Here are 100 books that The Narrow Road to the Deep North fans have personally recommended if you like
The Narrow Road to the Deep North.
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I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
A true marvel of a novel. It follows the famous jester Tyll Ulenspiegel and the Winter Queen and several learned and lethal Jesuit priests (among others). Most novels that cut between storylines lose momentum and direction. Tyll takes bold leaps and keeps transforming into new adventures, new truths, a new vision of the seventieth century that subtly mixes historical fact and magical possibility.
'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan
'Brilliant and unputdownable' Salman Rushdie
He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!
In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam.…
I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
Set on the beautiful island of Barbados, Edugyan’s take on the slavery/emancipation interface focuses on primary characters that are male. The relationship between two of them, one White and one Black, becomes an exploration of how slavery created a toxic psychological legacy that distorted the nature and possibilities of friendship and trust.
I’ve loved Barbados since my first visit as a teenager, and I became more attached after some of my siblings called it home. Known as ‘Little England,’ a downside of this sunny paradise, and a relic of slavery, is its unequal economic and social class divisions. The population is over 90% Black but most of the valuable land and resources are owned by non-Blacks. I encourage readers to look beyond its surface beauty and explore its deeper history.
SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020
FINALIST FOR THE CARNEGIE MEDAL AND THE ROGERS WRITERS TRUST FICTION PRIZE LONGLISTED FOR THE WALTER SCOTT PRIZE 2019 New York Times Top Ten Book of the Year 2018 Sunday Times Paperback of the Year 2019
'A masterpiece' Attica Locke 'Strong, beautiful and beguiling' Observer 'Destined to become a future classic ... that rare book that should appeal to every kind of reader' Guardian
When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an…
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
What a breathtaking scope Tokarczuk gives us! This Polish novelist was new to me when I first picked this book up, but even though she won a Nobel Prize, I think she will be new to most U.S. readers.
This book begins as a meditation on travel and human movement, moving episodically through different fictional and historical plots, investigating sexualities, artificial humans, geographies, and the human compulsion not to sit still. But this just scratches the surface, as she has a kind of Garcia Márquez touch for identifying stories where bodies (both real and fake) exert their magic, even as the stories she tells are purportedly historical.
Did an 18th-century noblewoman during wartime smuggle a jar that contained Chopin’s heart in her undergarments? Tokarczuk answers: Is this so unbelievable?
NATIONAL BOOK AWARD FINALIST FOR TRANSLATED LITERATURE
A visionary work of fiction by "A writer on the level of W. G. Sebald" (Annie Proulx)
"A magnificent writer." — Svetlana Alexievich, Nobel Prize-winning author of Secondhand Time
"A beautifully fragmented look at man's longing for permanence.... Ambitious and complex." — Washington Post
From the incomparably original Polish writer Olga Tokarczuk, Flights interweaves reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. Chopin's heart is carried back to Warsaw in…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.
'Best book of the century' Richard Osman 'Just wonderful' Jan Morris 'Dazzlingly written' Sunday Times 'Every bit as superb as everyone says' Sarah Perry
Winner of the Costa First Novel Award 2016 Winner of the RSL Ondaatje Prize 2017 Winner of the Desmond Elliott Prize 2017 Shortlisted for the Walter Scott Prize for Historical Fiction 2017 Shortlisted for the Rathbones Folio Prize 2017 Shortlisted for the Authors' Club Best First Novel Award 2017 Shortlisted for the British Book Awards Debut Novel of the Year 2017
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escapefrom the world—we read to understandit. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?
Robert Stone was very much a product of his generation, which he immortalized in A Flag for Sunrise, Dog Soldiers, and a half dozen other novels. A master of dialogue and emotional intensity, he had no betters and few equals, and saw with startling clarity the darkness and flaws that motivate not just individuals but entire societies. This richly imagined and painfully wrought collection of stories hit me like a dangerous narcotic, leaving me breathless, wounded, and desperate for more.
The stories collected in Bear and His Daughter span nearly thirty years - 1969 to the present - and they explore, acutely and powerfully, the humanity that unites us. In "Miserere," a widowed librarian with an unspeakable secret undertakes an unusual and grisly role in the anti-abortion crusade. "Under the Pitons" is the harrowing story of a reluctant participant in a drug-running scheme and the grim and unexpected consequences of his involvement. The title story is a riveting account of the tangled lines that weave together the relationship of a father and his grown daughter.
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
I was recommended this novel by one of my students and loved it instantly. It has all the features you might expect of a dystopia: environmental damage, scant resources, and an authoritarian government controlling where people live, work, and travel.
I research contemporary women’s writing and the history of feminism, and I love Hall’s focus on how future dystopian scenarios might specifically affect women. Facing a world where women’s reproduction is controlled by the state, Hall’s narrator runs away to join a rebel women’s stronghold in the Cumbrian hills.
The experience is anything but gentle and sisterly; Hall is brilliant on both the brutal landscape of the north and the strength and violence of female resistance.
The world has changed. War rages in South America and China, and Britain - now entirely dependent on the US for food and energy - is run by an omnipresent dictatorship known simply as The Authority. Assets and weapons have been seized, every movement is monitored and women are compulsorily fitted with contraceptive devices. This is Sister's story of her attempt to escape the repressive regime. From the confines of her Lancaster prison cell she tells of her such for The Carhullan Army, a quasi-mythical commune of 'unofficial' women rumoured to be living in a remote part of Cumbria...
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escapefrom the world—we read to understandit. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?
I could recommend this book for the writing, which is remarkable—layered and incisive and beautiful—or for the plotting, which is dense and chaotic in all the best ways, even as Veselka displays the patience of a confident master. Or for the multitude of richly drawn, intriguing characters and how they move around the country and one another. As they wander from Alaska to Seattle to New England in search of a family secret—and in search of themselves—Veselka brings readers along on their quest as she slowly reveals the mystery of a dysfunctional family dynamic and the systems that create so many others like it.
NATIONAL BOOK AWARD NOMINEE • A wildly original, cross-country novel that subverts a long tradition of family narratives and casts new light on the mythologies—national, individual, and collective—that drive and define us.
On the day of their estranged father’s wedding, half sisters Cheyenne and Livy set off to claim their inheritance. It’s been years since the two have seen each other. Cheyenne is newly back in Seattle, crashing with Livy after a failed marriage and a series of personal and professional dead ends. Livy works refinishing boats, her resentment against her freeloading sister growing as she tamps down dreams of…
I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escapefrom the world—we read to understandit. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?
Like Holbert’s other novels, Lonesome Animals and The Hour of Lead, this one is populated by unusual characters, teems with senseless violence, and is rendered in a voice as compelling as it is unique. Set near the Grand Coulee Dam, Whiskey is about two part-Native American brothers, Andre and Smoker, who set out to find Smoker’s daughter, Bird, when she’s taken by a religious zealot. But the madcap plot is just one-third of a bigger story about the brothers and their destructive parents, Peg and Pork, and their collective collisions with alcoholism, marriage, the law, and one another. Though Whiskey belongs on the top shelf, expect it to burn going down. I wish I’d written it.
Whiskey burns pleasantly as it goes down, but has a lasting, powerful effect.
Brothers Andre and Smoker were raised in a cauldron of their parents’ failed marriage and appetite for destruction, and find themselves in the same straits as adults—navigating not only their own marriages, but also their parents’ frequent collision with the law and one another. The family lives in Electric City, Washington, just a few miles south of the Colville Indian Reservation. Fiercely loyal and just plain fierce, they’re bound by a series of darkly comedic and hauntingly violent events: domestic trouble; religious fanaticism; benders punctuated with pauses…
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
I was struck by this when I read it decades ago, and returned to it while researching. The Humbler Creation, written in the ’60s and set in the ’40s, gives a vivid depiction of that physically and morally shattered and patched-over post-war era.
Maurice, a repressed clergyman, lives with his wife Libby and her widowed sister, Kate, but right from the get-go, there’s the feeling that he and Kate would be better suited. But because of convention, this is not to be, and the frustrated Maurice and Kate seek satisfaction elsewhere. Passion, scandal, and tension ensue.
The characters, the dynamics between them, the sparky dialogue, and the 1940s setting all contribute to making this an addictive read. I was even more riveted the second time around.
Maurice Fisher is a London parish priest in an unfashionable quarter of Kensington. He has a wife whose frigid vanity, shirking of any household or parish duties, and despairing egotism is shrouded-like her beauty-in such pathetic and frightful self-deception that to love her at all becomes one of her husband's greatest private struggles.
Into this desert of duty and self-control, where his external life is a dogged shambles, his inner life dissolving through lack of joy, arrives somebody who awakens him to all-or a great deal-that he has been missing.
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
I read this while researching my novel and what an eye-opener it turned out to be. It draws on a rich source of resources and the personal testimonies of gay men in the mid-20th century. These are touching and sometimes upsetting as well as illuminating and clearly demonstrate how much more tolerant our culture has become.
I was really moved as well as fascinated and educated by this beautifully put together book.
Drawing on a rich array of source materials including previously unseen, fascinating (and often quite moving) oral histories, archival and news media sources, 'Curing queers' examines the plight of men who were institutionalised in British mental hospitals to receive 'treatment' for homosexuality and transvestism, and the perceptions and actions of the men and women who nursed them. It examines why the majority of the nurses followed orders in administering the treatment - in spite of the zero success-rate in 'straightening out' queer men - but also why a small number surreptitiously defied their superiors by engaging in fascinating subversive behaviours.…
