokes wonder. This is an idiosyncratic urban fantasy set in an imaginary metropolis called New York City (cut off from the world by an impenetrable cloud wall that lifts only occasionally, to let the trains through). In this city, amazing characters (amazingly good and amazingly evil) clash as they strive for the things that matter to them most. And the prose is as bright and vivid as a Van Gogh painting. Winter’s Tale contains one of my favorite lines in all literature, where one character is described as “breathtakingly short.”

At times, C.S. Lewis eschewed writing what would be expected of him. For example, every volume of his Chronicles of Narnia takes the reader in a new direction, a new aspect of that fantasy world, instead of merely rehashing the popular story of the first novel, as many series do.

Science Fiction was not his field, yet Dr. Lewis dived into the genre for three novels and proved he was a master. The third book in Dr. Lewis’s space trilogy continues the epic interplanetary story of the first two but brings the tale to a dystopian Earth.

At first, the story seems unrelated to the earlier space-traveling books of the trilogy, as an engrossing study of professors playing politics and strange dreams. As the novel progresses, however, this proves to be a much larger story involving aliens, demons, the very fabric of human existence, and the return of Merlin. 

A short fantasy, utterly wild and utterly outrageous! It’s not a single coherent world like the others on this list, more a series of surreal scenes, each one a lightning raid into the depths of the human psyche.

The Freudian unconscious turned into real settings and characters! It’s also more cerebral than other books on this list—Carter is playing with ideas, but a kind of play that’s just so much fun. A workout for the imagination that also stretches the mind!

Traditional fantasy, it ain’t! An algorithm for turning up ‘More Books Like This’ doesn’t have a hope (though they’ll try). This book’s an algorithm buster! 

This one isn’t very well-known. It was recommended to me by the same friend who recommended The Book of the Dun Cow, so I bought it and was well rewarded. The theme of the child who is somehow the Chosen One, destined to fight the great Evil, has been overdone in literature, and often done badly. MacLeish gets it right. Here’s a familiar world where nevertheless the supernatural somehow lurks around every corner. There’s a haunting quality here that many authors have attempted but not quite achieved.

The richness and depth of Cornish’s Half-Continent world are just amazing! I get the feeling that, like Tolkien, the author has spent a whole lifetime developing and living in this world before he ever thought of turning it into a novel.

Skolds, fulgars, the dark trades, gastrines, rever-men, gaulding, cruor, Cathar’s Treacle–the inventions just keep coming and coming. As real as if they’d always been there! And the language that goes with them is equally wonderful—Cornish’s love of words is on a par with Tolkien! For the sake of the story, Book 2, Lamplighter is a must-read—I loved the big reveal the whole story’s been leading up to.

I was initially drawn to this book by its stunning cover and back cover description, and then immediately fell for the story inside. The fast-paced narrative, filled with female friendships, tragedy, and fights against the patriarchy (by an army of gifted, powerful women. Yes, please!), kept me hooked.

This is a book about the power of women, and that spilled through on every page. Plus, the main character, Deka’s strength, leadership, and compassion make her one of my favorite fierce heroines.

When I was nine, I came across The Last Battle—the last of the Narnia books. I had no idea what it was and wept and howled at the end, looking frantically for more of the same. I roared through them and was miserable to find C.S. Lewis had died shortly beforehand, as I wanted to write to him and ask him to write more.

I was wholly entranced by Narnia—the endless winter, the Turkish delight, the children living a different, grander, splendid life in a parallel place. But it was the moment in Prince Caspian when they were flipped back from a railway platform to Narnia. Specifically, to ruined Cair Paravel (roll it around your tongue), the gorgeous palace where they had reigned, that enchanted me the most.

Their gradual realization that these ruins were their familiar home (1300 years have passed since they were kings… show more.