Fans pick 72 books like The Secret Life of Anna Blanc

This is the cleverest, funniest, best Sherlock Holmes homage ever. It’s Montana, 1893, and I’m watching the red-headed Amlingmeyer brothers, down-on-their-luck ranch hands, entertain themselves reading Holmes stories in Harper’s Weekly.

Big Red, the younger brother, is reading to his older brother, Old Red (all of 27). Old Red might be illiterate, but I’ll match his “detectifyin’” skills with Holmes’ any day. I love Big Red’s reluctant but loyal acceptance of his role as Watson as the two cowpokes deal with stampedes, mysterious deaths, and cowboys named Puddin-foot and Swivel-eye.

No matter what Big Red tells him, Old Red doesn’t quite believe the Holmes stories are fiction. But I believe Hockensmith’s stories are exactly what Mark Twain would have written if he’d come up with this brilliant idea.

Mark Twain is my writing idol. Before Roughing it, I’d never read a book written during the Civil War era which didn’t take sides and grind axes. From it, I learned detachment, that personal adventures can live side-by-side with even the most earth-shattering events. And that hilarious stories like “Bemis and the Buffalo” are the best antidote for the chaos and pain of war.

Diane Day’s Fremont Jones is a heroine after my own heart. She remains plucky throughout the entire series, even though the great San Francisco earthquake and fire of 1906. Of course, a plucky woman in the first decade of the 20th century was bound to run afoul of society and propriety. Fremont found herself in scrape after silly scrape. This is a mystery with lots of fun. But more than that, it offers a charming sense of life in the olden days during the times that tried women’s souls.

I admire chutzpah. Of all the authors who channel Sir Arthur Conan Doyle, Jane Austen, and countless others, I admire Peter Heck the most. He takes on the Herculean task of matching historical humor with our national treasure Mark Twain. Oddly enough, his example gave me courage, or at least permission, to try something other than historical whodunits. I wrote book-length magic realism and am seeking a publisher.

Being a really big fan of the TV Show Firefly, I felt a need to mention at least one of the comics that were written after it was canceled. Perhaps not the most conventional recommendation, but I thought Cowboys in Space was a good fit for my list. And where would I ever find more well-rounded strong female characters? Zoe, Inara, Kaylee, and even River all embody different elements of strength in women who try to survive in a futuristic frontier world. These four fierce ladies take us on adventures full of hijinks and shenanigans through space. Serenity: Those Left Behind is a well-written and beautifully illustrated story about a lovable band of intergalactic scoundrels. 

A solid police procedural that influenced my own book, the novel explores race relations in Los Angeles amid the 1992 Uprising spurred by the beating of motorist Rodney King. Detective Charlotte Justice not only is tasked with solving the murder of a man responsible for killing her family but also contends with the misogynistic, racist, and overall toxic good old boy culture of the LAPD. The novel delivers a twisty mystery and deconstructs an event that should have served as the tipping point for police reform in America.

This pick is a classic from an author who played a huge part in growing the police procedural genre. Wambaugh was also a detective sergeant but with the LAPD. He paved the way for other cops, like me, who want to write books.

All of Wambaugh’s books are wonderful reads, but this is one I remember most because I read it as a teenager, and it blew me away. It delves into some of the tougher aspects of being a cop, though, and the negative side of police culture. 

Gerald Petievich must have used a crystal ball when writing Earth Angels in 1989, because only nine years later, all the basic elements of the story would hit the headlines, as rogue elements within the LAPD were exposed in a wide-ranging criminal conspiracy known as the Rampart scandal. The book’s eerie prescience is only one reason it’s a modern classic. Its depiction of police procedure is almost unmatched in accuracy and detail, and it perfectly captures the dark, gritty side of Los Angeles, far away from the bright lights of movie premieres. If I ever need to remind myself why I left L.A. after twelve years, I only need to revisit Petievich’s open-eyed exposé of official corruption, casual lawlessness, and random violence. 

The Harry Bosch series has been long and often predictable.

Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.

What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.

It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.

Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.

Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.

In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...

Pike is the third sidekick on my list to get his own series.