100 books like Clean Break

I lived in Australia for several years and loved visiting historic buildings with their wrap-around verandas, pressed-tin high ceilings, and old-world grandeur. Greenwood’s books, set in 1920s Melbourne, remind me of those buildings. Her heroine, investigator Phryne Fisher, epitomizes 1920s glamour.

She’s wealthy, educated, sexy, and self-assured, and conducts her investigations in a dazzling array of sumptuous outfits. But what I like most about Phryne is her ability to talk to anyone, whether that’s the grandest society hostess or the roughest docker.

In this book, she’s investigating a series of murders in a theatre and also finds herself drawn to Melbourne’s Chinese community. She moves easily between worlds, often kind, always shrewd, never flinching.

I love the character of VI Warshawski: tough, brave, capable, and utterly loyal to her friends. VI (as she is known) is the archetypal ‘tart noir’–a female investigator in the mold of the hardboiled noir detectives but with empathy, vulnerability, and great style. VI can pack a punch, handle a gun, and is tenacious to the point of stubbornness, often at great personal risk, yet we also see her moments of self-doubt, her humanity, and her compassion towards others.

I couldn’t put this book down.

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.

When I first read this book, I wanted to be the protagonist, Sam Jones. Sam is bold, confident, and very sexy, has numerous vibrant, arty friends, owns a wardrobe of fabulous outfits, and is never far from trouble.

She’s a sculptor who turns unofficial investigator when a dead body turns up at the theatre where she’s been commissioned to create a series of mobiles for a stage production.

When not solving crimes, her life is a round of making art, complicated love affairs, drinking cocktails, and going out clubbing. I love her dry wit, strength, and self-deprecating humor.

I love Sarah Paretsky’s novels because her private investigator V.I. Warshawski is a vulnerable badass. This 21st installment is classic Warshawski who, like me, is now a woman of a certain age. She may be a bit slower to recover from physical challenges, but her passion for justice is as strong as ever as she confronts Chicago corruption and mobsters from the cold waters of Lake Michigan to her childhood Southside neighborhood, one we’ve come to love as much as she does.

Pinky fell into becoming a private investigator, but it’s a perfect fit for her personality.

She’s naturally curious. And skeptical. But now, even though she has an actual assignment she needs to work on, she’s spending her time investigating the guy who moved in next door. But his identity is impossible to pin down.

My favorite part is when Pinky gets caught following her weird neighbor. He introduces himself as Clarence, which is strikingly similar to Pinky’s real name, Clarice. It’s like he’s saying no matter how hard you try, you’ll never find out anything about me, but I know everything about you. I had to keep reading just to try to figure out who this guy was and what he was up to.

Mickey Spillane created Mike Hammer, a hard-boiled detective who was (according to the books) quite the lady’s man. This detective story involves millionaires, organized crime, and revenge, which makes for a great read. Hammer is depicted as a hard-drinking, hard-fighting guy that has acted as a prototype for many imitators.

Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.

Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.

In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...

Pike is the third sidekick on my list to get his own series.

This provocative work of investigatory scholarship takes a dim view of private eyes, but that’s fair enough – as a detective (definitely not a saint) who has never carried a gun myself, I share the author’s dismay at the violent anti-heroes of mythic American lore. Ruehlmann’s question in this book is also my own: why are people so interested in private eyes? Answering it, he traces the idea of an omniscient private eye back to the outlaw vigilantes of the Old West, draws a distinction between intellectual English detectives and the musclemen of American noir, and includes an overview of modern masters of detective fiction along with a history of the profession starting in 18th-century France. Who knew? None of it is flattering, which makes it even more fun to read. 

This one takes place in London, a city I love and have visited many times, but there’s a bigger reason I enjoy this mystery so much.

Horowitz tackles the writing world as only he can do, with himself as the protagonist, addressing aspects big and small that every writer today will find familiar. And when the murder occurs—well, all I can say is you’ll have to read it.

He calls in his own character Daniel Hawthorne to help. As a mystery writer, I find that so appealing!