Here are 100 books that Groundswell fans have personally recommended if you like
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I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Springer’s book was one of the first to outline the multiple Black women’s feminist organizations that developed in the late 1960s and 1970s. Situating now fairly well-known groups like the Combahee River Collective alongside lesser-known organizations like the Third World Women’s Alliance, Springer’s brief book is a fabulous primer to Black women’s feminism in an era when many people still think such a thing didn’t exist.
The first in-depth analysis of the black feminist movement, Living for the Revolution fills in a crucial but overlooked chapter in African American, women's, and social movement history. Through original oral history interviews with key activists and analysis of previously unexamined organizational records, Kimberly Springer traces the emergence, life, and decline of several black feminist organizations: the Third World Women's Alliance, Black Women Organized for Action, the National Black Feminist Organization, the National Alliance of Black Feminists, and the Combahee River Collective. The first of these to form was founded in 1968; all five were defunct by 1980. Springer demonstrates…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Blackwell’s book is very different from Springer’s, and that difference is my favorite part. Instead of giving an overview of several Chicana feminist groups, as Springer does with Black feminists, Blackwell dives deep into one major ones, Las Hijas, in Los Angeles. Oral history is a major source for Blackwell, and the way she includes some of her major characters not only talking about their historical actions but reflecting on them several decades later makes this a great read.
The first book-length study of women's involvement in the Chicano Movement of the late 1960s and 1970s, !Chicana Power! tells the powerful story of the emergence of Chicana feminism within student and community-based organizations throughout southern California and the Southwest. As Chicanos engaged in widespread protest in their struggle for social justice, civil rights, and self-determination, women in el movimiento became increasingly militant about the gap between the rhetoric of equality and the organizational culture that suppressed women's leadership and subjected women to chauvinism, discrimination, and sexual harassment. Based on rich oral histories and extensive archival research, Maylei Blackwell analyzes…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Wilkerson finds feminists everywhere in the mountains of eastern Kentucky, which makes this the most geographically unexpected book on this list. By showing how women were central to many social justice movements – not only feminism but environmental justice, health care, and welfare rights – Wilkerson shows us how women truly did lead in the 1970s, in parts of the country where stereotypes suggest they shouldn’t be active at all.
Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service.
Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Levenstein’s subtitle says it all: we generally don’t think there was a ‘90s feminism. Her book pairs especially well with the others on this list, because it demonstrates how women of color took the lead in an intersectional feminism that focused on a huge range of issues at the end of the 20th century. It’s also a great read about the role of the early internet in 1990s feminist organizing. If you think social media was the first time computer technology shaped grassroots activism, her chapter on technology alone will blow your mind.
On January 21, 2017, massive demonstrations in Washington DC and sister marches held in over 600 American cities drew crowds of over four million people. Popularly called 'The Women's March,' it became the largest single-day protest in American history. The feminism that shaped the consciousness of millions in 2017 had distinct roots in the 1990s.
In They Didn't See Us Coming, historian Lisa Levenstein argues we have missed much of the past quarter century of the women's movement because the conventional wisdom is that the '90s was the moment when the movement splintered into competing factions. But by showcasing voices…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
What bell hooks has shown me about the possibility of personal narrative and memoir writing is endless because she consistently shows that your story is never-ending. But mostly bell hooks likes to hurt me on purpose. This is my favorite memoir by her because it centers on two of my favorite topics: words and whirlwind romance that refuses to interfere with the words at stake, and I knew this book would be one I would return to in order to figure out my own priorities once I read, “I’m willing to give up everything I love if it means I won’t be crazy.”
“bell hooks’s brave memoir of struggling to find her own work, love, and independence.” ―Gloria Steinem With her customary boldness and insight, brilliant social critic and public intellectual bell hooks traces her writer’s journey in Wounds of Passion. She shares the difficulties and triumphs, the pleasures and the dangers, of a life devoted to writing. hooks lets readers see the ways one woman writer can find her own voice while forging relationships of love in keeping with her feminist thinking. With unflinching courage and hard-won wisdom, hooks reveals the intimate details and provocative ideas of the life path she carved…
I have been writing about the history of women's rights and women's suffrage for over fifty years. Suffrage: Women's Long Battle for the Vote offers a comprehensive history of the full three-quarters of a century of women's persistent suffrage activism. I began my work inspired by the emergence of the women's liberation movement in the 1970s and this most recent history appeared in conjunction with the 2020 Centennial of the Ratification of the Nineteenth Amendment. My understanding of the campaign for full citizenship for women repeatedly intersects with the struggles for racial equality, from abolition to Jim Crow. Today, when American political democracy is under assault, the long history of woman suffrage activism is more relevant than ever.
I am recommending this as the most personal of Steinem’s books.
No list of books on the history of women’s rights would be complete without something about and by the most courageous, most consistent spokeswoman for feminism over the last half-century. Here Steinem tells the tale of her family, focused – surprisingly – on her eclectic and wandering father. The reader will be left with even great appreciation for Steinem and for the many and various routes women take to find their way to feminism and their full, true selves.
THE INSPIRATION BEHIND THE HIT BBC SERIES, MRS. AMERICA
Gloria Steinem had an itinerant childhood. Every fall, her father would pack the family into the car and they would drive across the country, in search of their next adventure. The seeds were planted: Steinem would spend much of her life on the road, as a journalist, organizer, activist, and speaker. In vivid stories that span an entire career, Steinem writes about her time on the campaign trail, from Bobby Kennedy to Hillary Clinton; her early exposure to social activism in India; organizing ground-up movements in America; the taxi drivers who…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
I didn’t read Last Days ofHot Slit in time to include it in my own book about sexual violence. In truth, I could have (barely; it was published just before I finished). But I felt comfortable with my aversion to Dworkin, a crusader against assault who had found common cause with conservative activists. And Dworkin was a self-defeating font of vituperation, wasn’t she? Well, no. She was in fact altogether brilliant. Fateman’s wonderfully lucid, deeply researched introduction and the careful selection she and Scholder made of Dworkin’s surprisingly wide-ranging work, demonstrate the force and courage not just of this radical feminist’s writing, but also of her character.She was dauntless.
Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.
Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
What list of nineteenth-century feminists would be complete without the movement’s grand dames, Susan B. Anthony and Elizabeth Cady Stanton? This book, the first of a six-volume series, takes us to the early days of their friendship and alliance. Not only is this collection a testimony to the enormous amount of energy and organization expended by these two reformers, but it also reminds us of their human side.
Some of my favorite moments include Stanton bragging about the birth of her first daughter (and fifth child): “I laid on a lounge about 15 minutes, and alone with my nurse & one female friend, brought forth this noble girl,” and Anthony grumbling about her decision to give up the “Bloomer” outfit adopted by a number of women reformers, “I have let down some of my dresses and am dragging around with long skirts.”
In the School of Anti-Slavery, 1840-1866 is the first of six volumes of The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony. The collection documents the lives and accomplishments of two of America's most important social and political reformers. Though neither Stanton nor Anthony lived to see the passage of the Nineteenth Amendment in 1920, each of them devoted fifty-five years to the cause. Their names were synonymous with woman suffrage in the United States and around the world as they mobilized thousands of women to fight for the right to a political voice.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
I read this book over thirty years ago and despite not returning to it, count it as having a significant impact on my work. It is an emotionally charged and powerful book, and I remember being incredibly angry, and sad, and passionate for change. It introduced me to feminism and feminist literature. It shone the light on the need to hear women’s voices in the public realm.
A landmark in feminist literature, THE WOMEN'S ROOM is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely.
'Today's "desperate housewives" eat your heart out! This is the original and still the best, a page-turner that makes you think. Essential reading' Kate Mosse 'They said this book would change lives - and it certainly changed mine' Jenni Murray 'Reading THE WOMEN'S ROOM was an intense and wonderful experience. It is in…
