Fans pick 98 books like The Sea Runners

Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.

Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.  

I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.

I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.

As a kid, I loved books of all shapes and sizes, especially those written by Irish authors. They made me feel like there was a chance of my own dream coming true – that I would walk into my local bookshop and see a book with my name on the cover. In the last twenty years, we've seen an explosion of new Irish authors making their mark on the world of children’s literature. Don’t get me wrong, I adore leprechauns, and many of the classic Irish books that have been loved by previous generations. But there’s a crop of brand new Irish authors making some incredible work, and it’s time to give them some love!

Diane C. McPhail is the award-winning author of The Abolitionist’s Daughter, her debut novel based on family history and little-known impediments to Southern Abolitionism and anti-slavery. Her yet-to-be-titled second novel, a historical 1900 Chicago & New Orleans psychological mystery, is due for release in the spring of 2022. As an experienced therapist, Diane has a passionate interest in the complex, sometimes conflicting, qualities of character and culture, and how those intricacies complicate the plot. Diane holds an M.F.A., M.A., and Doctor of Ministry.

I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.

I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie. 

Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.

Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.