100 books like Sycorax's Daughters

Originally published in 1978, I was still a bit young to be devouring such dark and twisted tales but this one became my own blueprint for writing short stories.

This wasn't my first SK book, I had previously read his other novels like Salem's Lot and The Stand. But once I discovered Night Shift, it was like getting a different story each and every time I opened the book. 

There are no 'favorites' here because each one is sublime, but if I were forced to select 2-3 out of the 20, I'd go with "Gray Matter", "The Mangler", and "Sometimes They Come Back", mostly because these have quotes that I still see and use here and there, some 40 years later.

I’m a big fan of themed anthologies! Most horror anthologies I find are similar to Night Shift in that they are all random stories of dark fiction but with no recurring theme. It’s extra fun for the reader (and the writer) when all of the stories reverberate around a single topic or scenario. The Savage B’s: A Tribute to Horror is a proclamation of love for B movies. I remember the fun and splashy gore of movies like The Blob or Swamp Thing. You were horrified at the splatter of brains but also tickled by the sheer absurdity of the splatter of brains. From flesh-eating monsters to toxic spills, each of these stories is finely crafted by authors with their own B movie-style spin. 

In the tradition of one of my favorite television shows, Friday the 13th, this anthology brings alive the idea that objects really do carry the spirits of their journeys. This one ranks up there with my faves because it’s packed full of stories about haunted objects, everyday things that you just might have lying around your home. From dentures to typewriters to mixing bowls, every cursed item has a story to tell about its past and its future. I can’t pick a favorite here because there are so many great pieces and I was so impressed with how well the authors weaved their evil objects into “day in the life” settings and let the magic do its thing. 

Did someone say monsters? As much as I love the stories about the dark sides of human souls, there is nothing quite better than actual monsters. And this anthology packs them in, I’m talking the literal stuff of nightmares! Creatures designed by writers who obviously love monsters as much as the readers; demons with frames and features that only a mother could love. This parade of monsters was a lot to absorb in one sitting, which is the whole point of my list – collections that give you so much to dig into that it leaves you breathless. Short of being an all-out gore-fest, Monster Brawl! is so well curated that you might be surprised to find that you care about a few of them. 

This is an exciting and important poetry anthology.

Spanning the history of black poetry in America, the editor Camille T. Dungy has collected one hundred and eighty poems by ninety-three poets. Her introduction radically enlarges the realm of eco-poetry as she considers the exclusion of African-American poets from the nature poetry genre while also exploring the complexity of their relationship with the land that witnessed or abetted centuries of racist subjugation.

Thought-provoking essays by Alice Walker, Marilyn Nelson, and others, introduce each of the ten sections in which I found a treasure trove of poets I’ve long admired, such as Rita Dove and Ross Gay, and poets I’ve never come across before, such as Kamilah Aisha Moon.

John Edgar Wideman is the first African-American writer I can clearly point to who took microfiction seriously enough to write an entire collection. His stories are filtered through the lens of Blackness, but that is not the major reason why I like this book. Wideman does things with language that force me to completely step back and rethink things. I find myself reading his words aloud, simply because they feel as though they transcend the page. If it were not for Wideman, I would not feel as comfortable revealing the authenticity of my experience in my work.

This book mixes personal poetry and history and art and space. It is a wonder! Smith looks at the Hubble Telescope and all of its marvels along with one of its engineers, her father Floyd Smith. 

Smith mixes stars, David Bowie, mass shootings, love, racism, sexism all in this poetry collection and somehow, it works. It more than works. It explodes! 

I don’t know if this work has much to do with my own; there is history, yes, and there is social commentary. But mostly, there is excellent poetry that is exemplary for any poet writing today.

Aberrations in Black is not the only important early queer of color intervention in queer theory, but I find it the most rewarding.

Showing how signal works in the African-American literary tradition pose important challenges to social norms and to the sociological discourse of their times, Ferguson advances an intersectional critique that forefronts race and also attends to gender, sexuality, and class.

The book’s brilliant close readings, such as the reading Toni Morrison’s Sula in the context of The Moynihan Report particularly stand out. The book is a corrective to the apparent colorblindness of much of early queer theory.

If you think that literary societies have nothing to do with African American community activism, then this book will make you think again. African Americans were excluded from schools, libraries, and most of the usual publishing outlets—but they still developed a vibrant culture that produced newspapers, pamphlets, and books, and they developed libraries and literary societies committed to reading these and other productions. McHenry expertly guides us through this relatively unknown but central culture of reading, tracing the rise of African American literary societies, the work of the Black Press, and the vital connection between reading, writing, and social reform efforts. These efforts were supported by broader African American organizational efforts, the creation of churches and mutual aid societies that provided refuge for readers and forums for writers, and McHenry explores the social and intellectual networks that developed from these efforts, as African Americans read their way to new visions… show more.

In this anthology, twenty-one Black women writers, including Jesmyn Ward, Gabourey Sidibe, Lynn Nottage, and Tayari Jones, write about the first time they saw themselves reflected in literature. This moving collection of essays is at once a love letter to books and an exploration of the intersection of race, gender, and the written word.