The best books for tarot improvisation for writers and artists

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

Because I love understanding the roots of my present by looking at my past, I loved using Nancy Hendrickson’s Ancestral Tarot exercises to begin a relationship with my own ancestors. Hendrickson defines types of ancestors (blood, place, and time) and suggests practical ways to connect. Journaling prompts encourage you to create a paper trail of your journey. Hendrickson gives us layouts and delves into tools (sigils, moon energy, pendulums runes, oracles). You can dive deep to look at patterns surrounding addiction, generational incarnations, DNA, and more. As soon as I brought this book into my home (while preparing to teach a class with it) I had a powerful and moving dream that connected me to a loving ancestor.

Writer, photographer, and journalist William Cook Haigwood selected his own photos to create Journeying the Sixties: A Counterculture Tarot. The book helped me understand the context for my early childhood when my parents had an apartment in the Haight. Haigwood practically offers a graduate-level course in the Sixties by examining the major players, the opposing forces, and the gifts and wages of the unbridled idealism and enthusiasm characteristic for the times (love, religion, art, music, politics, law enforcement, war, drugs, feminism, poetry, revolution, and more). The Eight of Cups chapter looks at People’s Park in Berkeley; Mick Jagger represents the King of Pentacles; the Death card discussion explores Martin Luther King, Jr., Kennedy, and Vietnam. Haigwood’s interpretations make tarot’s archetypal energies relevant to the lessons of an entire generation. 

As a lover of fairytales, I love the premise of The Castle of Crossed Destinies and that tarot cards appear visually down the margins of the pages. Novelist Italo Calvino places us in two settings: a castle, and a tavern. Guests traveling through the woods arrive to discover they have lost their ability to speak so they use tarot cards to “show” their stories. The narrator translates those cards (reliably or unreliably—you decide). A tarot card grid appears for the stories in the Tavern of Crossed Destinies section of the book that lays out plot possibilities. I love the visual “chess” concept and that you can use tarot card layouts to plot tales, novels, or a series of poems. 

Jessa Crispin’s Creative Tarot suggests ways to connect to one’s muse through tarot. Crispin’s chapters match each tarot card’s essence to artists, thinkers, philosophers, and writers, looking at challenges and gifts each personality encountered over the course of their lifetime (and how they manifested in detriment or bloom). One of my favorite lines makes tarot card exploration forever relevant: Crispin writes, “It is about retelling the present.” And it is about how to ground tarot energy in specifics: what does it mean to be a King of Cups? Who has lived such an incarnation? Her “living examples” make tarot tangible for my students; I love her specific suggestions for how to explore the energy of each tarot card through music, film, paintings, art, and literature.