Here are 80 books that In the Vanishers' Palace fans have personally recommended if you like
In the Vanishers' Palace.
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I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I absolutely loved this quiet, lyrical novella with a sapphic sea monster romance and an underlying paranormal mystery that needs to be solved. The characters were flawed and real to me, and, like the rest of this novella, they were fully fleshed out despite the relatively few pages they have together.
The language is stunning, the pacing is perfect, and the sea monster lady is scaly and incredibly cool. I will be thinking about the impact this book left on me—and the way it proved to me that indie books can be very high quality—for years.
Del needs all the cash she can get, so when someone who claims to be from someplace called The Uncanny Society hires her to look into local disappearances, she takes the job. It brings her to On the Water, a club by the river, where she notices a beautiful woman trying too hard to be overlooked, and who goes out of her way to keep Del from the riverbank.
Saira entered the human world to retrieve the missing Guard of the Northern Gate at the behest of her Eminence, and return to her underwater home as quickly as possible. But…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
This book is just pure, sexy, chaotic fun (with sapphic monster ladies, of course). I’m an absolute sucker for a good genre-bender, and this one is not only chock-full of a variety of monsters, but it’s also a mystery, a comedy, an erotica, and a kind of Bildungsroman all rolled into one.
I laughed out loud more than once when reading this, and certain twists were executed so well that they had me flipping back to the beginning to find the clever foreshadowing. Also, the monsters are plentiful and their interactions are an absolute blast.
This was the book that made Jemma Topaz an insta-buy author for me.
Rosemary Dulahan, answering a strange job posting, arrives in Monstertown – a place inhabited by magical beings from another world.
Navigating the politics of sphinxes, lamias, and secrets, she must learn how to get along with her non-human coworkers and maybe romance a few monster girls along the way.
There's nothing she wants less than getting caught up in a murder mystery troubling all of Monstertown... but the mystery doesn't care what she wants, and she's about to discover the darker side of her new world.
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I love, love, love fairy lore, but a lot of books with fairies cut out some of the darker aspects—and this one decidedly leans right into the morbid, deceitful side of fairies.
I adored the setting of the fairy court, and while I don’t always consider fairies to be monstrous, the Fae Queen has unique, see-through, glass anatomy and a decidedly inhuman demeanor that made it all the more satisfying when she started to fall for the human main character. I found the thrill-seeking personality of the main character to be refreshing, and her encounters with the icy queen had strong chemistry (in addition to being super steamy).
Save some of your screams for the queen, there's a good girl...
Janneth Carter has given up on magic these days. She's done being curious, insatiable, dreamy; she just wants to finish her graduate degree and spend the rest of her life as a sensible archeologist. So the last thing she expects when she goes to her dig site on Halloween night is three mysterious strangers standing outside an ancient Scottish grave.
Okay, well the actual last thing she expects is for those strangers to kidnap her and drag her into fairyland.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
Count me in any time a book addresses the theme of “What makes a monster a monster?” One of the protagonists is Lord Wraith, a fun concept in itself as she’s an assassin cursed to take a wraith’s form once a month—but it’s really the other, manipulative human character who has a “monstrous” personality.
I already love that dynamic and the questions it poses, and throwing in an enemies-to-lovers angle and an unreliable narrator-induced plot twist over it really seals the deal on my love for this book.
I’ve read this one more than once, and I definitely plan to read it again.
Princess Annara has been plotting revenge on her father for eight years, ever since he exiled her from the Royal Palace of Archon. Now, conveniently, he wants her back in the palace. He hasn’t had a change of heart; instead, he promised her to a powerful foreign assassin in order to pay his debts. To anyone else, the situation might look bleak. To Annara, it’s an opportunity.
If she gets close to Senne, Annara will learn the secrets of the world’s most powerful assassin. But as she gets to know Senne better, her own…
Diane C. McPhail is the award-winning author of The Abolitionist’s Daughter, her debut novel based on family history and little-known impediments to Southern Abolitionism and anti-slavery. Her yet-to-be-titled second novel, a historical 1900 Chicago & New Orleans psychological mystery, is due for release in the spring of 2022. As an experienced therapist, Diane has a passionate interest in the complex, sometimes conflicting, qualities of character and culture, and how those intricacies complicate the plot. Diane holds an M.F.A., M.A., and Doctor of Ministry.
In this bestseller, Grissom offers an intricate view of little-known history. I am intrigued by stories that open a window onto aspects of life in history that, for one reason or another, are unfamiliar. Grissom’s story of an Irish indentured servant struggling to bridge the gap between race and class is just such a revelation. These issues remain timeless and powerful.
Kathleen Grissom, New York Times bestselling author of the highly anticipated Glory Over Everything, established herself as a remarkable new talent with The Kitchen House, now a contemporary classic. In this gripping novel, a dark secret threatens to expose the best and worst in everyone tied to the estate at a thriving plantation in Virginia in the decades before the Civil War.
Orphaned during her passage from Ireland, young, white Lavinia arrives on the steps of the kitchen house and is placed, as an indentured servant, under the care of Belle, the master’s illegitimate slave daughter. Lavinia learns to cook,…
I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
I’ve been reading Glenda Larke for years and I beta-read for her a lot. This book is special to me because it was great to give feedback on the draft but also to wonder at her genius and writing process. The great cast of characters adhere to the heart, and I was behind each and everyone. The book also was up for a few awards and when Larke won, I was there to accept an award for her.
'one of the very best Australian writers of fantasy fiction' NEXUS An absorbing new series about the most precious commodity of all - water - from the much-loved author of ISLES OF GLORY terelle, on the run from indentured servitude in a snuggery, finds refuge with a strange old man who paints pictures on water. She is horrified to discover that his floating artworks can fix the future for those portrayed in them. the Cloudmaster and his stormlords keep the land alive with their power over water and rain, but the current Cloudmaster is dying and there is no one…
Stormwalker Series Connections In Time Bain's Story Book 1
By
S.G. Boudreaux,
Finding Family, Discovery, Destiny. This is what nineteen-year-old Bain Brinley is searching for.
In his homeland, far in the mountains, he stepped into what he could only describe as a time-portal and landed in a strange land known as Egypt. Then he falls through another portal during a storm, only…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
This book unfolds in a compelling, nonlinear manner, and crosses genres. A combination of biography and family memoir and journalistic and scholarly research, it traces overlapping stories as the author sets out to discover why her great-grandmother traveled from India to America as a “coolie” at the start of the twentieth century and how this migration shaped future generations. Beautifully written, the book raises thorny issues around gender, race, and nationality, offering insight into the wider journeys of Indian contract laborers to the Caribbean and beyond.
In 1903 a Brahmin woman sailed from India to Guyana as a 'coolie', the name the British gave to the million indentured labourers they recruited for sugar plantations worldwide after slavery ended. The woman, who claimed no husband, was pregnant and travelling alone. A century later, her great-granddaughter embarks on a journey into the past, hoping to solve a mystery: what made her leave her country? And had she also left behind a man? Gaiutra Bahadur, an American journalist, pursues traces of her great-grandmother over three continents. She also excavates the repressed history of some quarter of a million female…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Drawing on vivid “coolie” testimonies and slave narratives, this book shows how Chinese contract laborers worked alongside African slaves in the final decades of slavery in the nineteenth century, forming cross-cultural ties and engaging in bitter rivalries as well as other experiences in between. The book features the voices of both sets of groups, including complicated commentary by slaves on the lot of so-called coolies. A powerful read, it brings to life the personal experiences of members of these groups of people during a brutal era of history.
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
An exquisite novel, Doig’s The Sea Runners combines the suspense and drama of a great escape with lovely, spare descriptions of the Northwest Coast’s sea, wind, and space.
Based on an account of three men who survived a coastal canoe voyage from indentureship in Russian Alaska during the winter of 1852, it is a remarkable story of the human spirit versus inhuman elements.
Based on an actual incident in 1853, award-winning author Ivan Doig's The Sea Runners is a spare and awe-inspiring tale of the human quest for freedom.
"Goes beyond being 'about' survival and becomes, mile by terrible mile, the experience itself."—New York Times Book Review
In this timeless survival story, four indentured servants escape their Russian Alaska work camp in a stolen canoe, only to face a harrowing journey down the Pacific Northwest coast. Battling unrelenting high seas and fierce weather from New Archangel, Alaska, to Astoria, Oregon, the men struggle to avoid hostile Tlingit Indians, to fend off starvation and…
After escaping from a government holding facility where she, along with other scientists, was being forced to build a deadly weapon. She headed for the most remote place she could think of, the wild Xantifal Mountains.
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
After I quit my law firm and was trying to decide what (if anything) I wanted to write, I read Kushiel’s Dart. This book convinced me that whatever stories I wanted to tell, no matter how extreme, I could tell them within science fiction/fantasy. And it really puts the “alternate” in alternate history.
During the Roman Empire, angels came to earth and mated with mortals in the area of modern France, again producing a race like the biblical Nephilim, only sexier, and with one commandment: “Love as thou wilt.” In this Europe that never knew a dark age, the angels’ descendants pursue love, power, and intrigue, and at the center of their plots is Phèdre, a courtesan spy fighting to save her land from betrayal.
The lush epic fantasy that inspired a generation with a single precept: Love As Thou Wilt
The first book in the Kushiel's Legacy series is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. A world of cunning poets, deadly courtiers, deposed rulers and a besieged Queen, a warrior-priest, the Prince of Travelers, barbarian warlords, heroic traitors, and a truly Machiavellian villainess...all seen through the unflinching eyes of an unforgettable heroine.
A nation born of angels, vast and intricate and surrounded by danger... a woman born to servitude, unknowingly given access to the secrets of the realm...
