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I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Steve Hockensmith is a hoot. I love this book. It features Sherlock Holmes wannabe Old Red and boyish galoot Big Red as the Huck Finn version of Watson. Steve’s books are raucously funny while offering a brand new perspective on the last decade of the 19th century.
Somewhere due west of Deadwood, a pair of unlikely cowboy sleuths investigate murder just like their hero, Sherlock Holmes. 1893 is a tough year in Montana, and any job is a good job. When Big Red and Old Red Amlingmeyer sign on as ranch hands at the secretive Bar- VR cattle spread, they're not expecting much more than hard work, bad pay, and a comfortable campfire around which they can enjoy their favourite pastime: scouring Harpers J,Veekly for stories about the famous Sherlock Holmes. When another ranch hand turns up in an outhouse with a bullet in his brain, Old…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Mark Twain is my writing idol. Before Roughing it, I’d never read a book
written during the Civil War era which didn’t take sides and grind axes.
From it, I learned detachment, that personal adventures can live
side-by-side with even the most earth-shattering events. And that
hilarious stories like “Bemis and the Buffalo” are the best antidote for
the chaos and pain of war.
The celebrated author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn mixes fact and fiction in a rousing travelogue that serves as “a portrait of the artist as a young adventurer.”*
In 1861, young Mark Twain found himself adrift as a newcomer in the Wild West, working as a civil servant, silver prospector, mill worker, and finally a reporter and traveling lecturer. Roughing It is the hilarious record of those early years traveling from Nevada to California to Hawaii, as Twain tried his luck at anything and everything—and usually failed. Twain’s encounters with tarantulas and donkeys, vigilantes…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
I admire chutzpah. Of all the authors who channel Sir Arthur Conan
Doyle, Jane Austen, and countless others, I admire Peter Heck the most.
He takes on the Herculean task of matching historical humor with our
national treasure Mark Twain. Oddly enough, his example gave me courage,
or at least permission, to try something other than historical
whodunits. I wrote book-length magic realism and am seeking a publisher.
Beneath the charm of New Orleans lay a mix of corruption and racism that had a black man set to hang for a murder he didn't commit. "Detective" Mark Twain, together with travelling secretary Wentworth Cabot, set about the dangerous business of finding out the truth that some wished to keep hidden.
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
This book is laugh-out-loud funny. The rich socialite heroine is quite
intelligent in some things and ridiculously stupid in others. The whole
book is absolutely unbelievable, but utterly delightful – and way beyond
society's terms of approval for women in 1907 Los Angeles. Sometimes a
book doesn’t have to be anything but a joy to read. This one delivers.
It's 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels—but must disguise them behind covers of more domestically-appropriate reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.
Determined to break free of the era's rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
By looking at three local NOW chapters around the country, Gilmore shows that the leading organization of 1960s feminism wasn’t nearly as centralized as people think. Memphis NOW, for example, was a radical feminist group simply by being a feminist group in the South. San Francisco NOW, by contrast, made coalitions with many more radical groups as they worked together to make change. A great read and an important insight into how NOW actually worked as an organization.
Groundswell: Grassroots Feminist Activism in Postwar America offers an essential perspective on the post-1960 movement for women's equality and liberation. Tracing the histories of feminist activism, through the National Organization of Women (NOW) chapters in three different locations: Memphis, Tennessee, Columbus, Ohio, and San Francisco, California, Gilmore explores how feminist identity, strategies, and goals were shaped by geographic location.
Departing from the usual conversation about the national icons and events of second wave feminism, this book concentrates on local histories, and asks the questions that must be answered on the micro level: Who joined? Who did not? What did they…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
What bell hooks has shown me about the possibility of personal narrative and memoir writing is endless because she consistently shows that your story is never-ending. But mostly bell hooks likes to hurt me on purpose. This is my favorite memoir by her because it centers on two of my favorite topics: words and whirlwind romance that refuses to interfere with the words at stake, and I knew this book would be one I would return to in order to figure out my own priorities once I read, “I’m willing to give up everything I love if it means I won’t be crazy.”
“bell hooks’s brave memoir of struggling to find her own work, love, and independence.” ―Gloria Steinem With her customary boldness and insight, brilliant social critic and public intellectual bell hooks traces her writer’s journey in Wounds of Passion. She shares the difficulties and triumphs, the pleasures and the dangers, of a life devoted to writing. hooks lets readers see the ways one woman writer can find her own voice while forging relationships of love in keeping with her feminist thinking. With unflinching courage and hard-won wisdom, hooks reveals the intimate details and provocative ideas of the life path she carved…
I’m a writer and teacher from Ama, Louisiana, who has also been a reader of comic books since I first learned how to read. I spent many years as a columnist, reviewer, and podcaster for a now-defunct comic site, while also working on my own novels, humor columns, and even the occasional stage play. My time these days is split between my day job as a high school English teacher, my dream job writing, and my full-time job of being the father of a five-year-old.
Homicide detective Bryan Clauser is on the verge of a breakdown: as San Francisco is gripped by a series of gruesome murders, his own dreams seem to be mirroring the crimes. As Clauser tries to find the link between his dreams and the deaths, he finds himself caught up in an underground world of horrors that he is uniquely equipped to battle against. Sigler is one of my favorite modern writers, blending science fiction and horror seamlessly. In this novel, he’s given us a story that’s part gore-soaked monster movie and part superhero origin story, with characters that stay with you long after you’ve put the book down.
Scott Sigler reinvented the alien-invasion story in his bestselling novels Infected and Contagious… rebooted the biotech thriller in Ancestor…now, in his most ambitious, sweeping novel to date, he works his magic on the paranormal thriller, taking us inside a terrifying underworld of subterranean predators that only his twisted mind could invent.
Homicide detective Bryan Clauser is losing his mind.
How else to explain the dreams he keeps having—dreams that mirror, with impossible accuracy, the gruesome serial murders taking place all over San Francisco? How else to explain the feelings these dreams provoke in him—not disgust, not horror, but excitement?
I have always had a passion for anything crime fiction—books, movies, podcasts, or TV shows. It didn’t matter. I loved it all. It was probably because I grew up in a family with six police officers that seldom talked about anything unrelated to policing. I was like a sponge and picked up some terminology and learned about different police procedures they would discuss. There was rarely a family gathering that didn’t have some type of story or anecdote being shared by each of them and I always found myself being drawn right in. For those reasons, I fell in love with trying to figure out the who’s, how’s and why’s of any story.
I always enjoy a warped plot with lots of twists and this one certainly didn’t disappoint. It was riveting and kept me on the edge of my seat until the very end. The fast pace of the story continually left me thirsty for what was to come next. I absolutely love the four strong female characters in this book. They are so unique and individual yet complement each other perfectly, making them a very believable and dynamic force of leading ladies. As the book progressed, I could see and feel the growth and development of each of the characters which made them not only believable, but relatable. This fast-paced page-turner had my heart pounding more than once and diving into the rest of the series without hesitation.
As the only woman homicide inspector in San Francisco, Lindsay Boxer has to be tough. But nothing she has seen prepares her for the horror of the honeymoon murders, when a brutal maniac begins viciously slaughtering newly wed couples on their wedding nights. Lindsay is sickened by the deaths, but her determination to bring the murderer to justice is threatened by her own personal tragedy. So she turns to Claire, a leading coroner, Cindy, a journalist and Jill, a top attorney, for help with both her crises, and the Women's Murder Club is born.
I’ve lived in California all my life and am a fourth-generation Northern Californian. The characters in my book, which is based on my family, lived through the 1906 earthquake, although it’s not central to that story. That earthquake and fire was one of the most memorable events in my beautiful home state’s history. Many books have been written about it, so I’ve decided to list my favorite novels you might not have heard of. They all include excellent descriptions of the earthquake and its aftermath, and they create strong, empathetic female characters. Enjoy!
After the earthquake, people had to rebuild. This one features a female architect who trained under Julia Morgan, rebuilding a luxury hotel that once belonged to her family. The tension rises she competes with a male architect to have the first finished hotel. This book is filled with great descriptions of the setting and events surrounding the quake. It is filled with people reimagining themselves and their city after tragedy and loss.
"Vividly evocative of the time and place...[Ware] deftly blends history and romance in a page-turning story."―Library Journal
Early in 1906, the ground in San Francisco shook buildings and lives from their comfortable foundations.
Amidst rubble, corruption, and deceit, two women―young architects in a city and field ruled by men―find themselves racing the clock and each other during the rebuilding of competing hotels in the City by the Bay.
Based on meticulous research, A Race to Splendor tells the story of the audacious people of one of the world's great cities rebuilding and reinventing themselves after immense human tragedy. Filled with…
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
I didn’t read Last Days ofHot Slit in time to include it in my own book about sexual violence. In truth, I could have (barely; it was published just before I finished). But I felt comfortable with my aversion to Dworkin, a crusader against assault who had found common cause with conservative activists. And Dworkin was a self-defeating font of vituperation, wasn’t she? Well, no. She was in fact altogether brilliant. Fateman’s wonderfully lucid, deeply researched introduction and the careful selection she and Scholder made of Dworkin’s surprisingly wide-ranging work, demonstrate the force and courage not just of this radical feminist’s writing, but also of her character.She was dauntless.
Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.
Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery…
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