84 books like Dead Girls Walking

Jade, the protagonist, is just about to start college, so the “What I did on my summer vacation” essay assignments are likely far behind her, yet I found myself wondering how she would describe her summer trip to Vietnam to stay with her estranged father in his haunted and haunting French colonial villa restoration project.

Come for the colonialism and generational trauma; stay for the ghosts and the bugs and the excellent world-building around food culture (all of which are intertwined.) What makes this book so visceral for me personally is Jade’s anger at her father, so intense that it seems to permeate every inch of the house and the words on the page, and the sense of being Other in so many ways. 

This is the perfect book to read on one of those stormy, sweltering summer nights when each bolt of lightning highlights the shadows lurking in the… show more.

As a major fan of horror films generally, I could not say no to this book. Although some may argue that this is not a YA novel and doesn’t belong on this list, I say hogwash.

Graduating high school senior Jade, half Native American, is obsessed with slasher movies as a way to deal with the horrors of her everyday life: small town, questionable reputation, alcoholic dad, being Other, seeing her town fall for the charms of the mucky-mucks developing waterfront land on her town’s reportedly cursed lake, etc.

This book is super voicey, with a lovely use of language (and a barrage of horror movie references, which was so fun for me), with central commentary on post-colonialism, gentrification, and trauma. Also, without giving away the ending, I can say that it was truly bonkers slasher delightfulness!

Tuck this book into a waterproof bag, and row out to the middle… show more.

Just after high school graduation, during the summer in which their adult lives begin, three girls who now require human flesh to survive (thanks, pandemic!) hit a music festival. But don’t worry; the world has found a way to satisfy their dietary requirements without anyone getting hurt…until someone at the festival starts dosing ghouls with an appetite stimulant, that is.

This book is a fun and campy mystery that gives me queer post-Mean Girls meets Scooby vibes and a fair amount of gore. Even though the book is light-hearted with a very sweet romance (hey, even horror fans like me get schmoopy now and then), it speaks to the heart of guilt and the trauma of recovery from substance use disorders (if cannibalism can be a stand-in for drugs and alcohol)—particularly when you’ve done something under the influence that has hurt or killed others, and that’s what made it so… show more.

Look, I know Hogarth is better known for her more recent novel Motherthing, but I will always have a soft spot for this book. Decades ago, there were some grisly cannibalistic murders at the Boy Meets Girl Inn, resulting in a reputed haunting. Noelle and Alf, high school friends with summer night shift gigs at the Inn, are organizing a soiree to celebrate the anniversary of the killings.

It's told mostly in Noelle’s journal entries that have been annotated and footnoted by detectives, experts, and a movie director, which made it irresistible to me since it’s done so well; the novel spotlights the ultimate unreliable narrator and includes some absolutely disgusting (in the best possible way) body horror scenes. I’ve read and re-read this book, and each time, I’m so creeped out.

Take this book with you on a summer vacation that involves a hotel stay, and read it… show more.

Sass’s first novel, Surrender Your Sons, is a favorite of mine, so it’s no surprise that this book, a queer horror novel reminiscent of Scream, is a riot and an absolute page-turner.

It contains all the best elements of slasher movies and teen comedies alike, and unabashedly gay characters with wit and sharp edges kept me invested all the way until the story’s climactic ending. 

This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up. 

Notes on an Execution gutted me as a reader. I became the sociopath on death row with only 12 hours to live.

I listened to the women in my life talk about me, from my mother who didn’t understand why I brought her dead animals instead of flowers to my wife who trusted me beyond reason to my brother’s family in whom I had finally found a home until that detective snatched it away from me, leaving me with nothing.

If you want to get into the mind of someone wired differently, this book will take you there until the end.

I think I’ve read all of Laura Lippman’s novels, both the Tess Monaghan series and the standalones, but this is hands-down my favorite.

On the surface, it’s high-concept subject matter: the story of a girl who was abducted by a serial killer and then let go, told in dual timelines. I was compelled by the thrilling and fast-paced plot, but again, the scenes I remember best are of the main character’s childhood in the 1980s, as she attempts to maneuver an adult world she can’t yet understand.

The novel is set in a part of southern Maryland that resembles my home state of Virginia, and I love the way Lippman evokes a bucolic landscape turned suddenly sinister.

Why did I first pick it up? Because of the cover. Why did I buy it? Because of the story promised on the cover flap. And it was a French, international, multi-translated mega-hit. What happened after I read it? I hunted down the author’s next 2 books and bought them, because holy smokes, this one blew me away. The crime scenes in this novel left absolutely nothing to the imagination, and once the pages started turning there was no stopping this deadly suspense train. Plus, Commandant Camille Verhoeven is about as uniquely cool as a protagonist can get.

I like crime journalism, especially when it breaks new ground or reveals a shocking story.

It’s hard to believe we aren’t well-versed in this Cape Cod serial killer, Tony Costa, since this 1969 case of multiple murders inspired two major writing talents, Norman Mailer and Kurt Vonnegut, to compete for a scoop. 

Sherman, who happened to stumble upon the story, brings out these authors’ personality quirks and describes the strange things they’d do for a shot at publication. At the same time, we learn about Costa’s predatory maneuvers and the way the investigation was handled.

I found this book to be a terrific addition to the historic true crime genre.