Here are 66 books that Inner City Blues fans have personally recommended if you like
Inner City Blues.
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I’m a 23-year city cop who spends a fair amount of time around hard cases, from veteran co-workers to repeat felons. I’ve always been fascinated by formidable fictional heroes who succeed despite overwhelming odds. It’s an art to create a protagonist who is memorably and realistically resilient. I strove for this in my debut novel. The authors above delivered and then some.
In Mosely’s first Easy Rawlins novel, Easy is in the thick of it. He’s a war-scarred veteran living in 40s Los Angeles who has to contend with brutal racist cops and white men who wish to harm him for the sole offense of talking to a white woman. He lost his factory job, his mortgage is due, and he finds himself on shifting terrain where it’s nearly impossible to tell allies from enemies.
When the phone rings, it’s never good news. So Easy has to play it smart. Bide his time. Enlist help from his memorably violent associate, Mouse. His foes have more power, more money, and more guns and like to remind him that they’re no one to be trifled with. But then again, neither is Easy.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
This noir pastiche is one long joke, a
satire on art, art criticism, and art collecting.
James Figueras, a cad
bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a
painting by the (fictional) French artist Jacques Deberiue.
Deberiue was the
founder of the Nihilistic Surrealism movement who retired after the creation of
one work, No.
One: an
empty frame mounted around a crack in a wall. The trail leads to the dusty
outskirts of Miami and a bloody murder in the Everglades, but the real mystery
surrounds the artist and his art.
And the fun is in the comedy: "The fact
that he used the EnglishNo. One instead of Nombre unemay or may not've influenced Samuel Beckett to
write in French instead of English, as the literary critic Leon Mindlin has
claimed."
The classic neo-noir novel acclaimed as Willeford s best, soon to be a major film
Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything blackmail, burglary, and beyond to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living and most reclusive artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality s limits to a bigger payoff?
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
This one’s the fastest read of the bunch; in fact, you may find yourself rebooting for a second savory read without putting it down. Sixteen-year-old Steve Harmon faces a life sentence for his alleged participation in a robbery that killed a convenience store owner. To cope with the horrors of his cell block, where the spirited African American teen is housed until his trial ends, Steve recounts events before and after the crime in the form of a screenplay; this enthralling courtroom drama deep-dives into the racial and economic forces responsible for overcrowding our flawed criminal justice system. Steve’s perseverance against odds is truly inspiring.
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial.
Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives.
Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.
Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison,…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.
I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.
______________________________ THE MULTI-MILLION COPY BESTSELLER
John Grisham's first and most shocking novel, adapted as a film starring Samuel L. Jackson and Matthew McConaughey
When Carl Lee Hailey guns down the violent racists who raped his ten-year-old daughter, the people of the small town of Clanton, Mississippi see it as justice done, and call for his acquittal.
But when extremists outside Clanton - including the KKK - hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice. A national media circus descends on Clanton.
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
This pick is a classic from an author who played a huge part in growing the police procedural genre. Wambaugh was also a detective sergeant but with the LAPD. He paved the way for other cops, like me, who want to write books.
All of Wambaugh’s books are wonderful reads, but this is one I remember most because I read it as a teenager, and it blew me away. It delves into some of the tougher aspects of being a cop, though, and the negative side of police culture.
Meet the Los Angeles blues—a new breed of cop. From the baby-faced rookies to hashmark heroes, they are besieged men, dealing daily with a world coming apart. Hunting killers, quelling gang wars, fighting corruption, they risk death every day . . . every night.
Joseph Wambaugh was a damn good cop and LAPD detective. For fifteen years he prowled the streets, solved murders, took his lumps. Now he’s the hard-hitting, tough-talking bestselling writer who tells the brutal, true stories of the men who risk their lives every time a siren screams.
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
This book is laugh-out-loud funny. The rich socialite heroine is quite
intelligent in some things and ridiculously stupid in others. The whole
book is absolutely unbelievable, but utterly delightful – and way beyond
society's terms of approval for women in 1907 Los Angeles. Sometimes a
book doesn’t have to be anything but a joy to read. This one delivers.
It's 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels—but must disguise them behind covers of more domestically-appropriate reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.
Determined to break free of the era's rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her…
Ever since taking a college course in film noir, I've been in love with the cigarette-smoking, fedora-wearing, wisecracking tough guys (and gals) who inhabit the darkest corners of the modern world’s back alleys. The protagonist of Tears for the Dead, Bonnie Parker – named for the distaff half of Bonnie and Clyde – is my modest way of paying homage to this tradition, and incidentally having a lot of fun in the process.
Gerald Petievich must have used a crystal ball when writingEarth Angels in 1989, because only nine years later, all the basic elements of the story would hit the headlines, as rogue elements within the LAPD were exposed in a wide-ranging criminal conspiracy known as the Rampart scandal. The book’s eerie prescience is only one reason it’s a modern classic. Its depiction of police procedure is almost unmatched in accuracy and detail, and it perfectly captures the dark, gritty side of Los Angeles, far away from the bright lights of movie premieres. If I ever need to remind myself why I left L.A. after twelve years, I only need to revisit Petievich’s open-eyed exposé of official corruption, casual lawlessness, and random violence.
Detective Sergeant Jose Stepanovich and his elite tactical team were the toughest cops in the Los Angeles police force, handed the toughest jobs, like going up against the city's most vicious criminal element - the street gangs of East L.A. But somewhere along the lines the cops broke a few rules, turning a job into a personal vendetta, and suddenly it wasn't only the gangs they were fighting. It was the community, the media, and their own brass, who decided they were expendable. Hard-boiled Detective Stepanovich - returning to the barrio where he grew up to battle the criminals he…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
The Harry Bosch series has been long and often predictable.
Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.
What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.
It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.
LAPD detective Harry Bosch is down on his luck - his house is condemned in the aftermath of the earthquake, his girlfriend has left him and he has been suspended for attacking his superior officer.
To occupy time, he examines the old case files covering a murder which took place on October 28, 1961. The victim was Marjorie Phillips Lowe - his mother . . .
The case forces Bosch to confront the demons of the past, and as he digs deeper into the case, he discovers a trail of cover-ups that lead to the high-ups in the Hollywood Hills…
As a romance, romantic comedy, and cozy mystery writer, I not only have a passion for the swoon-worthy moments when I’m creating them but crave them as a reader. There are so many great books out there but chemistry, particularly between a main character and her love interest, is what really makes me want more of a series. It’s not always easy to create that sigh-worthy-make-you-smile element of romance and love in a book that is geared toward solving a murder so I really appreciate when it’s done well. It’s not only enjoyable for me as a reader but a great example for me as a writer.
This book is adorable and hilarious. My favorite cozies have a heavy punch of romance and sparks in them and this one definitely fits the bill. Maddie lands herself in all the wrong places, at all the wrong times, with all the wrong people. Watching her back, and the rest of her, is an LAPD detective who doesn’t want to fall for her charms but, like readers, absolutely can’t help himself.
#1 Amazon, New York Times & USA Today Bestselling series! High Crime meets High Fashion when shoe designer turned amateur sleuth Maddie Springer is on the case...with laugh-out-loud results!
Struggling LA shoe designer, Maddie Springer, lives her life by three rules: Fashion. Fashion. Fashion. But when her boyfriend suddenly disappears--along with $20 million in embezzled funds--her life takes an unexpected turn from Manolos to murder. Now her every move is under scrutiny by the LAPD's sexiest cop, dead bodies are dropping around her faster than last season's trends, and the deeper she digs the more she realizes maybe she didn't…
I am a British crime writer with a love of American crime fiction, particularly books with dark plots and quirky, unique characters. I am the author of the Sunday Times bestselling, multiple award-winning, Washington Poe series and the new Ben Koenig series but am first a reader—I read over a hundred books a year. I love discovering a new-to-me series that has a back catalogue for me to work through, and I appreciate recommendations. I’ve been a full-time author since 2015 and, as I suspected, it’s my dream job.
Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.
Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.
In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...
Pike is the third sidekick on my list to get his own series.
'THE LAST DETECTIVE is literally a thrill-a-minute read. Crais is on top form, which, believe me, is about as good as it gets. Don't miss it' INDEPENDENT ON SUNDAY
'The narrative is taut, the menace palpable, the suspense unbearable' DAILY TELEGRAPH
Elvis Cole has got a problem to solve - and this time it's personal.
Elvis Cole's girlfriend, Lucy, is out of town, and she has left her young son Ben in Elvis's care. Elvis and Lucy have had a few problems lately - not least over his job as a private investigator. But at last things seem to be…
