64 books like Inner City Blues

What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.

Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.

This noir pastiche is one long joke, a satire on art, art criticism, and art collecting.

James Figueras, a cad bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a painting by the (fictional) French artist Jacques Deberiue.

Deberiue was the founder of the Nihilistic Surrealism movement who retired after the creation of one work, No. One: an empty frame mounted around a crack in a wall. The trail leads to the dusty outskirts of Miami and a bloody murder in the Everglades, but the real mystery surrounds the artist and his art.

And the fun is in the comedy: "The fact that he used the English No. One instead of Nombre une may or may not've influenced Samuel Beckett to write in French instead of English, as the literary critic Leon Mindlin has claimed."

This one’s the fastest read of the bunch; in fact, you may find yourself rebooting for a second savory read without putting it down. Sixteen-year-old Steve Harmon faces a life sentence for his alleged participation in a robbery that killed a convenience store owner. To cope with the horrors of his cell block, where the spirited African American teen is housed until his trial ends, Steve recounts events before and after the crime in the form of a screenplay; this enthralling courtroom drama deep-dives into the racial and economic forces responsible for overcrowding our flawed criminal justice system. Steve’s perseverance against odds is truly inspiring.  

A Time to Kill is the first book of a four-book fiction series written by world-renowned author John Grisham featuring Clanton, Mississippi, lawyer Jake Brigance. Grisham is one of my favorite authors, and although the titles in this series may not be as well known as many of his other books, A Time to Kill is an exciting introduction to this young lawyer. Set in a  time in the South that endured blatant racial injustice, Jake fights tirelessly for his client accused of avenging the rape of his daughter. Grisham's extraordinary storytelling shines through and takes you on a journey that defines his main character in this first book, which you'll enjoy reading in his subsequent books. I highly recommend A Time to Kill.

This book is laugh-out-loud funny. The rich socialite heroine is quite intelligent in some things and ridiculously stupid in others. The whole book is absolutely unbelievable, but utterly delightful – and way beyond society's terms of approval for women in 1907 Los Angeles. Sometimes a book doesn’t have to be anything but a joy to read. This one delivers.

Gerald Petievich must have used a crystal ball when writing Earth Angels in 1989, because only nine years later, all the basic elements of the story would hit the headlines, as rogue elements within the LAPD were exposed in a wide-ranging criminal conspiracy known as the Rampart scandal. The book’s eerie prescience is only one reason it’s a modern classic. Its depiction of police procedure is almost unmatched in accuracy and detail, and it perfectly captures the dark, gritty side of Los Angeles, far away from the bright lights of movie premieres. If I ever need to remind myself why I left L.A. after twelve years, I only need to revisit Petievich’s open-eyed exposé of official corruption, casual lawlessness, and random violence. 

This book is adorable and hilarious. My favorite cozies have a heavy punch of romance and sparks in them and this one definitely fits the bill. Maddie lands herself in all the wrong places, at all the wrong times, with all the wrong people. Watching her back, and the rest of her, is an LAPD detective who doesn’t want to fall for her charms but, like readers, absolutely can’t help himself. 

Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.

Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.

In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...

Pike is the third sidekick on my list to get his own series.

The Harry Bosch series has been long and often predictable.

Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.

What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.

It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.

In the ninth book featuring Connelly’s iconic character, (now retired) LAPD detective Harry Bosch, the quintessential modern knight errant is working a case that’s haunted him for years – the murder of Angella Benton.

Her death might be linked to a bold and bloody robbery of 2 million dollars from a movie set where she worked as a production assistant, but neither crime was ever solved. Now Harry is intent on finding Angella’s killer.

The story is set against the backdrop of the movie industry and the celebrity-obsessed culture of Hollywood. Unimpressed by the trappings of power, Harry follows his instincts, led only by his guiding principle, “Everybody counts or nobody counts.”

But this time, he’s on his own without a badge or backup, and when his investigation hits very close to home, Harry finds himself facing brutal enemies determined to strike him down.