My interest in photography began as a student at Pratt Institute, a preeminent art school, and I have worked in the field my entire adult life, not as a photographer but as a picture editor and photography critic. I was the Page One Picture Editor of The New York Times and wrote regularly about photography for the paper. I have published two biographies: one on Richard Avedon, among the more significant artists of the 20th century, and another on Sam Wagstaff, one of the earliest collectors who established the art market for photography; a book of collected reviews and essays called Photography After Frank; and essays on individual photographers for museum catalogues and artist’s monographs. I produced the 2011 documentary, Bill Cunningham New York.
Evidence, published in 1977, is a book of black-and-white pictures culled by these two artists from the archives of government agencies, public utilities, university laboratories, and private corporations. The anonymous photographs were made to document actual fires, land sites, crime scenes, product testing, and scientific experimentation. In Evidence, the pictures are removed from their context of origin and printed, one to a page, without caption information. Individually, the pictures take on surrealist properties subject to endless narrative interpretation; collectively, the sequencing creates a running narrative with no coherent story. Since the pictures so closely resemble the black-and-white documentary images that came to define art photography in the 1970s, Evidence was among the early postmodern works to contest the growing acceptance of photography as art, photographer as artist-author, photographic documentation as fact, and the truth-telling capability of the medium as unwavering.
A visual conundrum of incalculable mystery. ―Martin Parr, The Photobook: A History
In 1977, photographers Larry Sultan (1946–2009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canon―a book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred…
Part
of the LAPD Harry Bosch (#23)/Renee Ballard (#4) police procedural series, The
Dark Hours, is primarily told from Ballard’s POV.
The dark hours is cop-speak for midnight to seven on the night shift, but the title equally sums up
Ballard’s struggles in her personal life and career. Perfect narration by Titus
Welliver (Bosch) and Christine Lakin (Ballard), with Connelly at his best. I
love the way he’s allowed his characters to not just grow older, but to change
and evolve through the years. Brilliant.
A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year
“A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly).
There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop…
I'm a novelist and screenwriter best known for my fourth novel, Under Color of Law, which features Black detective Trevor "Finn" Finnegan of the LAPD. I'm a lover of crime fiction, preferably noir, that works to entertain and enlighten readers by exploring the topical issues of today. I hold an MFA in Writing from Otis College and I’ve taught college-level English and creative writing courses for over ten years.
A solid police procedural that influenced my own book, the novel explores race relations in Los Angeles amid the 1992 Uprising spurred by the beating of motorist Rodney King. Detective Charlotte Justice not only is tasked with solving the murder of a man responsible for killing her family but also contends with the misogynistic, racist, and overall toxic good old boy culture of the LAPD. The novel delivers a twisty mystery and deconstructs an event that should have served as the tipping point for police reform in America.
Meet Detective Charlotte Justice, a black woman in the very white, very male, and sometimes very racist Los Angeles Police Department. The time is 48 hours into the epochal L.A. riots and she and her fellow officers are exhausted. She saves the curfew-breaking black doctor Lance Mitchell from a potentially lethal beating from some white officers - only to discover nearby the body of one-time radical Cinque Lewis, a thug who years before had murdered her husband and young daughter. Was it a random shooting or was Mitchell responsible? And what had brought Lewis back to a city he'd long…
I
invented a category called Best Offbeat Memoirs because I’d written one.
Fearless about showing her flaws, Patchett was saved from illiteracy by a
determined nun. If not for her dazzling self-discipline she might have remained
a crackerjack waitress. When nobody showed up at a book signing, she looked
around to observe what makes an independent bookstore tick.
When book banners
certain that first-year students at Clemson University would be turned into sex fiends,
homosexuals, and drug addicts if they read her assigned book (sound familiar?)
she gave the “kick-ass” speech printed here. Her three proud fathers adored
her. Patchett’s no-nonsense but caring nature and sense of humor are the
narrative thread that holds these diverse pieces together, making this a book
to treasure.
'So compellingly personal you feel you're looking over her shoulder as she sits down to write' New York Times
'Electrically entertaining ... Funny, generous, spirited and kind' The Times
This Is the Story of a Happy Marriage is an irresistible blend of literature and memoir revealing the big experiences and little moments that shaped Ann Patchett as a daughter, wife, friend and writer.
Here, Ann Patchett shares entertaining and moving stories about her tumultuous childhood, her painful early divorce, the excitement of selling her first book, driving a Winnebago from Montana to Yellowstone Park, her joyous discovery of opera, scaling…
The latest Michael Connelly is always a fixture on my Christmas wishlist, and is often the first one I read in the new year. The Lincoln Lawyer series continues to raise the bar for legal thrillers. Add in Mickey's brother, Harry Bosch, and I am in heaven! Leaving aside the fantastic plots and well-developed characters, what drags me in each time is the world that Connelly has built. I feel as though I know Los Angeles, despite never having set foot on the US West Coast. I can't wait for the next one!
Defense attorney Mickey Haller is back, taking the long shot cases, where the chances of winning are one in a million. He agrees to represent a woman in prison for killing her husband, a sheriff’s deputy. Despite her conviction four years earlier, she still maintains her innocence. Haller enlists his half brother, retired LAPD Detective Harry Bosch, as investigator. Reviewing the case, Bosch sees something that doesn’t add up, and a sheriff’s department intent on bringing a quick search for justice in the killing of one of its own.
The path to justice for both the lawyer and his investigator…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it reminds us of the many ways that technology can affect justice.
It is tempting to think sophisticated tactics such as “predictive policing” can solve all problems relating to human bias. However, Brayne shows that data and algorithms do not eliminate bias and discretion. Instead, high-tech police tools simply make bias less overt and visible, which erodes the public’s ability to hold the police accountable.
I especially enjoyed how the book flips the script, considering diverse ways to use these tools to help the public. For example, how can municipalities use technology to analyze the underlying factors that contribute to policing problems in the first place?
The scope of criminal justice surveillance, from the police to the prisons, has expanded rapidly in recent decades. At the same time, the use of big data has spread across a range of fields, including finance, politics, health, and marketing. While law enforcement's use of big data is hotly contested, very little is known about how the police actually use it in daily operations and with what consequences.
In Predict and Surveil, Sarah Brayne offers an unprecedented, inside look at how police use big data and new surveillance technologies, leveraging on-the-ground fieldwork with one of the most technologically advanced law…
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
This pick is a classic from an author who played a huge part in growing the police procedural genre. Wambaugh was also a detective sergeant but with the LAPD. He paved the way for other cops, like me, who want to write books.
All of Wambaugh’s books are wonderful reads, but this is one I remember most because I read it as a teenager, and it blew me away. It delves into some of the tougher aspects of being a cop, though, and the negative side of police culture.
Meet the Los Angeles blues—a new breed of cop. From the baby-faced rookies to hashmark heroes, they are besieged men, dealing daily with a world coming apart. Hunting killers, quelling gang wars, fighting corruption, they risk death every day . . . every night.
Joseph Wambaugh was a damn good cop and LAPD detective. For fifteen years he prowled the streets, solved murders, took his lumps. Now he’s the hard-hitting, tough-talking bestselling writer who tells the brutal, true stories of the men who risk their lives every time a siren screams.
I am a British crime writer with a love of American crime fiction, particularly books with dark plots and quirky, unique characters. I am the author of the Sunday Times bestselling, multiple award-winning, Washington Poe series and the new Ben Koenig series but am first a reader—I read over a hundred books a year. I love discovering a new-to-me series that has a back catalogue for me to work through, and I appreciate recommendations. I’ve been a full-time author since 2015 and, as I suspected, it’s my dream job.
Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.
Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.
In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...
Pike is the third sidekick on my list to get his own series.
'THE LAST DETECTIVE is literally a thrill-a-minute read. Crais is on top form, which, believe me, is about as good as it gets. Don't miss it' INDEPENDENT ON SUNDAY
'The narrative is taut, the menace palpable, the suspense unbearable' DAILY TELEGRAPH
Elvis Cole has got a problem to solve - and this time it's personal.
Elvis Cole's girlfriend, Lucy, is out of town, and she has left her young son Ben in Elvis's care. Elvis and Lucy have had a few problems lately - not least over his job as a private investigator. But at last things seem to be…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
This book is laugh-out-loud funny. The rich socialite heroine is quite
intelligent in some things and ridiculously stupid in others. The whole
book is absolutely unbelievable, but utterly delightful – and way beyond
society's terms of approval for women in 1907 Los Angeles. Sometimes a
book doesn’t have to be anything but a joy to read. This one delivers.
It's 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels—but must disguise them behind covers of more domestically-appropriate reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.
Determined to break free of the era's rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
This is the first Alex Delaware book that I read, and I became immediately hooked. Delaware is a psychologist-detective based in Los Angeles, who works very closely with his good friend, Milo Sturgis, a detective with the Los Angeles Police Department. This story has them both looking back in time to a murder that Milo failed to solve. Between them they scour the “City of the Angels” and get to grips with this old case that never quite went away.
Twisting, brutal and terrifying but ultimately redemptive, THE MURDER BOOK by New York Times No. 1 bestselling author Jonathan Kellerman, author of KILLER and BREAKDOWN, is recommended for fans of David Baldacci and Harland Coben. 'Optimism is a feature of The Murder Book although the premise is macabre . . . Kellerman ameliorates the horror with a surprising number of generous characters' (Telegraph)
Alex Delaware's relationship with his long-term partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour.
But he soon has other things to think about. He is sent…
