As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
When Shek Yeung sees a Portuguese sailor slay her husband, a feared pirate, she knows she must act swiftly or die. Instead of mourning, Shek Yeung launches a new plan: immediately marrying her husband’s second-in-command, and agreeing to bear him a son and heir, in order to retain power over her half of the fleet.
But as Shek Yeung vies for control over the army she knows she was born to lead, larger threats loom. The Chinese Emperor has charged a brutal, crafty nobleman with ridding the South China Seas of pirates, and the Europeans have new plans for the area. Even worse, Shek Yeung’s cutthroat retributions create problems all their own. As Shek Yeung navigates new motherhood and the crises of leadership, she must decide how long she's willing to fight.
Short story collections are funny things: some are strong from start to finish, and some… read as if the author wrote all the other stories over the course of a weekend after one of their stories garnered public attention. No, I will not name names.
Peynado’s The Rock Eaters is a glowing example of the former. The collection spans genres: realist, science fiction, magical realist. What all the stories have in common is Peynado’s controlled hand and breadth of imagination, not to mention her keen insights into what it’s like to exist in the real world, a world fraught with gun violence, racism, and xenophobia.
You finish the collection feeling like you’ve traversed worlds and, in the process, learned something new about the world we live in.
A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia
What does it mean to be other? What does it mean to love in a world determined to keep us apart?
These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one…
It is my sincerest belief that science fiction loses its purpose when it focuses too much on the science and too little on the humans (or aliens, or sentient spores) at the center of the story.
No one can accuse Swyler’s Light from Other Stars of that. Straddling the line between literary and science fiction, this novel is about space travel, yes, but it’s also about parent-child bonds, friendship, and the people of a small town in Florida in all their idiosyncrasies, virtues, and flaws.
This novel will make you think (mostly about physics), but it will also make you deeply feel.
A Long Island Reads 2020 Selection * A Real Simple Best Book of 2019
From the bestselling author of The Book of Speculation, a “tender and ambitious” (Vulture) novel about time, loss, and the wonders of the universe.
Eleven-year-old Nedda Papas is obsessed with becoming an astronaut. In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach--if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda's newborn brother several…
Yu’s Interior Chinatown won the National Book Award because it married form and function in the most spectacular way.
Written in part like a screenplay, the novel tells the story of Willis Wu, an actor trying to break out from the role of “Generic Asian Man.” Unless you’ve been living under a rock for the past few years, you’ve probably heard about the push for better Asian representation in Hollywood. That certainly plays a role in the book, but there is also interrogation and critique here.
A novel written in the form of a screenplay could have easily turned into a gimmick. Yu made it art.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
I first learned about “proving up” from the eponymous Karen Russell story.
The history of the practice was so fascinating that, when I heard Victor LaValle had written an entire novel about it, I immediately preordered. And wow did it not disappoint.
Part horror and part Western, the story centers a Black woman named Adelaide in the early 1900s who has moved to Montana to prove up as a “lone woman,” carrying with her only a single steamer trunk bearing her “curse.”
LaValle ratchets up the suspense in every chapter while beautifully capturing the desolation of life in the Wild West.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
Is Fried’s short story collection The Great Frustration literary, science fiction, fantasy, absurdist, or something else? I have no idea, and I suspect neither does he, but that’s one of the reasons I love this book so much.
Whether Fried is writing about the animals in the Garden of Eden or a town that refuses to change its ways despite its pesky recurrent problem of massacres, these stories will make you laugh.
After you’re done laughing, when you’ve had some time to think, you’ll realize that you were only laughing because Fried is adept at pointing out those aspects of society and human nature that we find uncomfortable—which, of course, the best comedians have always done.
Equal parts fable and wry satire, The Great Frustration is a sparkling debut. Seth Fried balances the dark--a town besieged, a yearly massacre, the harem of a pathological king--with moments of sweet optimism--researchers unexpectedly inspired by discovery, the triumph of a doomed monkey, the big implications found in a series of tiny creatures.
In "Loeka Discovered," a buzz flows throughout a lab when scientists unearth a perfectly preserved prehistoric man who suggests to them the hopefulness of life, but the more they learn, the more the realities of ancient survival invade their buoyant projections. "Frost Mountain Picnic Massacre" meditates on…
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today
Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.
A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread…
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