I've been a student of horror since my mother first sat me down in front of the TV to watch the old monster movies with her. It's a genre for the outsiders, the underdogs, which I've certainly felt at several points throughout my life. Good horror is both an escape and a vessel to affect change in the world. Many people in my life believe horror is just boobs and blood, so I feel like it's my job to educate them. This is why I started hosting my horror movie nights, which later developed into my first cookbook. Horror is a major part of my life and I hope it gets the appreciation it deserves.
It is a beautifully gruesome story about love, desire, and greed. Though I found it to be absolutely frightening, I also found it strangely comforting.
As a young gay man in the early 00s, as the AIDS epidemic was slowing down a bit, Barker's depiction of sexuality and openness was quite refreshing. I can only imagine what it must have been like reading this story for the first time as a gay man in the 1980s.
The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser
From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to…
I
enjoy surprises. Jump scares? Eh, they’re okay. But what I really seek out are
tales that evoke the sensation of being semi-lost in a dark forest, with a
flickering flashlight, squinting around the brambles to understand what lies
beyond.
I want to discover monsters beyond run-of-the-mill demons, vampires, or
werewolves. So, when I dug into this weird, surreal book, I was quickly mesmerized
by its quiet horror, depicting a woman deeply betrayed by her partner and yet
still caring for him during a strange metamorphosis while enduring his stark,
hurtful confessions.
When she ultimately embraces a metamorphosis of her own, I
had to sit back, eyes open wide, surprised, and delighted at the strange story I
had just consumed.
It's 1900, and Louise Wilk is taking her dying husband home to Buffalo where he grew up. Dr. Edward Wilk is wasting away from an aggressive and debilitating malady. But it's becoming clearer that his condition isn't exactly a disease, but a phase of existence that seeks to transform and ultimately possess him.
“At the bitter end of the 19th century, a loyal wife cares tenderly for her dissolute husband as he nears his death from a mysterious, gruesomely corrosive disease. Helpmeet by Naben Ruthnum is a sumptuous excursion into surreal body horror and an unsparing exploration of the extreme…
The book that made me like robots. Okay, androids. Okay, Ancient-Egyptian-inspired hyper-advanced noble sapient beings biotransfered into soulless, dysphoric, flesh-phobic metal skeletons. To put it simply.
I loved the aesthetics of the book. Burnished silver, green, and black. Silver metal bodies with glowing emerald cores and burning “eyes”. Actinic green flashes of firing pylons and voidcraft in the night sky. A sacred tomb invaded by orks as scarab constructs and far worse things scuttle and crawl out from the shadows. An obsidian-black desert necropolis thick with obelisks and alight with gauss lamps.
Most of all, I loved how alien the book was, how inhuman – yet gradually “humanised”, with emotional and empathetic touches. Communication in this book felt unique. The “necrons” have no facial expressions or inflections of voice, so instead they found more technological ways to express emotional nuance in their new bodies: through the intensity of their core-fluxes,…
Peer into the into the bizarre culture and motivations of the Necrons in this great novel from Nate Crowley.
Exiled to the miserable world of Sedh, the disgraced necron lord Oltyx is consumed with bitterness. Once heir to the throne of a dynasty, he now commands nothing but a dwindling garrison of warriors, in a never-ending struggle against ork invaders. Oltyx can think of nothing but the prospect of vengeance against his betrayers, and the reclamation of his birthright. But the orks are merely the harbingers of a truly unstoppable force. Unless Oltyx acts to save his dynasty, revenge will…
I’m a horror writer to the core, always have been, so few things get me as interested as a great collection of short stories. I can remember a few corkers that really put the wind up me as a kid, and it seems I’ve been chasing that feeling ever since! Australia is my home, and it has a broad and diverse genre scene that deserves a lot more attention – I’ve befriended a great many authors of horror, fantasy, SF, and all points in between, and to a person they are lovely, generous, and talented. I’m doing my part to draw attention to the proliferation of vital voices down here.
Kirstyn is another stalwart of the Australian scene whom I have always admired, and this recent collection of her stellar short work is so overdue it’s almost insulting.
Like the best of our number, she delves deep into the heart of her characters to present tales that never feel rote or disengaged, and her tales have teeth in the most unexpected places.
Her weirdness is never dispassionate, her horror never tame, and she returns from the darkness with gifts of many hues.
These are modern fairy tales for the grimy backstreets and dimly lit suburban kitchens down here at the bottom end of our haunted globe.
"Kirstyn McDermott's prose is darkly magical, insidious and insistent. Once her words get under your skin, they are there to stay." -Angela Slatter, author of All the Murmuring Bones and The Path of Thorns
Hard Places collects the very best of Kirstyn McDermott's short fiction written over the past twenty years along with a previously unpublished novella. From unsettling obsessions and brutal body horror to unexpected monsters and ghosts drifting through suburbia, these stories run the gamut of horror and the contemporary gothic. By turns harrowing, provocative and poignant, this collection will haunt you long after the last page is…
Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
Aliya Whiteley is one of my all-time favourite writers. I could’ve easily included a few of her books on my list!
The Beauty imagines a future world where the women are all gone, and the last men are eking out a survivalist existence. While the main protagonist is a man, the return of ‘the beauty’ shines a light on female power and importance. This gut-wrenching tale sits somewhere between body horror and ancient fable—a place where your skin crawls and your mind can’t stop thinking about what you’d just read.
Nominated for the Shirley Jackson and Saboteur awards, this game-changing story was chosen by Adam Nevill as one of his favourite horror short stories: "What a refreshing gust of tiny spores this novella explodes into, and I inhaled them all with glee".
Somewhere away from the cities and towns, in the Valley of the Rocks, a society of men and boys gather around the fire each night to listen to their history recounted by Nate, the storyteller. Requested most often by the group is the tale of the death of all women.
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
This book takes us into a space colony populated solely by females who live in a symbiotic relationship with their organic starship. The ship is their shelter and protector, and in return, the women birth tools and components that the ship needs to function.
I love the gory spectacle of these bloody, mechanical births but also how they allow Hurley to explore ideas about community, duty, and belonging. The book is part of a wider sensibility that can be found throughout Hurley’s work, but for my money, this is the one where her imaginative powers are most successfully harnessed.
Somewhere on the outer rim of the universe, a mass of decaying world-ships known as the Legion is traveling in the seams between the stars. For generations, a war for control of the Legion has been waged, with no clear resolution. As worlds continue to die, a desperate plan is put into motion.
Zan wakes with no memory, prisoner of a people who say they are her family. She is told she is their salvation - the only person capable of boarding the Mokshi, a world-ship with the power to leave the Legion. But Zan's new family is not the…
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
Alright, so a theme seems to be developing here, but in this case, ‘Don’t mess with nature’ gets a Canadian island treatment (those poor Boy Scouts). And, of course, a storm is coming. And, of course, the communications go out. I was gripped and frankly grossed out by this Stephen King-esque tale.
There are also shades of Frankenstein and Lord of the Flies, and I love a horror novel that asks the question of which monsters are worse—the ones we create or the ones that lurk inside.
'THE TROOP scared the hell out of me, and I couldn't put it down. Not for the faint-hearted' STEPHEN KING
He felt something touch his hand. Which is when he looked down.
For the scouts of Troop 52, three days of camping, hiking and survival lessons on Falstaff Island is as close as they'll get to a proper holiday.
Which was when he saw it.
But when an emaciated figure stumbles into their camp asking for food, the trip takes a horrifying turn. The man is not just hungry, he's sick. Sick in a way they have never seen before.…
I
love fiction that makes me reexamine what I want and how to acquire it best,
and Milks’ short story collection is jam-packed with tales that do exactly that
across a panoply of desires.
I find myself returning to this book every few
months to check my narrative instincts as a writer: Am I being disgusting
enough? Am I pulling the rug out from under the reader with enough force? Am I
exerting sufficient control over the relationship between the reader and the
read subject?
It’s a sharp, hilarious, jarring collection that keeps giving me
something new at every read.
"Carefully considered, successful instances of experimental fiction" disrupt gender, genre, and identity in this deranged, otherworldly collection (Literary Hub).
A woman metamorphoses into a giant slug; another quite literally eats her heart out; a wasp falls in love with an orchid; and hair starts sprouting from the walls. These stories slip and slide between genres—from video games to fan fiction, body horror to choose-your-own-adventure—as characters cycle through giddying changes in gender, physiology, species, and identity. Collapsing boundaries between bodies and forms, these fictions interrogate the visceral, gross, and absurd.
“This book is fucking weird,” wrote Brit Mandelo in 2015. It’s…
This feminist take on a werewolf story was the perfect balance of funny and seriously moving, with a good dose of stomach-twisting body horror tossed in occasionally.
I went into this story expecting horror and humor, and while it certainly has both, it was the exploration of ways the world takes woman's agency of their own bodies that really moved me. The main character's transformation into a werewolf serves as a subtle and masterfully crafted metaphor for surviving sexual assault, with an embracing of female rage that was so satisfying to read.
Harrison is a master of feminist horror that is perfectly balanced with humor and outlandish events that are still firmly grounded in our world. I finished the book feeling both empowered and a little nauseated (in the best way).
A young woman in need of a transformation finds herself in touch with the animal inside in this gripping, incisive USA Today bestselling novel from the author of Cackle and The Return.
Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large…
