100 books like Wounds of Passion

As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.

As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.

As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.

As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.

I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.

I have been writing about the history of women's rights and women's suffrage for over fifty years. Suffrage: Women's Long Battle for the Vote offers a comprehensive history of the full three-quarters of a century of women's persistent suffrage activism. I began my work inspired by the emergence of the women's liberation movement in the 1970s and this most recent history appeared in conjunction with the 2020 Centennial of the Ratification of the Nineteenth Amendment. My understanding of the campaign for full citizenship for women repeatedly intersects with the struggles for racial equality, from abolition to Jim Crow. Today, when American political democracy is under assault, the long history of woman suffrage activism is more relevant than ever.

I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.  

I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.

I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses). My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.