Fans pick 100 books like My Name Is Barbra

This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.

Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.

When I was nine, I stayed with my Grandparents for a week and went to the local bookshop every morning. One day, I randomly picked up Harriet the Spy, read the first page, and couldn’t stop. Over the years, I have read it over 50 times, and it still remains one of my all-time favorites.

This book has nothing to do with presenting and everything to do with being observant, a writer, and a spy. I couldn’t have a list of book recommendations without including this. Harriet is one of the best and most realistic heroines in children’s literature, and if you haven’t read it, you’re in for a treat.

I love David Sedaris’s writing. He is so observant and has a brilliant ear for dialogue. I’ve read his diaries, which are some of the source material for this book of essays. The title refers to him learning French whilst living in Paris.

His attempts to read his essays to the class are often met with contempt by his French teacher, who barely disguises her scorn at his efforts. But, respect for David’s work ethic–he often spent the whole day on his French homework, so determined was he to crack the language. Another life lesson: there are no shortcuts–you have to put the work in.

I greatly admire people who are ‘themselves’ in every situation and whoever they are talking to. People who don’t tie themselves in knots thinking about what the ‘right’ thing to say is and who don’t pretend to be someone they are not. The author of this book of letters home to her sister is–I think–someone like that.

And that’s why this book is so amusing and a huge comfort read that I repeatedly turn to. It’s Nina, from Leicester, coming to live and work in London for the first time as a nanny to two boys. She doesn’t care about what she ‘should’ say; she just says what she sees and writes what she hears–to comical effect (unconsciously).

Wasson and Basinger are two other authors where you simply want to read everything they’ve written.

The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.

What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods. 

Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.     

If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.

A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”   

Rebecca Prime is one of the contributors to my book and her book is a fascinating sequel to that volume. It covers the careers of several blacklisted filmmakers who fled Hollywood and America, seeking to find new work and life opportunities in Europe. Impeccably researched and elegantly written, Prime’s study tells the story of a generation of creative workers that was lost to the USA but which made a vital contribution to European and British cinemas. As she details, many of the exiled filmmakers faced almighty personal and professional struggles to adjust to their new circumstances, and while a few (e.g. Joseph Losey and Jules Dassin) would eventually achieve fabulous success, many other exiles found it difficult to secure regular and fulfilling work opportunities or personal happiness.

This book made me think about what it would be like to be a famous actress—the scandals, the romance, and the idea of constantly being watched. Taylor paints an impressive image of what a woman such as Evelyn Hugo would go through to make it in such a cutthroat world.

One wrong move could cause you to lose everything you worked so hard to achieve. The story had me hooked from the beginning, and I greatly enjoyed the little mystery she tossed in with Evelyn and why she chose Monique as her reporter. Scandal and mystery are always a tasty treat in the world of fiction.

This novel is a blend of fact and fiction and informed speculation, centered on the relationship between two mammoth film stars of Hollywood’s Golden Age: Loretta Young and Clark Gable. While the deeper truths of their relationship during the filming of Call of the Wild might be disputed, what is certain is that they produced a daughter whose identity was kept secret—even from her father. Loretta is sympathetically portrayed, often from the perspective of an Italian nun (the author’s creation). A whole galaxy of film celebrities passes through the pages of this book, which for fans of 20th century cinema, is a plus. One touching and poignant aspect of the story, for me, is the danger Loretta’s beloved child poses to her reputation and career.