Here are 100 books that Light from Other Stars fans have personally recommended if you like
Light from Other Stars.
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I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book shook me to my core. I felt so frightened by its vision of a world destroyed by global warming that I became even more determined to help get climate deniers out of power.
I know that other people who read this book were equally inspired to learn more about climate change or even join the climate movement. It’s really one of the most influential books of our time.
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig 'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019 Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.
The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This is the first book in the Southern Reach Trilogy, but it also stands alone as a mysterious and haunting exploration of the way we attempt to navigate a world that is both familiar and alien at the same time.
Mysteries abound, and answers are elusive, but you can revisit Area X again and again and feel like answers lie just beyond the reach of your fingertips.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I have always felt most at home looking out a window. I should specify I’m not an outdoorsy person - take me hiking and I will simply collapse - but I’m at my happiest when there’s a view out to something green. Reading about the climate and reading fiction that centers landscape both offer me that view, and while I’m not an expert in the particulars of climate change, I am an expert in this: finding books that connect me to the natural world, and books that express the grief of always being a little bit separate from it. The selected books are some of my favorites.
If you don’t have much time to read, this is the one for you. Offill is known for her brevity - her 2014 novel Dept. Of Speculation (equally worth your time) is similarly short, and similarly shot through with humor - and for the punch she can pack into a limited space. In Weather, she brings together the mundane grind of daily life with the larger existential terror many of us experience when we think about climate change, and bridges that gap, forcing her characters to confront how their daily lives are in fact not separate from these bigger concepts at all.
From the beloved author of the nationwide best seller Dept. of Speculation—one of the New York Times Book Review's Ten Best Books of the Year—a “darkly funny and urgent” (NPR) tour de force about a family, and a nation, in crisis
Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment,…
I am fascinated by the question, “Where is home?” Is it the place you were born, among the people who raised you? Or is it the place you most come alive? Growing up, fiction taught me there were other worlds than the one I inhabited, and historical fiction taught me how they came to be. Travels in England, Europe, Africa, and South America opened up worlds and cultures I had only read about and drove me to write a novel about how one may find "home" in the most unlikely times and places.
I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.
I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman.
Claudia Hampton is dying. As memories crowd in, she re-creates the mosiac of her life, her own story enmeshed with those of her brother, her lover and father of her daughter, and the centre of her life, Tom, her one great love both found and lost in the "mad fairyland" of war-torn Egypt.
As someone who loves my work, I’ve noticed that in fiction when a woman is successful at her career, often that career mainly functions as a source of guilt or stress. Fictional working women spend a lot of time second guessing their choices, and, hey, it is hard to balance work and family. Women are torn in multiple directions. But I also believe it’s okay to love your job. It’s okay to find joy in it and to not beat yourself up. I find deep satisfaction in writing, and I enjoy reading about characters who know the rush of doing a job well.
Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.
Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.
This beautiful portrait of a family in a fishing village in Maine is "a fresh look at marriage, motherhood, and the wondrous inner lives of teenagers. A truly beautiful and unforgettable love story of a family on the brink” (Lily King, author of Writers & Lovers). A must-read from the critically acclaimed author of Elsey Comes Home.
“I loved Landslide. You are right there with them in a fishing village in Maine, feeling the wind, the sea, the danger. Smart, honest, and funny, this is a story you won't forget.” —Judy Blume, best-selling author of In the Unlikely Event
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
Lily King’sWriters & Lovers is set in Cambridge, Massachusetts in 1997, where my own novel takes place a century earlier. It’s a fictional coming-of-age story of a young woman who tries to write her way into adulthood.
Casey Peabody works as a waitress in Harvard Square, spends time with her aspiring writer friends, walks along the Charles River, and sits for hours at her desk trying to write, all of which I did in those same places at her same age and often with the same sense of longing—and which, incidentally, Victoria Swann does, too, albeit while wearing a floor-length skirt and using a fountain pen.
Casey, Victoria, and I, (and I assume Lily King herself), were not alone: so many people I’ve met over the years have spent time in their twenties hanging out around Harvard Square, anxious and waiting to become the grown-ups we hoped to be.…
#ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review’s Group Text Selection
"I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld
An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria
Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller:…
As someone who loves my work, I’ve noticed that in fiction when a woman is successful at her career, often that career mainly functions as a source of guilt or stress. Fictional working women spend a lot of time second guessing their choices, and, hey, it is hard to balance work and family. Women are torn in multiple directions. But I also believe it’s okay to love your job. It’s okay to find joy in it and to not beat yourself up. I find deep satisfaction in writing, and I enjoy reading about characters who know the rush of doing a job well.
I’ve never read anything quite like this novel centering on a female photographer, Helen Adams, covering the Vietnam War. Years after reading it, I can still picture scenes and, I swear, feel the heaviness of the air and hear the fruit falling from the trees. Soli has talked about how she got tired of reading wonderful novels where the men went off and had wartime adventures and the women just dropped off the page. So she wrote her own wartime saga.
Helen Adams never drops off the page—she leaps off them. The writing is as lush as the landscape, and you’ll fall entirely into the world of the book. There’s war and treachery and duty and passion, and nothing is ever simple.
A New York Times Best Seller! A New York Times Notable Book!
A unique and sweeping debut novel of an American female combat photographer in the Vietnam War, as she captures the wrenching chaos and finds herself torn between the love of two men.
On a stifling day in 1975, the North Vietnamese army is poised to roll into Saigon. As the fall of the city begins, two lovers make their way through the streets to escape to a new life. Helen Adams, an American photojournalist, must take leave of a war she is addicted to and a devastated country…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Short story collections are funny things: some are strong from start to finish, and some… read as if the author wrote all the other stories over the course of a weekend after one of their stories garnered public attention. No, I will not name names.
Peynado’s The Rock Eaters is a glowing example of the former. The collection spans genres: realist, science fiction, magical realist. What all the stories have in common is Peynado’s controlled hand and breadth of imagination, not to mention her keen insights into what it’s like to exist in the real world, a world fraught with gun violence, racism, and xenophobia.
You finish the collection feeling like you’ve traversed worlds and, in the process, learned something new about the world we live in.
A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia
What does it mean to be other? What does it mean to love in a world determined to keep us apart?
These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Yu’s Interior Chinatown won the National Book Award because it married form and function in the most spectacular way.
Written in part like a screenplay, the novel tells the story of Willis Wu, an actor trying to break out from the role of “Generic Asian Man.” Unless you’ve been living under a rock for the past few years, you’ve probably heard about the push for better Asian representation in Hollywood. That certainly plays a role in the book, but there is also interrogation and critique here.
A novel written in the form of a screenplay could have easily turned into a gimmick. Yu made it art.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
