Here are 100 books that Washington Black fans have personally recommended if you like
Washington Black.
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I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
A true marvel of a novel. It follows the famous jester Tyll Ulenspiegel and the Winter Queen and several learned and lethal Jesuit priests (among others). Most novels that cut between storylines lose momentum and direction. Tyll takes bold leaps and keeps transforming into new adventures, new truths, a new vision of the seventieth century that subtly mixes historical fact and magical possibility.
'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan
'Brilliant and unputdownable' Salman Rushdie
He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!
In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam.…
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
What a breathtaking scope Tokarczuk gives us! This Polish novelist was new to me when I first picked this book up, but even though she won a Nobel Prize, I think she will be new to most U.S. readers.
This book begins as a meditation on travel and human movement, moving episodically through different fictional and historical plots, investigating sexualities, artificial humans, geographies, and the human compulsion not to sit still. But this just scratches the surface, as she has a kind of Garcia Márquez touch for identifying stories where bodies (both real and fake) exert their magic, even as the stories she tells are purportedly historical.
Did an 18th-century noblewoman during wartime smuggle a jar that contained Chopin’s heart in her undergarments? Tokarczuk answers: Is this so unbelievable?
NATIONAL BOOK AWARD FINALIST FOR TRANSLATED LITERATURE
A visionary work of fiction by "A writer on the level of W. G. Sebald" (Annie Proulx)
"A magnificent writer." — Svetlana Alexievich, Nobel Prize-winning author of Secondhand Time
"A beautifully fragmented look at man's longing for permanence.... Ambitious and complex." — Washington Post
From the incomparably original Polish writer Olga Tokarczuk, Flights interweaves reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. Chopin's heart is carried back to Warsaw in…
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.
'Best book of the century' Richard Osman 'Just wonderful' Jan Morris 'Dazzlingly written' Sunday Times 'Every bit as superb as everyone says' Sarah Perry
Winner of the Costa First Novel Award 2016 Winner of the RSL Ondaatje Prize 2017 Winner of the Desmond Elliott Prize 2017 Shortlisted for the Walter Scott Prize for Historical Fiction 2017 Shortlisted for the Rathbones Folio Prize 2017 Shortlisted for the Authors' Club Best First Novel Award 2017 Shortlisted for the British Book Awards Debut Novel of the Year 2017
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
Because my father was a prisoner of war of the Japanese in Burma in World War II, I expected this book to depress me, and I dreaded reading it. But as one of my characters suffered the same fate, I thought I should at least give it a try. And what a pleasant surprise I got.
Yes, it is grim. Yes, it told me things I’d rather not know about what went on in the jungle prison camps. But it also has a sparkling narrative, and it’s romantic, erotic, moving, and exciting. In short, a great surprise and a wonderful, gripping read.
Forever after, there were for them only two sorts of men: the men who were on the Line, and the rest of humanity, who were not.
In the despair of a Japanese POW camp on the Burma Death Railway, surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.
This is a story about the many forms of love and death, of…
I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
This novel, told from a slave woman’s perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit.
It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities – an appalling example of the conditions under which enslaved women and girls lived during this period.
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings
"An undeniable success.” — The New York Times Book Review
A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come…
By Jada Benn Torres and Gabriel A. Torres Colón
Author
Why are we passionate about this?
We met as “baby anthropologists” in graduate school and have stuck together ever since. With Jada’s training in genetic anthropology and Gabriel’s training in cultural anthropology, we’ve accompanied each other to our various field sites throughout the Caribbean, Spain, and the US Midwest. Aside from our book, each of us has authored many peer-reviewed publications, including an award-winning article in the journal Human Biology. Though we both have our own independent research agendas, our interests overlap on several topics including genetic ancestry. Our different anthropological training and our mutual love for our discipline always makes for interesting perspectives on a variety of topics.
This recommendation is a work of fiction. Overall, Allende is an incredible storyteller whose characters seem so real that by the end of the book, you feel like you know them in the same way you know family or an old friend. Island Beneath the Sea, set in 18th - 19th century Haiti then in New Orleans, is a story that illustrates the beautiful messes we create in our lives through those that we love and those that we hate. Drawing on the chaos of American slavery and the Haitian Revolution, Allende’s book draws on themes related to slavery, politics, history, and family drama all of which illustrate what can happen when cultural values (i.e. social constructions of race) are attached to specific bodies (i.e. Black and White women).
From the sugar plantations of Saint-Domingue to the lavish parlors of New Orleans at the turn of the 19th century, Isabel Allende's latest novel tells the story of a mulatta woman, a slave and concubine, determined to take control of her own destiny in a society where that would seem impossible.
Born a slave on the island of Saint-Domingue - now known as Haiti -Tete is the product of violent union between an African mother she never knew and one of the white sailors who brought her into bondage.
When twenty-year-old Toulouse Valmorain arrives on the island in 1770, it's…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.
She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.
July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.
Finalist for the 2010 Man Booker Prize The New York Times Book Review Notable Book of the Year
In her follow-up to Small Island, winner of the Whitbread Book of the Year Award and the Orange Prize for Fiction, Andrea Levy once again reinvents the historical novel.
Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently…
I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
The story is set in Canada during the 1920s but Baxter, the main character, is an immigrant from the Caribbean and exemplifies a consequence of the region’s slave history. He is part of the diaspora of descendants seeking better lives in other parts of the world. But although in a different country, Baxter does not escape the pressure to accept a position in a subservient class.
Mayr effectively creates the sense of threat that pervades Baxter’s environment, intensified by his sexual orientation. A saving grace is his peer group of fellow porters. Initially they seem cruel and disinterested, but when faced by oppressive authority, they rally around him. This book reminded me that though the physical confinement of slavery has ended, the devaluation of Blackness continues.
PUBLISHERS WEEKLY TOP 20 LITERARY FICTION BOOKS OF 2022
OPRAH DAILY: BOOKS TO READ BY THE FIRE
THE GLOBE 100: THE BEST BOOKS OF 2022
CBC BOOKS: THE BEST CANADIAN FICTION OF 2022
When a mudslide strands a train, Baxter, a queer Black sleeping car porter, must contend with the perils of white passengers, ghosts, and his secret love affair
The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible in two…
As a historian of race and gender in European women’s history, “misbehaving” women confound me! I am rendered speechless when women negate their own humanity in the drive toward the same power structures that subjugate them. Vulnerable women who were often in the clutches of those same women–and yet are unrelenting in their determination to survive within systems to which others have relegated them–inspire me. These books and their stories take women’s lives–their oft-horrible choices, their scandalous mistakes, and their demands for autonomy–seriously. I hope you find their stories as compelling as I do!
This book astonishes me every time I open its pages, and I return to these stories again and again. Taking the 18th-century urban city of Bridgetown, Barbados, as its canvas, Fuentes uncovers, often using fragmentary sources, the lives of Black enslaved and free women of color, narrating their violent stories of survival in ways that broke my heart.
Equally important, the power of Fuentes’ writing forces me to interrogate how histories of vulnerable women are produced while they are alive and how to reckon with how archives produce and reinscribe violence on their disfigured bodies after death. It is impossible not to feel the full weight of my responsibility as a scholar after reading this book.
It is the first book I hand to students who want to write about Black women, regardless of their geographic interests.
In the eighteenth century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Marisa J. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. Fuentes takes us through the streets of Bridgetown with an enslaved runaway; inside a brothel run by a freed woman of color; in the midst of a white urban household in sexual chaos; to the gallows where enslaved people were executed; and within violent scenes of enslaved women's punishments. In the process, Fuentes interrogates the archive and…
Since I was twelve years old and scribbling stories in an old notebook, I’ve been in love with pirate romance. The intense adventure, the dramatic romance, the freedom of the sea—and most importantly, the chance to find love and redemption, a theme that’s prominent in my Christian pirate romance series and the novels I read and enjoy! This list curates some of the top pirate/privateer novels I’ve read, all with clean romance and inspiring themes, to keep your TBR filled with swashbuckling high-seas voyages!
After reading MaryLu Tyndall’s pirate romances, I didn’t think anything could quite compare...until I readVeil of Pearls. This privateer romance isn’t as adventurous, but the beautiful romance, intense but perfectly-paced plot, and endearing characters made this story just as exciting and intriguing! It’s easily my favorite of hers and a top recommendation for readers in search of a story that will touch andthrill their hearts!
This is an enduring novel of great depth. Beautifully written, it explores how far the human spirit will journey for freedom and love. This story was a real pleasure to read. Highly recommended. Historical Novel Reviews She thought she could outrun her past. . . It is 1811, and the prosperous port city of Charleston is bustling with plantation owners, slaves, and immigrants. Immigrants such as the raven-haired Adalia Winston. But Adalia has a secret: her light skin belies that she is part black and a runaway slave from Barbados. Skilled in herbal remedies, Adalia finds employment with a local…
