Here are 98 books that The Curve of Time fans have personally recommended if you like
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Terry Tempest Williams is a Utah-based poet and naturalist who writes in this book about her mother's devastating cancer diagnosis and the rising of the Great South Lake in 1983, which was endangering the bird population by which Terry measured her life.
The way she interweaves the human world with the natural world and how interconnected everything is, in some ways, in my memory, reminds me of the same power Mark Doty’s Heaven’s Coast had for me, in that I was mesmerized out of my misery by the incredibly specific descriptions of sights and sounds and even smells.
Her mother’s illness and the tragedy that was occurring in the lake were somehow embroidered together to feel like the same story. When my opera The Grapes of Wrath premiered in Utah in 2008, it was as if Terry’s exquisite book had iconized the state for me. Coincidentally, it was Mark Doty…
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
I first read Passage to Juneau: A Sea and Its Meanings when I was the travel books editor at Amazon and took it home to review.
British-born Raban’s solo sailing journey from Seattle to Juneau, Alaska, is a riveting take on navigating the Inside Passage (the intricate waterway between Puget Sound and Alaska), weaving together history, science, literature, and intimate descriptions of his life at sea.
While Raban can be a prickly narrator, Passage to Juneau is extraordinary narrative nonfiction and was the initial inspiration for my own book and many seasons now spent boating (and reading) afloat.
With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. The physical distance is 1,000 miles of difficult-and often treacherous-water, which Raban navigates solo in a 35-foot sailboat.
But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers-- between its embattled fishermen and loggers and its pampered new class. Along the way, Raban offers captivating discourses on art, philosophy, and navigation…
I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.
As a kid growing up in Alaska, I daydreamed of venturing into the wilderness alone. I was hooked on the promise of adventure.
This book follows that dream as the author and her partner set off on an astonishing quest to traverse Alaska in homemade boats. Thoughtful, funny, and magical, it’s a tale of true love as well as near-death escapes.
During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals.
In March of 2012 she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic. Travelling by rowboat, ski, foot, raft and canoe, they explored northern…
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
An exquisite novel, Doig’s The Sea Runners combines the suspense and drama of a great escape with lovely, spare descriptions of the Northwest Coast’s sea, wind, and space.
Based on an account of three men who survived a coastal canoe voyage from indentureship in Russian Alaska during the winter of 1852, it is a remarkable story of the human spirit versus inhuman elements.
Based on an actual incident in 1853, award-winning author Ivan Doig's The Sea Runners is a spare and awe-inspiring tale of the human quest for freedom.
"Goes beyond being 'about' survival and becomes, mile by terrible mile, the experience itself."—New York Times Book Review
In this timeless survival story, four indentured servants escape their Russian Alaska work camp in a stolen canoe, only to face a harrowing journey down the Pacific Northwest coast. Battling unrelenting high seas and fierce weather from New Archangel, Alaska, to Astoria, Oregon, the men struggle to avoid hostile Tlingit Indians, to fend off starvation and…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
Sigurd Olson’s book is the most beautifully written and profound evocation of the utter beauty of the Quetico-Superior wilderness that I have ever read. Olson finds wonder and astonishment everywhere: trees, lakes, rivers, wildlife, and birds; the sound of rain; “laughing loons,” the signature sound of the North Country; falling leaves and bobcat trails.
I have read this entire book twice, and each time, I have learned more about appreciating the beauty of the wild. Each chapter is a unique lesson in seeing, hearing, and—most importantly—learning how to appreciate the wild and immerse oneself within it while leaving it intact.
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
A sense of light-hearted serendipity in Fulghum’s book made me smile during every single essay in this book.
Naturally, the theme of children learning ran through the book, but I particularly enjoyed the more subtle theme of adults learning from children and childlike innocence, which was delightful and insightful. The short, concise essays were quite diverse as well and encompassed much more than just teaching stories.
I could pick the book up any time and enjoy any chapter all by itself. I loved that so many of the stories were focused on extraordinary insights about ordinary people that Fulghum encountered over time. I really enjoyed taking moments out of an often stressful life to laugh and smile with Fulghum’s essays!
Essays on life that will resonate deeply as readers discover how universal insights can be found in ordinary events.
More than thirty years ago, Robert Fulghum published a simple credo—a credo that became the phenomenal #1 New York Times bestseller All I Really Need to Know I Learned in Kindergarten. Today, after being embraced around the world and selling more than seven million copies, Fulghum’s book retains the potency of a common though no less relevant piece of wisdom: that the most basic aspects of life bear its most important opportunities.
Here Fulghum engages us with musings on life, death,…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I felt like I was actually in the Alaskan wilds, ocean kayaking, hiking, camping, and exploring while reading Kim Heacox’s book. His descriptions, sensory imagery, and recounting of adventure and experiences both on and off the water made me feel like I was on the trip with him.
His interaction with wild animals was amazing and often was so exciting that it gave me chills. In addition, I enjoyed learning much about the amazing cultural and natural history of Alaska. The places, the people, and even the ancient past all came to life as I lost myself in this wonderful compilation of essays.
Throughout the book ran the poignant thread of human impact and change, which made me more aware and ready to vote for and write for change.
In this coming-of-middle-age memoir, Kim Heacox, writing in the tradition of Abbey, McPhee, and Thoreau, discovers an Alaska reborn from beneath a massive glacier, where flowers emerge from boulders, moose swim fjords, and bears cross crevasses with Homeric resolve. In such a place Heacox finds that people are reborn too, and their lives begin anew with incredible journeys, epiphanies, and successes. All in an America free of crass commercialism and overdevelopment.
Braided through the larger story are tales of gold prospectors and the cabin they built sixty years ago; John Muir and his intrepid terrier, Stickeen; and a dynamic geology…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.
Set along the Pacific Northwest Coast in the 1950s, Ravensong tells the story of an urban Native community devastated by an influenza epidemic. Stacey, a 17-year-old Native girl, struggles with the clash between white society's values and her family's traditional ways, knowing that her future lies somewhere in between. Celia, her sister, has visions from the past, while Raven warns of an impending catastrophe before there is any reconciliation between the two cultures. In this passionate story about a young woman's quest for answers, author Lee Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Packed with detail about Victoria, Vancouver Island, and the Gold Rush days in British Columbia, I thought this book was engaging, epic, funny (wait until the camels appear—and the wake!), and a real page-turner. I swooned over the descriptions of the landscape and would go so far as to say the land and sea, so alive in this book, should be considered a character. I was so profoundly invested in the fates of Jim, Dora, and Eugene, that I almost missed how cunningly the novel took on gender, class, and race, illuminating so many of the contemporary issues dogging us here on the coast.
