Here are 27 books that The End of Nature fans have personally recommended if you like
The End of Nature.
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I‘m a pediatrician in Reno, the fastest-warming city in the US. I also have a background in environmental science. I’ve seen the impacts of climate change on children first-hand, especially the impact of worsening wildfire smoke from “mega-fires” in California. It is impossible for me to look at babies and children suffering the impacts of worsening smoke, smog, allergies, heat, natural disasters, and infectious diseases and not see that the most powerful industry in history has unloaded the cost of their business onto the least powerful. I am passionate about this topic because I see climate change as a crime against children, who are especially vulnerable to its effects.
I love this book because of its moral clarity and historical detail. It’s an essential book for anyone trying to understand the politics that have paralyzed action for so long.
Dr. Mann describes how, for decades, the fossil fuel industry has waged war on the planet and humanity (not to mention climate scientists) through propaganda, lobbying, and purchasing politicians, even though they’ve known for 50 years what they were doing.
It changed how I interpret many things I see on social media; I feel better equipped to recognize bots from the industry and petrostates.
Shortlisted for the FT/McKinsey Business Book of the Year award
A renowned climate scientist shows how fossil fuel companies have waged a thirty-year campaign to deflect blame and responsibility and delay action on climate change, and offers a battle plan for how we can save the planet.
Recycle. Fly less. Eat less meat. These are some of the ways that we've been told can slow climate change. But the inordinate emphasis on individual behavior is the result of a marketing campaign that has succeeded in placing the responsibility for fixing climate change squarely on the shoulders of individuals.
I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book shook me to my core. I felt so frightened by its vision of a world destroyed by global warming that I became even more determined to help get climate deniers out of power.
I know that other people who read this book were equally inspired to learn more about climate change or even join the climate movement. It’s really one of the most influential books of our time.
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig 'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019 Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says…
I love being outdoors and I’ve been fortunate to spend much of life under the open sky, both professionally and personally. Learning about the landscapes I’ve visited on my outdoor adventures or helped protect through my professional conservation and writing work is both fulfilling and inspiring. Skilled writers deepen my understanding of the diverse, intricate, and complicated natural world. Whether I’m reading to better understand the policies and histories that have shaped our public lands or about the adventurers who inspire me to get out there, I always find immense value and enjoyment when reading about the landscapes we share.
Aldo Leopold was a Forest Service ranger stationed in New Mexico’s Gila National Forest when he first began advocating for a new approach to managing national forests. Leopold’s visionary thinking and diligent advocacy resulted in the first-ever Wilderness Area in the U.S.—the Gila Wilderness Area, established in 1922—more than 40 years before the Wilderness Act was passed by Congress in 1964. A Sand County Almanac is Leopold’s best-known work and follows his efforts to restore a patch of cut-over farmland in Wisconsin while also articulating his vision of a land ethic where humans and nature are intertwined and care for people cannot be separated from care for the land. His beautiful writing resonated strongly with me when I first read A Sand County Almanac more than two decades ago, and his vision remains as important now as ever.
Aldo Leopold's A Sand County Almanac has enthralled generations of nature lovers and conservationists and is indeed revered by everyone seriously interested in protecting the natural world. Hailed for prose that is "full of beauty and vigor and bite" (The New York Times), it is perhaps the finest example of nature writing since Thoreau's Walden. Now this classic work is available in a completely redesigned and lavishly illustrated gift edition, featuring over one hundred beautiful full-color pictures by Michael Sewell, one of the country's leading nature photographers. Sewell, whose work has graced the pages of Audubon and Sierra magazines, walked…
I‘m a pediatrician in Reno, the fastest-warming city in the US. I also have a background in environmental science. I’ve seen the impacts of climate change on children first-hand, especially the impact of worsening wildfire smoke from “mega-fires” in California. It is impossible for me to look at babies and children suffering the impacts of worsening smoke, smog, allergies, heat, natural disasters, and infectious diseases and not see that the most powerful industry in history has unloaded the cost of their business onto the least powerful. I am passionate about this topic because I see climate change as a crime against children, who are especially vulnerable to its effects.
This book is a classic—the book that launched the modern environmental movement in 1962. Rachel Carson’s 1962 warning about the dystopian future we faced from inappropriate use of chemical pesticides (such as DDT) and herbicides was groundbreaking, as the public had been told these substances were safe.
I love it because it is an intricate and beautifully woven tale about humanity’s relationship with nature and our own hubris. It shattered commonly held views and created a new way of viewing the world and our role in it.
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Terry Tempest Williams is a Utah-based poet and naturalist who writes in this book about her mother's devastating cancer diagnosis and the rising of the Great South Lake in 1983, which was endangering the bird population by which Terry measured her life.
The way she interweaves the human world with the natural world and how interconnected everything is, in some ways, in my memory, reminds me of the same power Mark Doty’s Heaven’s Coast had for me, in that I was mesmerized out of my misery by the incredibly specific descriptions of sights and sounds and even smells.
Her mother’s illness and the tragedy that was occurring in the lake were somehow embroidered together to feel like the same story. When my opera The Grapes of Wrath premiered in Utah in 2008, it was as if Terry’s exquisite book had iconized the state for me. Coincidentally, it was Mark Doty…
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Jordan Fisher Smith spent 21 years as a park and wilderness ranger. He is the author of the ranger memoir Nature Noir, a San Francisco Chronicle Best Books of 2005 pick, and an Audubon Magazine Editor’s Choice. His second book Engineering Edenwon a 2017 California Book Award and was longlisted for the 2016 PEN/E.O. Wilson Award for Literary Science Writing. He has also written for The New Yorker,Men’s Journal, Discover, and others and was a principal cast member and narrator of the film Under Our Skin, which was shortlisted for the 2010 Oscar for Best Documentary Feature.
In a series of long-form journalist pieces, McPhee visits places where human beings are at war with natural forces: the long attempt to control the course of the Mississippi River and its floods, Icelanders trying to control lava flows with hoses, and a system of hardened channels and containments for massive mud and debris flows pouring down from the mountains behind Los Angeles. McPhee is at the height of his powers in this book, with his acerbic wit allowing the heroic futility of these manipulations to speak for itself.
The Control of Nature is John McPhee's bestselling account of places where people are locked in combat with nature. Taking us deep into these contested territories, McPhee details the strageties and tactics through which people attempt to control nature. Most striking is his depiction of the main contestants: nature in complex and awesome guises, and those attempting to wrest control from her - stubborn, sometimes foolhardy, more often ingenious, and always arresting characters.
I’ve been fascinated with propaganda and persuasion since childhood. Growing up in Detroit, our family would watch both American and Canadian TV channels. The TV commercials shown on the American TV channels were noisier, nosier, zanier, and more intrusive than the more sedate and polite forms of persuasion on Canadian shows. Because advertising and propaganda are kissing cousins, I've always appreciated how they shape politics, journalism, entertainment, activism, education, and the arts. Propaganda's greatest (and most dangerous) power is its ability to both unify and divide people, and there's never been a more important time to look carefully at how propaganda is shaping our understanding of reality through the many screens in our lives.
There’s no magic wand, no defensive armor, vaccine, or potion that can inoculate people against the influence of propaganda. But learning about propaganda is essential for people of all ages who want to hold on to their democracy in the face of threats. What will surprise you when you read this classic work, written in 1928, is how timely it remains. Bernays anticipates the rise of influencers and memes because he knows that people rely on thought leaders for most of their opinions and beliefs about the world. But the most important feature of this book is what he has to say about propaganda and democracy. Bernays convinces you that propaganda is not inherently evil, and he even makes the case that propaganda is necessary for democratic societies to flourish.
“Bernays’ honest and practical manual provides much insight into some of the most powerful and influential institutions of contemporary industrial state capitalist democracies.”—Noam Chomsky
“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country.”—Edward Bernays
A seminal and controversial figure in the history of political thought and public relations, Edward Bernays (1891–1995), pioneered the scientific technique of shaping and manipulating public opinion, which he famously dubbed “engineering of…
I‘m a pediatrician in Reno, the fastest-warming city in the US. I also have a background in environmental science. I’ve seen the impacts of climate change on children first-hand, especially the impact of worsening wildfire smoke from “mega-fires” in California. It is impossible for me to look at babies and children suffering the impacts of worsening smoke, smog, allergies, heat, natural disasters, and infectious diseases and not see that the most powerful industry in history has unloaded the cost of their business onto the least powerful. I am passionate about this topic because I see climate change as a crime against children, who are especially vulnerable to its effects.
I loved this bookbecause of its discussion of paleontology (which has always interested me) and the extinctions prior to this one. But I also loved Kolbert’s description of the history of paleontology itself—specifically, how the discovery of fossils triggered a crisis in our understanding of ourselves and our world.
Like some of my other selections, this book made me think about humanity’s relationship to the planet and the other life we share it with.
Over the last half a billion years, there have been five mass extinctions of life on earth.
Scientists around the world are currently monitoring the sixth, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs.
Elizabeth Kolbert combines brilliant field reporting, the history of ideas and the work of geologists, botanists and marine biologists to tell the gripping stories of a dozen species - including the Panamanian golden frog and the Sumatran rhino - some already gone, others at the point of vanishing.
The sixth extinction is likely to be mankind's most…
Climate Studies is a massive, cross-disciplinary field that exceeds the grasp of everyone involved, myself included. I start from my home discipline, philosophy, and follow the leads wherever they take me—a practice I learned from decades as a Freud scholar. The climate books I admire most are those that take this vast literature and synthesize the issues. This means I admire and respect the work being done by smart journalists like McKibben, Klein, and Wallace-Wells, who are perfect jumping-off points to thinking carefully about the future of life today. They are the ‘journalist-philosophers’ who are attempting these essential first drafts of history. Start with them and see where it all leads.
Scranton is polarizing because he wallows in doom and flirts with an unpleasant form of nihilism. But even so, he provides an honest, sometimes searing introduction to the big troubles we are facing today—and he does so at the right level of analysis, our entire civilization. It is also very short and punchy. If, however, readers prefer less doom and more hope, then read instead Naomi Klein’s smart, serviceable collection of short essays, On Fire.
"In Learning to Die in the Anthropocene, Roy Scranton draws on his experiences in Iraq to confront the grim realities of climate change. The result is a fierce and provocative book."--Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction: An Unnatural History "Roy Scranton's Learning to Die in the Anthropocene presents, without extraneous bullshit, what we must do to survive on Earth. It's a powerful, useful, and ultimately hopeful book that more than any other I've read has the ability to change people's minds and create change. For me, it crystallizes and expresses what I've been thinking about and trying…
Climate Studies is a massive, cross-disciplinary field that exceeds the grasp of everyone involved, myself included. I start from my home discipline, philosophy, and follow the leads wherever they take me—a practice I learned from decades as a Freud scholar. The climate books I admire most are those that take this vast literature and synthesize the issues. This means I admire and respect the work being done by smart journalists like McKibben, Klein, and Wallace-Wells, who are perfect jumping-off points to thinking carefully about the future of life today. They are the ‘journalist-philosophers’ who are attempting these essential first drafts of history. Start with them and see where it all leads.
McSweeney’s is a singular publisher of beautifully designed, smart, and unusual books. This one is a collection of writers devoted to imagining the effects of climate change in the near future. Sad, wistful, compelling stories, written from myriad global perspectives and based on climate science. One that has stuck with me is a story called “1740” by Asja Bakic, a Croatian writer. But if you prefer a big, classic novel in the “cli fi” literature, look to the works of Kim Stanley Robinson.
Spanning six continents and nine countries―from metropolitan Mexico City to the crumbling ancient aqueducts of Turkey, the receding coastline of Singapore to the coral shores of northern Australia―McSweeney’s 58 is wholly focused on climate change, with speculative fiction from ten contributors, made in collaboration with the Natural Resources Defense Council (NRDC). Global in scope, each story is set in the year 2040 and imagines what the world might look like if the dire warnings issued by the Special Report on Global Warming of 1.5 °C were to come true. Using fiction―informed here and there by realism and climate science―this issue…
