Here are 93 books that Accursed fans have personally recommended if you like
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Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.
A brilliant collection of horror stories, my favourite being Sometimes They Come Back.
I recommend this ghostly tale for its depiction of the fine line between the spirit realm and the world we live in. The narrative of earth-bound ghosts and their determination to exact revenge on the living bringing forth a fierce battle between good and evil. The latter played on my mind as I empathised with the main character’s psychological struggle with recapitulated past events, leaving those around him to question his sanity.
Stephen King’s first collection of short stories, originally published in 1978, showcases the darkest depths of his brilliant imagination and will "chill the cockles of many a heart" (Chicago Tribune). Night Shift is the inspiration for over a dozen acclaimed horror movies and television series, including Children of the Corn , Chapelwaite, and Lawnmower Man.
Here we see mutated rats gone bad (“Graveyard Shift”); a cataclysmic virus that threatens humanity (“Night Surf,” the basis for The Stand); a possessed, evil lawnmower (“The Lawnmower Man”); unsettling children from the heartland (“Children of the Corn”); a smoker who will try anything to…
Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
This was an obvious pick. As a Black girl who grew up loving zombies but could never find girls who looked like me slaying and slashing through hordes of monsters – this book cover had me at ‘hello’. Inside is all of the magic you could ever dream in color. And the title is explained in the introduction: Sycorax was the deceased African sorceress referenced in Shakespeare’s The Tempest. Demons, vamps, witches (oh my!), and more compiled into more than 500 pages of both stories and poetry. I was floored to discover so many more Black women writers of dark and speculative fiction! I can’t pick a favorite but ‘Kim’ by Nicole Sconiers always comes to mind first when I talk about this collection.
A 2018 Bram Stoker Award Finalist! Thought-provoking, powerful, and revealing, this anthology is composed of 28 dark stories and 14 poems written by African-American women writers. The tales of what scares, threatens, and shocks them will enlighten and entertain readers. The works delve into demons and shape-shifters from "How to Speak to the Bogeyman" and "Tree of the Forest Seven Bells Turns the World Round Midnight" to far future offerings such as "The Malady of Need". These pieces cover vampires, ghosts, and mermaids, as well as the unexpected price paid by women struggling for freedom and validation in the past.…
Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
I’m a big fan of themed anthologies! Most horror anthologies I find are similar to Night Shift in that they are all random stories of dark fiction but with no recurring theme. It’s extra fun for the reader (and the writer) when all of the stories reverberate around a single topic or scenario. The Savage B’s: A Tribute to Horror is a proclamation of love for B movies. I remember the fun and splashy gore of movies like The Blob or Swamp Thing. You were horrified at the splatter of brains but also tickled by the sheer absurdity of the splatter of brains. From flesh-eating monsters to toxic spills, each of these stories is finely crafted by authors with their own B movie-style spin.
Join 13 authors as they take you on a gory stroll down Memory Lane in this anthology inspired by B-Horror! Relive the good old days of picking up bad movies from your local video store. We've got killer dolls, killer sludge, killer firemen, killer amphibians. This book should come narrated by Joe Bob Briggs if we weren't too low budget to afford him. Buy yourself a copy, because this is one you'll want to rewind and enjoy again!
Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
Did someone say monsters? As much as I love the stories about the dark sides of human souls, there is nothing quite better than actual monsters. And this anthology packs them in, I’m talking the literal stuff of nightmares! Creatures designed by writers who obviously love monsters as much as the readers; demons with frames and features that only a mother could love. This parade of monsters was a lot to absorb in one sitting, which is the whole point of my list – collections that give you so much to dig into that it leaves you breathless. Short of being an all-out gore-fest, Monster Brawl! is so well curated that you might be surprised to find that you care about a few of them.
For this book, we collected stories of monsters doing epic battle with other monsters! The beasts could be classical by design with a unique twist, or they could be spawned straight from the author's imagination. The only rule: there must be a clear-cut winner at the end of each story; one of the creatures had to die!
Some of the stories in this collection pit a single monster against another, while others are all-out gang warfare. Some are campy, some serious, but all a fight for the ages!
I’m an author of YA fiction who spent his earlier years “wiggling dollies” (as the Brits say) in the trenches of Jim Henson’s Muppet world and then spent a decade writing children’s television of the PBS kind. After writing my first kids’ novel (Out of Patience), I never looked back. OK, I did glance back for the inspiration for a second novel…
The “deep map” that Least Heat-Moon unfolds for us in this revelatory book is the history of Chase County, Kansas, home of the largest and least corrupted stand of tallgrass in America. He takes us with him—by car, on foot, and in mind—as he explores this story-rich land, its plants, animals, and the homespun people who have struggled to occupy this forbidding landscape.
In one breath, he reminds us it was the tall grasses of the African savannah that first made humankind stand up. In another, he tells us that the humans who peer across America’s tall grasses have “prairie eyes.” In “a place where you see twenty miles sitting down,” you have prairie eyes if you take in the horizon with stoic calm, knowing it can bring the deliverance of rain or the destruction of a tornado, dust storm, prairie fire (the “red buffalo”), or locusts.
NEW YORK TIMES BESTSELLER. By the author of Blue Highways, PrairyErth is “a majestic survey of land and time and people in a single county of the Kansas plains” (Hungry Mind Review).
William Least Heat-Moon travels by car and on foot into the core of our continent, focusing on the landscape and history of Chase County—a sparsely populated tallgrass prairie in the Flint Hills of central Kansas—exploring its land, plants, animals, and people until this small place feels as large as the universe.
Called a “modern-day Walden” by the Chicago Sun-Times, PrairyErth is a journey through place, through time, and…
Aside from reading (preferably at the beach), one of my favorite pastimes is watching movies or TV with my husband. We enjoy analyzing plots and talking about what we do or don’t like, what surprised us, or how we might have handled a scene differently. It seems the better ones are most often based on novels, usually with strong, well-developed characters, emotional punch, interesting settings, and/or hard-to-guess plot twists. This is my list of stories I think are strong in those characteristics and would make great movies or TV shows/series.
Every once in a while, I like a good, scary movie (as long as there’s a limit on the gore). Little Darlings is one of a collection of short stories featuring a murder taking place on Friday the 13th. I made the dubious decision to start reading it one night before bed. Immediately, I was sucked into the story of three friends on a weekend getaway who find themselves terrorized by four black-eyed children who come knocking. The author did a fantastic job of creeping me out to the point where I was listening for the story’s “little darlings” long after turning out my light. Needless to say, I didn’t sleep well that night. I see this as an episode in a Twilight Zone-type series.
A Friday the 13th Short Story: 13 authors ~ 13 suspenseful stories. Murder and mayhem on Friday the 13th...
Mollie Burrows and her friends, Caroline and Beth, rent a cabin in Colorado for a therapeutic getaway. Beth is despondent after a recent miscarriage and Mollie hopes the trip will alleviate Beth’s depression. The owner of the general store in town warns them about the Black-Eyed Kids—supernatural entities who pose as children and terrorize anyone who allows them into their homes—but Mollie scoffs at the ridiculous notion.
Not long after they get settled, four children knock on their door—and their eyes…
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Horror-themed summer camp for Black queer girls? Yes, I don’t mind if I do!
Reading Ellis’ book is like returning to the summer going into my junior year of high school and the angst and drama of summer camp, only with the addition of woods and crappy cabins where the danger is very real and at least one camp counselor has an agenda that involves her genetic legacy of being the daughter of a convicted serial killer.
Temple, our angry (peer) counselor, is on a mission to find her mother’s corpse, even though she doesn’t buy that her dad actually killed her. The novel gives me a real Friday the 13th vibe, mixed with a tangled family history that rivals Anne Rice’s Mayfair Witches series. I can't refuse a complicated family mess, and this has it… a lot!
Read this book while you’re taking a break from a solo hike…
A shocking, spine-chilling YA horror slasher about a girl searching for her dead mother's body at the summer camp that was once her serial killer father's home-perfect for fans of Friday the 13th and White Smoke
Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Yu’s Interior Chinatown won the National Book Award because it married form and function in the most spectacular way.
Written in part like a screenplay, the novel tells the story of Willis Wu, an actor trying to break out from the role of “Generic Asian Man.” Unless you’ve been living under a rock for the past few years, you’ve probably heard about the push for better Asian representation in Hollywood. That certainly plays a role in the book, but there is also interrogation and critique here.
A novel written in the form of a screenplay could have easily turned into a gimmick. Yu made it art.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
I like understanding television as culturally situated. Television is constructed along a number of sites: cultural, institutional, ideological, historical, or via the different ways audiences understand it. Interrogating television and what it does as a medium was historically relevant because it was a mass medium. But how can we evaluate the medium in times of highly fragmented audiences? Because of this, exploring Netflix as a new form of ‘television’ has become so important to me. The authors all try to get to terms with how television has changed over its short existence. This helps us understand the medium better, as well as our current moment.
This is a short book in which Newman explores the changes in what the term ‘video’ means.
The term is closely intertwined with the history of television, describing first television broadcasts and then how taping was used to bridge the time differences between the American east and west coasts. The term then described the ways home video revolutionized how video was used in the private sphere. Today, we receive videos as the digital snippets we see on YouTube or the short clips we post on social media.
I like Newman’s work in general. But this book tells us so much about TV history in the US; I find it an incredibly fascinating work.
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.
It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.
And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.
From Simon & Schuster, See No Evil is Geoffrey Cowan's fascinating exploration of the backstage battle over sex and violence in the television medium.
In See No Evil, Cowan offers a probing investigation into the history, impact, and politics of television censorship, examining network programming, and such controversial practices as the Family Hour.
