Here are 100 books that Our Monsters fans have personally recommended if you like
Our Monsters.
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I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I absolutely loved this quiet, lyrical novella with a sapphic sea monster romance and an underlying paranormal mystery that needs to be solved. The characters were flawed and real to me, and, like the rest of this novella, they were fully fleshed out despite the relatively few pages they have together.
The language is stunning, the pacing is perfect, and the sea monster lady is scaly and incredibly cool. I will be thinking about the impact this book left on me—and the way it proved to me that indie books can be very high quality—for years.
Del needs all the cash she can get, so when someone who claims to be from someplace called The Uncanny Society hires her to look into local disappearances, she takes the job. It brings her to On the Water, a club by the river, where she notices a beautiful woman trying too hard to be overlooked, and who goes out of her way to keep Del from the riverbank.
Saira entered the human world to retrieve the missing Guard of the Northern Gate at the behest of her Eminence, and return to her underwater home as quickly as possible. But…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I couldn’t leave out one of my favorite monsters of all time: dragons. Also, I just love secondary-world fantasy, especially the kind that has important themes like the effects of imperialism and that are set in a shifting palace full of magical rooms.
This book beautifully executes one of my favorite relationship dynamics in fiction: the dragon love interest starts out ice cold and very gradually warms up to the main character as they get closer, and they both overcome their past traumas as their romance grows deeper. That’s the good stuff!
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I love, love, love fairy lore, but a lot of books with fairies cut out some of the darker aspects—and this one decidedly leans right into the morbid, deceitful side of fairies.
I adored the setting of the fairy court, and while I don’t always consider fairies to be monstrous, the Fae Queen has unique, see-through, glass anatomy and a decidedly inhuman demeanor that made it all the more satisfying when she started to fall for the human main character. I found the thrill-seeking personality of the main character to be refreshing, and her encounters with the icy queen had strong chemistry (in addition to being super steamy).
Save some of your screams for the queen, there's a good girl...
Janneth Carter has given up on magic these days. She's done being curious, insatiable, dreamy; she just wants to finish her graduate degree and spend the rest of her life as a sensible archeologist. So the last thing she expects when she goes to her dig site on Halloween night is three mysterious strangers standing outside an ancient Scottish grave.
Okay, well the actual last thing she expects is for those strangers to kidnap her and drag her into fairyland.
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
Count me in any time a book addresses the theme of “What makes a monster a monster?” One of the protagonists is Lord Wraith, a fun concept in itself as she’s an assassin cursed to take a wraith’s form once a month—but it’s really the other, manipulative human character who has a “monstrous” personality.
I already love that dynamic and the questions it poses, and throwing in an enemies-to-lovers angle and an unreliable narrator-induced plot twist over it really seals the deal on my love for this book.
I’ve read this one more than once, and I definitely plan to read it again.
Princess Annara has been plotting revenge on her father for eight years, ever since he exiled her from the Royal Palace of Archon. Now, conveniently, he wants her back in the palace. He hasn’t had a change of heart; instead, he promised her to a powerful foreign assassin in order to pay his debts. To anyone else, the situation might look bleak. To Annara, it’s an opportunity.
If she gets close to Senne, Annara will learn the secrets of the world’s most powerful assassin. But as she gets to know Senne better, her own…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I found myself surprisingly captivated by this present-day body horror mermaid transformation tale focused on a high school swim team.
This novel follows a gradual decline from an everyday reality towards an increasingly unhinged climax, and I appreciated how slowly this sneaks up on you. Even though the book makes no secret of where it’s ultimately going, I was still pleasantly surprised about how we got there and the weirdness of the ending.
The sapphic relationship between the protagonist and her best friend is a key throughline, with an interesting dichotomy between the best friend’s long-term adoration and the protagonist’s relative detachment and bitterness.
In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.
Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be…
I’ve loved portal fantasies since childhood—after all, who has never imagined being swept away to another world, particularly one in which magic is more than mere illusion? (The trick, of course, is then finding your way back…) Since the wardrobes in my life have thus far refused to open onto snowy forests, however, I write my own stories these days.
The Magicians is what happens when a kid who’s obsessed with a series like The Chronicles of Narnia grows up, is accepted into a magical university, and discovers along the way that the fantasy world he so loved reading about is real…but not quitewhat he imagined. This novel, the first in a trilogy, offers a more jaded look at some of the beloved aspects of children’s fantasy and how they might play out with young adults discovering themselves and seeking purpose.
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I’m a sucker for a pun, and this is another witty book about a serious subject, so it’s right up my street. Milton it ain’t—I
romped through it at a time when I was desperate for entertainment. Aging is explored with a sense of freshness and fun as a teenager goes
to work in an old people’s home.
A convincing voice, well observed, and ultimately poignant as our protagonist gets closer to understanding age and the elderly—whilst growing up herself. I love the fact that the jokes are never laboured. It’s coming to us all…
Working in a care home is not really a suitable job for a schoolgirl but 15-year-old Lizzie Vogel went for it. It just seemed too exhausting to commit to being a full-time girlfriend or a punk (it is the 1970s after all), plus she has some knowledge of old people. They're not suited to granary bread, and you mustn't compare them to toddlers, but she doesn't know there's…
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master…
In the spring of 1970, a Pretoria schoolboy, Joe, becomes obsessed with Muhammad Ali. He begins collecting daily newspaper clippings about him, a passion that grows into an archive of scrapbooks. Forty years later, when Joe has become a writer, these scrapbooks become the foundation for a memoir of his childhood. When he calls upon his brother, Branko, for help uncovering their shared past, meaning comes into view in the spaces between then and now, growing up and growing old, speaking out and keeping silent.
I am Casey Kelleher, a crime writer and author of 17 novels. I have always been a complete and utter bookworm, but my true passion is crime and psych thrillers. Most of my stories concentrate on the victim–or, as I prefer to call them, the survivor. That’s who I champion in my stories, highlighting the strength of that person who has overcome whatever harsh reality that’s been forced upon them. But I also like to get inside the perpetrator’s head. I want to know the ‘whys’ of what they do. Psychology is very complex, but I do believe that there can be good and bad/darkness and light in all of us.
This book was just something else completely for me. I went in blind, knowing nothing about the story or subject matter–which is dark and complex. The writing style is just perfection, and I can honestly say I’ve never been so obsessed with a book in my entire life. I don’t read books for a second time (because, let's face it, who has time for that when our reading lists are already never-ending), But I would happily devour this one all over again. In fact, I get jealous when I hear people start it for the very first time.
It's dark and complex, and it will split the audience in two, with no room for an in-between. You will either ADORE this book or LOATHE it. For me, it was perfection.
A beautiful and provocative love story between two unlikely people and the hard-won relationship that elevates them above the Midwestern meth lab backdrop of their lives.
As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star gazing causes an accident. After witnessing…
