Here are 100 books that Last Days at Hot Slit fans have personally recommended if you like
Last Days at Hot Slit.
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As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.
Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).
Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
A first-person novel published in 1974, this wry, low-key thriller, quietly shattering, slaloms through marriage and infidelity, prosperity and poverty, motherhood and neglect. I first came across The Shadow Knows shortly after it was published, turned the pages at speed, and in my head argued furiously with the protagonist all the way through. Re-reading it forty years later, I was still aghast, and just as mesmerized. I think it’s safe to say the narrator’s response to sexual violence—like much else in this book—would be impossible to publish in the present; it is as revelatory about our moment as about the one in which it was written and set.
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
An audaciously experimental novelist, Siri Hustvedt is also a highly respected scholar of neuroscience who is not afraid to bring the philosophy of mind into her fiction. In Memories of the Future, she adroitly employs some revisionist art history as well. And there is a breathtakingly vivid evocation of the sensory lag that occurs with trauma. But what grabbed me first and unrelentingly in this novel is its evocation of a time and place—New York in the 1970s (the then scruffy Upper West Side, to be exact)—and of the social and sexual perplexities it produced for young women. The protagonist negotiates independence and loneliness, courage—and memory—both true and false, and men safe and otherwise. I wish I’d known her then.
A provocative, wildly funny, intellectually rigorous and engrossing novel, punctuated by Siri Hustvedt's own illustrations - a tour de force by one of America's most acclaimed and beloved writers.
Fresh from Minnesota and hungry for all New York has to offer, twenty-three-year-old S.H. embarks on a year that proves both exhilarating and frightening - from bruising encounters with men to the increasingly ominous monologues of the woman next door.
Forty years on, those pivotal months come back to vibrant life when S.H. discovers the notebook in which she recorded her adventures alongside drafts of a novel. Measuring what she remembers…
As a journalist, lawyer, and writer, I've been thinking and writing about state regulation of sexuality for 20 years. Political writing about sex can easily fall into orthodoxy; whether conservative or liberal, each side has its expected talking points. When I began investigating ways of thinking about public displays of sexuality in Park Cruising, I returned to the cache of sex-positive writing of the 1980s and 1990s. Some of it was invigorating, and some stale. So I sought out new writing about sex and sexuality, and I was richly rewarded. These books are just the tip of the iceberg; there's a feast of contemporary writing and thinking. So much to think through and explore!
I spent a lot of the last year pressing The Right to Sex into the hands of my smartest friends.
This book tackles some of the thorniest issues in sexual politics today, teasing out the seeming contradictions in feminist thought on campus sexual assault investigations, the Me Too movement, incels, and more. It’s compulsively readable; I was hooked from the first essay.
“Laser-cut writing and a stunning intellect. If only every writer made this much beautiful sense.” —Lisa Taddeo, author of Three Women
“Amia Srinivasan is an unparalleled and extraordinary writer—no one X-rays an argument, a desire, a contradiction, a defense mechanism quite like her. In stripping the new politics of sex and power down to its fundamental and sometimes clashing principles, The Right to Sex is a bracing revivification of a crucial lineage in feminist writing: Srinivasan is daring, compassionate, and in relentless search of a new frame.” —Jia Tolentino, author of Trick Mirror: Reflections on Self Delusion
My passion is for stories about how art can help us become more authentic, whole, and fulfilled as human beings—that’s my “brand” as a writer (and reader). No, I’m not a painter, and I’ve never studied art history. Rather, I’m what they call a “serious amateur” pianist and photographer—an “amateur” being someone who studies for love of the craft. In fact, I’ve found that the more I give myself to these other art forms, the better I become as a writer—as if these other forms of creative expression open new places in me that enhance my stories and characters.
In The Soul of a Woman, renowned novelist Isabel Allende tells her own story of a woman living through several iterations of the feminist movement. Allende learns how to open and grow as a woman, with and without a partner—when to commit, and when to step away—and how to embrace her own sexuality. Her journey is all of our journey, and has strong parallels with the journey of the protagonist in my own novel.
From the New York Times bestselling author of A Long Petal of the Sea comes “a bold exploration of womanhood, feminism, parenting, aging, love and more” (Associated Press).
“The Soul of a Woman is Isabel Allende’s most liberating book yet.”—Elle
“When I say that I was a feminist in kindergarten, I am not exaggerating,” begins Isabel Allende. As a child, she watched her mother, abandoned by her husband, provide for her three small children without “resources or voice.” Isabel became a fierce and defiant little girl, determined to fight for the life her mother couldn’t have.
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
Howe is best known for writing the song that inspired countless Northerners during the Civil War, “The Battle Hymn of the Republic.” Showalter pulls back the curtain on Howe’s life to reveal a woman stuck in a bad marriage with a stifling husband, overwhelmed by childbearing and rearing. Howe took up writing, first completing a novel before turning to poetry. She embraced the abolitionist movement and after the Civil War--after writing her most famous work--focused her energy on women’s rights, serving as president of the American Woman Suffrage Association.
A “lively biography” (The New Yorker) of Julia Ward Howe, the powerful feminist pioneer and author of the Civil War anthem, “Battle Hymn of the Republic.”
Julia Ward (1819–1910) was an heiress who married a handsome accomplished doctor who worked with the blind and deaf. But Samuel Howe wasted her inheritance, mistreated and belittled her, and tried to stifle her intellect and freedom. Nevertheless Julia persisted and wrote poetry and a mildly shocking sexual novel that was published to good reviews. She also wrote the words to probably the most famous anthem in the country’s history—the Civil War anthem, “Battle…
I’m an old guy. I say this with a bit of cheek and a certain amount of incongruity. All the books on my list are old. That’s one area of continuity. Another, and I’ll probably stop at two, is that they all deal with ordinary people caught in extraordinary circumstances—those curveballs of life we flail at with an unfamiliar bat; the getting stuck on the Interstate behind a semi and some geezer in a golf cap hogging the passing lane in a Buick Le Sabre. No one makes it through this life unscathed. How we cope does more to define us than a thousand smiles when things are rosy. Thus endeth the lesson.
Irving took the Keseyian banner and supercharged it.
An eccentric novel with eccentric characters that all made perfect sense. I especially liked the wrestling sub-theme. A foray into a competitive sport that is both mundane and allegorical. Rich in whimsy. The term pre-disastered is a master stroke of piquant invention.
A masterpiece from one of the great contemporary American writers.
'A wonderful novel, full of energy and art, at once funny and heartbreaking...terrific' WASHINGTON POST
Anniversary edition with a new afterword from the author.
A worldwide bestseller since its publication, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, struggling writer and illegitimate son of Jenny Fields - an unlikely feminist heroine ahead of her time.
Beautifully written, THE WORLD ACCORDING TO GARP is a powerfully compelling and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers…
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
Goldsmith vividly recreates the life and times of Woodhull, a shrewd manipulator who traded on her physical beauty and her intellect to run a successful brokerage firm after the Civil War. Woodhull, along with her sister Tennessee Claflin, used some of her profits to publish a women’s rights newspaper that supported suffrage and other women’s rights causes. Stanton and Anthony, initially intrigued by her keen business sense and her suffrage commitment, soon shunned her for her radical views on sexuality. Woodhull pushed all sorts of boundaries designed to contain women, even political ones--she ran for president in 1872.
Barbara Goldsmith's portrait of suffragette Victoria Woodhull and her times was hailed by George Plimpton as "a beautifully written biography of a remarkable woman" and by Gloria Steinem as "more memorable than a dozen histories."
A highly readable combination of history and biography, Other Powers interviews the stories of some of the most colorful social, political, and religious figures of America's Victorian era with the courageous and notorious life of Victoria Woodhull--psychic, suffragette, publisher, presidential candidate, and self-confessed practitioner of free love. It is set amid the battle for women's suffrage, the Spiritualist movement that swept across the nation in…
As a journalist, lawyer, and writer, I've been thinking and writing about state regulation of sexuality for 20 years. Political writing about sex can easily fall into orthodoxy; whether conservative or liberal, each side has its expected talking points. When I began investigating ways of thinking about public displays of sexuality in Park Cruising, I returned to the cache of sex-positive writing of the 1980s and 1990s. Some of it was invigorating, and some stale. So I sought out new writing about sex and sexuality, and I was richly rewarded. These books are just the tip of the iceberg; there's a feast of contemporary writing and thinking. So much to think through and explore!
adrienne maree brown taught me a lot about the lineage of sex-positive writing from the 1970s to today.
The book offered me a useful corrective to views of sexual politics which so often ignore and silence liberatory writing by Black women. This book reminded me that you cannot tell the story of sex-positive feminism without Audre Lorde, Toni Cade Bambara, or Fran White. But brown isn’t here to scold you – this book is a joyful read.
How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
When I taught, I hoped to engage students by making historical figures as human as possible. At the time I wish I had known the writing of Jean Fritz who brings the people of history to life. Magnificently.
Peppering her books with oddball information about her subjects, she allows them to become more human. And in Jean Fritz books, people talk and act. These features are present in Fritz’s wonderful biography of the women’s rights activist, Elizabeth Cady Stanton.
The reader comes to know Ms. Stanton intimately, her warm friendships with fellow activists, her tensions with her father, her overall independent spirit. And we get a wonderful history of the early American women’s movement.
Jean Fritz delivers for younger readers and makes history engaging, human, and, yes, exciting.
This biography of Elizabeth Cady Stanton is as spirited as the women's rights pioneer herself.
Who says women shouldn't speak in public? And why can't they vote? These are questions Elizabeth Cady Stanton grew up asking herself. Her father believed that girls didn't count as much as boys, and her own husband once got so embarrassed when she spoke at a convention that he left town. Luckily Lizzie wasn't one to let society stop her from fighting for equality for everyone. And though she didn't live long enough to see women get to vote, our entire country benefited from her…
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