Here are 100 books that The Uninhabitable Earth fans have personally recommended if you like
The Uninhabitable Earth.
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Many believe the planet's energy needs can be provided carbon-free, with solar, wind, and water carrying the load. Coal, oil, and natural gas use will fade away. It’s an appealing vision. But the numbers don’t back it up for seven billion people, many looking in on the comfortable lifestyles of the wealthy countries and thinking: “What about us?”. Humanity needs a mix of energy sources, and nuclear energy is a carbon-free power source that can deliver at scale. I’m a nuclear physicist by training, recently retired from North Carolina State University, with interests in cosmology, energy research and policy, science education, and neutron and neutrino physics.
Putting in the numbers is what Gates does in his book. Climate change is real, no question. How to address it is where the controversy comes in. I really like that from the outset, Gates proposes five questions to consider whenever climate change is discussed: what fraction of the annual carbon dioxide emission are you removing? What’s your plan for cement? How much electrical power will be needed, what’s the cost, and how much space will it take up?
But he’s optimistic that zero emissions can be reached. He argues there are many options to explore, including nuclear, and says, contrary to much of the news reporting, don’t focus on 2030; focus instead on 2050 to give the best solutions time to emerge.
In this urgent, authoritative book, Bill Gates sets out a wide-ranging, practical - and accessible - plan for how the world can get to zero greenhouse gas emissions in time to avoid a climate catastrophe.
Bill Gates has spent a decade investigating the causes and effects of climate change. With the help of experts in the fields of physics, chemistry, biology, engineering, political science, and finance, he has focused on what must be done in order to stop the planet's slide toward certain environmental disaster. In this book, he not only explains why we need to work toward net-zero emissions…
I'm continually asked why I write horror. But I wonder why every writer isn't writing horror. Not a day passes without me being aghast at the world and my own species, the present, past and future. Though nor do I stop searching for a sense of awe and wonder in the world either. My Dad read ghost stories to me as a kid and my inner tallow candle was lit. The flame still burns. Horror has always been the fiction I have felt compelled to write in order to process the world, experience, observation, my imaginative life. I've been blessed with a good readership and have entered my third decade as a writer of horrors. In that time two of my novels have been adapted into films and the British Fantasy Society has kindly recognised my work with five awards, one for Best Collection and four for Best Novel. I'm in this for the long haul and aim to be creating horror on both page and screen for some time to come.
It's too easy to dismiss the Second World War. To relegate that epochal conflict into realms of ancient history, action films, kitset models, unread Father's day gifts, and black & white footage. But we all live through the consequences of this epic global struggle. This was the last time western civilisation brought itself close to destruction and it was a close call. 60 million lives were lost and no one died easily. The war was also raging just shy of 80 years ago. In the scheme of human history, that's recent.
Beevor's history of the global conflict - and it was global - is a page-turning affair. Vivid, engaging, heartbreaking, shocking. Really fine storytelling and a first class history, encompassing the great conflicts of east and west (China's experience of the war is much overlooked in the west but not in these pages). I found myself engrossed by this monumental…
A magisterial, single-volume history of the greatest conflict the world has ever known by our foremost military historian.
The Second World War began in August 1939 on the edge of Manchuria and ended there exactly six years later with the Soviet invasion of northern China. The war in Europe appeared completely divorced from the war in the Pacific and China, and yet events on opposite sides of the world had profound effects. Using the most up-to-date scholarship and research, Beevor assembles the whole picture in a gripping narrative that extends from the North Atlantic to the South Pacific and from…
I’ve been a chronicler of nature and life in our organic vineyard for nearly two decades. In that time, I have seen the climate crisis accelerate and create increasing weather extremes with devastating consequences for our crops. This led me to dive deep into understanding the climate crisis and how we can solve it. I’ve written four books about the transformation of our organic farm. In my latest, I explore how we are already impacted by climate change and how things like biodiversity can help us address it. If you are unsure of where to start, these books will help you understand why action is necessary and the best way for you to get involved.
This book is also heavily dog-eared. It is full of chin-dropping facts about how we got here and why we need systems change to address climate change. The climate crisis is clearly exposed, but it is ultimately a positive book.
Klein explains how policies and actions to reduce our greenhouse gas emissions also offer an opportunity to reduce inequalities, redefine democracy, and bring back thriving local economies. The "market" can’t fix the climate crisis. We can use this crisis to reweave our relationship with nature and with each other to create a better world.
This book is a must-read for understanding the politics, economics, and undercurrents that have delivered us to the crisis we are now in.
Naomi Klein, author of the #1 international bestsellers, The Shock Doctrine and No Logo, returns with This Changes Everything, a must-read on how the climate crisis needs to spur transformational political change
Forget everything you think you know about global warming. It's not about carbon - it's about capitalism. The good news is that we can seize this existential crisis to transform our failed economic system and build something radically better.
In her most provocative book yet, Naomi Klein, author of the global bestsellers The Shock Doctrine and No Logo, tackles the most profound threat humanity has ever faced: the…
I’m a travel writer, photographer, and lover of wilderness. I am the co-author of three travel guides about swimming: Places We Swim Australia, Places We Swim Sydney, and my new book, listed below. Together with my wife, we write about the connection between water, wilderness, and culture. I am fascinated with how people and nature interact and change one another. All of these books and authors on my list reveal how their experiences in nature have fuelled, anchored them, and inspired their craft.
This book forever changed the way that I look at trees. It’s a work of fiction, but elements are inspired by the life and research of ecologist Peter Wohlleben and his amazing discoveries of how trees communicate and cooperate.
It is incredibly well crafted and beautifully woven with ecological research in a digestible way. I admire an author who can weave together so many distinct narratives and lives, including the lives of trees.
It did the rounds in my family. Everybody was reading it across the world at the same time, and we loved chatting about it and discussing how much our minds were blown.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
Science fiction lets us readers escape into space or travel through time, but I believe it is most effective when grounded in our primal anxieties. Classics like Nineteen Eighty-Fourand The Handmaid’s Tale resonate because the dark futures they describe drive us to prevent their prophecy. These stories give us a window into the world that birthed them by crystalizing the authors' fears into a work of fiction. When I read each book on this list, they transported me to the time they were written. En route, they showed how much our world has changed and how much we humans haven’t.
I don’t know what I was expecting when I decided to cross this book off my “should have read a long time ago” list, but right off the bat, the narrator is riffing on humanity’s destruction of its own planet and Europe’s extermination of indigenous groups across the world, and asking if we can really blame the Martians for giving us a taste of our own medicine.
Written in 1898 as the Victorian age waned and the new century loomed, Wells weaves all sorts of still-relevant commentary between the gripping action and horror. Whether it’s the suicidal religious fervor of the curate, the terror of total war and mechanized murder, or societal breakdown as London evacuates, the 1890s had things to say that never stopped being relevant. Maybe we’ll finally sort them out in the next 130 years.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
On the morning of September 11, 2001, I woke up expecting to spend that day – and the rest of my academic career – leisurely studying the interplay of culture and individual temperament in second language acquisition. As the rest of that terrible day unfolded, however, my research up to that point suddenly seemed very small and almost decadently privileged. Recruiting the rudimentary cultural anthropology toolbox I had already amassed, I took a deep breath and plunged into the rabbit hole of studying the role of culture in human conflict. Twenty-two years later, using my Japan base and relevant language skills, my research has focused on the Japanese experience in World War II.
Have you ever encountered an idea in a book that made such a lasting impression on you that, almost like the “flashbulb” memory of a life – or world-changing event, you can remember the exact circumstances of where you were when you first read it?
Jared Diamond’s Collapse – which I picked up at an airport bookshop as “light reading” for a long flight – ended up providing me with just such an experience. The book holds that culture can fatally inure us, like so many slowly (and initially comfortably) boiling frogs, to the existential threat of environmental destruction, particularly in the context of the overexploitation of natural resources.
Diamond’s account of the last days of Easter Island civilization is particularly harrowing, and has haunted me ever since.
From the author of Guns, Germs and Steel, Jared Diamond's Collapse: How Societies Choose to Fail or Survive is a visionary study of the mysterious downfall of past civilizations.
Now in a revised edition with a new afterword, Jared Diamond's Collapse uncovers the secret behind why some societies flourish, while others founder - and what this means for our future.
What happened to the people who made the forlorn long-abandoned statues of Easter Island? What happened to the architects of the crumbling Maya pyramids? Will we go the same way, our skyscrapers one day standing derelict and overgrown like the…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.
Be patient: the novel gets brutally dark before the light.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
Climate Studies is a massive, cross-disciplinary field that exceeds the grasp of everyone involved, myself included. I start from my home discipline, philosophy, and follow the leads wherever they take me—a practice I learned from decades as a Freud scholar. The climate books I admire most are those that take this vast literature and synthesize the issues. This means I admire and respect the work being done by smart journalists like McKibben, Klein, and Wallace-Wells, who are perfect jumping-off points to thinking carefully about the future of life today. They are the ‘journalist-philosophers’ who are attempting these essential first drafts of history. Start with them and see where it all leads.
McKibben is an American journalist, researcher, and founder of the environmental organization 350.org. His End of Nature is one of the first trade books to address climate change. Written in clear, accessible language, McKibben argues that nature has been thoroughly subjected to human forces that forever undermine traditional views of an environment set apart, pristine and original, from the things we have done to it. The biggest thing we’ve done is increase the average temperature above industrial norms, and this book is a classic framing of this issue.
One of the earliest warnings about climate change and one of environmentalism's lodestars
'Nature, we believe, takes forever. It moves with infinite slowness,' begins the first book to bring climate change to public attention.
Interweaving lyrical observations from his life in the Adirondack Mountains with insights from the emerging science, Bill McKibben sets out the central developments not only of the environmental crisis now facing us but also the terms of our response, from policy to the fundamental, philosophical shift in our relationship with the natural world which, he argues, could save us. A moving elegy to nature in its…
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
The Fifth Season is set in a world plagued by intermittent climate catastrophes and inhabited by a group of people called orogenes, who possess the ability to control energy and, therefore, thwart these catastrophes.
It follows two talented oregenes named Syenite and Alabaster, who are forced by the ruling class to marry and undertake a dangerous mission together. Jemisin’s story is a riveting exploration of environmental ethics, transhumanism, and the concept of the Anthropocene. She challenges her characters and readers to consider their responsibility for the earth and the other organisms that share it. She also depicts the role that social oppression plays in the exploitation and destruction of the environment.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Typically, climate journalists share stories of disastrous extreme weather events made more extreme by climate change. But over the past decade, I’ve discovered that every sector of the economy and every country on the planet that I’ve had the privilege to explore has people working on climate solutions. Crucially, in many places, these are now working at scale.
A series of lectures that shames the literary world for its lack of imagination in weaving the greatest threat humanity faces–climate change–into stories.
Ghosh is a first-rate novelist, but his greatest legacy will be his nonfiction work on climate, colonialism, and migration.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…