Here are 69 books that McSweeney's Issue 58 fans have personally recommended if you like
McSweeney's Issue 58.
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I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too.
This book shook me to my core. I felt so frightened by its vision of a world destroyed by global warming that I became even more determined to help get climate deniers out of power.
I know that other people who read this book were equally inspired to learn more about climate change or even join the climate movement. It’s really one of the most influential books of our time.
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig 'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019 Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says…
I‘m a pediatrician in Reno, the fastest-warming city in the US. I also have a background in environmental science. I’ve seen the impacts of climate change on children first-hand, especially the impact of worsening wildfire smoke from “mega-fires” in California. It is impossible for me to look at babies and children suffering the impacts of worsening smoke, smog, allergies, heat, natural disasters, and infectious diseases and not see that the most powerful industry in history has unloaded the cost of their business onto the least powerful. I am passionate about this topic because I see climate change as a crime against children, who are especially vulnerable to its effects.
I love this book, another classic, partly because it was the first shocking explanation for a general audience of the “greenhouse effect” (as global warming was called in 1989) and what it would mean for our future.
I also love McKibben’s ability to synthesize narrative and data from all over the world and multiple branches of science. He was warning us about an existential threat long before most of the public understood it.
One of the earliest warnings about climate change and one of environmentalism's lodestars
'Nature, we believe, takes forever. It moves with infinite slowness,' begins the first book to bring climate change to public attention.
Interweaving lyrical observations from his life in the Adirondack Mountains with insights from the emerging science, Bill McKibben sets out the central developments not only of the environmental crisis now facing us but also the terms of our response, from policy to the fundamental, philosophical shift in our relationship with the natural world which, he argues, could save us. A moving elegy to nature in its…
Climate Studies is a massive, cross-disciplinary field that exceeds the grasp of everyone involved, myself included. I start from my home discipline, philosophy, and follow the leads wherever they take me—a practice I learned from decades as a Freud scholar. The climate books I admire most are those that take this vast literature and synthesize the issues. This means I admire and respect the work being done by smart journalists like McKibben, Klein, and Wallace-Wells, who are perfect jumping-off points to thinking carefully about the future of life today. They are the ‘journalist-philosophers’ who are attempting these essential first drafts of history. Start with them and see where it all leads.
Scranton is polarizing because he wallows in doom and flirts with an unpleasant form of nihilism. But even so, he provides an honest, sometimes searing introduction to the big troubles we are facing today—and he does so at the right level of analysis, our entire civilization. It is also very short and punchy. If, however, readers prefer less doom and more hope, then read instead Naomi Klein’s smart, serviceable collection of short essays, On Fire.
"In Learning to Die in the Anthropocene, Roy Scranton draws on his experiences in Iraq to confront the grim realities of climate change. The result is a fierce and provocative book."--Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction: An Unnatural History "Roy Scranton's Learning to Die in the Anthropocene presents, without extraneous bullshit, what we must do to survive on Earth. It's a powerful, useful, and ultimately hopeful book that more than any other I've read has the ability to change people's minds and create change. For me, it crystallizes and expresses what I've been thinking about and trying…
I’m a climate scientist at Harvard and an environmental activist. In my day job, I use satellite, aircraft, and surface observations of the environment to correct supercomputer models of the atmosphere. What I’ve learned has made me feel that I can’t just stay in the lab—I need to get out in the world and fight for a future that’s just and ecologically stable for everyone. My writing and activism imagines how humanity can democratically govern itself in an age of environmental crisis.
Despite the title, this book is not literally about how to blow up a pipeline. Instead, it asks why, if the fate of the world is at stake, so few climate activists have turned to sabotage. Perhaps it should have been called, “Why isn’t anyone blowing up a pipeline?”
In my activism, I have always organized and joined non-violent actions and protests, but Malm raises a powerful point: historical movements, like the fight for women’s suffrage or the end of apartheid in South Africa, have used violence and sabotage. Only after the fact are these movements whitewashed into something peaceful and cuddly. Reading Malm’s short but powerful book left me with more questions than I started with, but the best books often don’t provide the right answers; rather, they ask new questions.
The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven't we moved beyond peaceful protest?
In this lyrical manifesto, noted climate scholar (and saboteur of SUV tires and coal mines) Andreas Malm makes an impassioned call for the climate movement to escalate its tactics in the face of ecological collapse. We need, he argues, to force fossil fuel…
As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.
I loved this novel, based on the author’s mother’s life!
It made me aware of American women called Donut Dollies and their roles in WW2
following the troops as they liberated Europe. I imagined being there and how
it would be for the protagonist.
An unusual and heartbreaking story. The events
experienced affected the author’s mother afterward all through her life, and
she died isolated and alone. I recognized how a mother was affected by war, as
my mother also was traumatized.
This "powerful, uplifting, and deeply personal novel" (Kristin Hannah, #1 NYT bestselling author of The Four Winds), at once "a heart-wrenching wartime drama" (Christina Baker Kline, #1 NYT bestselling author of Orphan Train) and "a moving and graceful tribute to heroic women" (Publishers Weekly, starred review), asks the question: What if a friendship forged on the front lines of war defines a life forever?
"Urrea's touch is sure, his exuberance carries you through . . . He is a generous writer, not just in his approach to his craft but in the broader sense…
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
From the first words, I felt myself to be in the company of an excellent storyteller. I also love great styles, and Urrea’s was bursting. Though I was unfamiliar with the author, his style and voice are authentic and rich. The characters are oddball and interesting without being forced. Also, for me, there is something about the Mexican culture that is wild. I am a wild child, and thus, I am drawn to the unexpected.
The heroine, Teresita, happens to be an ancestor of the author, and this tale is based on a true story, impeccably researched, so I thought Urrea had lived during this time, but impossible since it was 1870. Healers often talk about the task of the dead ancestors to protect the living; for the living, it is important that the dead stay close to us. I believe this since I had a personal experience with my…
The prizewinning writer Luis Alberto Urrea's long-awaited novel is an epic mystical drama of a young woman's sudden sainthood in late 19th-century Mexico.It is 1889, and civil war is brewing in Mexico. A 16-year-old girl, Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream--a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal--but it will take all her faith to endure the trials that await her and her family now that she has…
Ever since I was a little guy, I've been told that I complicate things unnecessarily. I overthink and over-communicate, and often, my feelings are outsized to the situation. These are not things I do on purpose, but involuntary, like a sneeze or the way you reflexively clench with cuteness aggression when you see a grizzly bear’s little ears, even though you know it can hurt and eat and kill you. I love to find books with narrators who seemingly share this affliction. It makes me feel less alone, but more importantly, I love to see how other people's Rube Goldberg machines function.
I didn't realize a book could get the zoomies. América del Norte has instilled in me such great wonder and vicious prose envy that I may never recover. Rambunctious, bombastic, and sprawling, this work of autofiction left me saying things like, “No way!” and “What the hell?!” out loud like a complete buffoon. Sometimes because of the story and sometimes because of the audacity of the sentence structures.
Medina Mora weaves history, literature, politics, translation, and much more into a grand chronicle. Amid devastating historical narratives and global tragedy, I still laughed out loud at some parts and startled my little cat, who then also got the zoomies.
Moving between New York City, Mexico City, and Iowa City, a young member of the Mexican elite sees his life splinter in a centuries-spanning debut that blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of US writers like Ben Lerner and Teju Cole.
Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa’s MFA program.
But Sebastián’s life is shaken by the Trump administration’s restrictions on immigrants, his mother’s terminal cancer, the cracks in…
I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list.
I enjoyed how this story takes an everyday person that we can all relate to, and with one urge of curiosity, she is easily sucked into a dangerous world of crime and murder.
Throughout her story, she finds herself investigating unseen and unknown by dangerous people. She herself may be unaware of any danger until she dives further into her curiosities. And within it all, there is a slow and natural element of romance.
I appreciate Moreno-Garcia’s characters for their realness and natural way of moving through the story.
1970s Mexico City: while student protests and political unrest consume the city, Maite seeks escape from her humdrum life in the stories of passion and danger filling the latest issue of Secret Romance.
She is deeply envious of her neighbour, a beautiful art student apparently living the life of excitement and intrigue Maite craves - so when Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman, journeying deep into Leonora's secret life of student radicals and dissidents.
'Cements Silvia Moreno-Garcia's incredible versatility as an amazing writer who moves between genres effortlessly. A lush, magnificent trip into…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
This is one of those books that I started and couldn’t stop until I finished reading.
It’s a charming, romantic, jet-setting story about two strangers who win a radio contest for a trip around the world. The only problem? The two couldn’t be more different.
With all the favorite elements of a second chance (and forced proximity) romance story, set against the international and every-changing backdrops (from Sydney to Mexico City to Mumbai and more!), readers fall head-over-heels for Dylan and Jack’s relationship.
Heartfelt and deeply moving, Wanderlust made me yearn for a chance to travel the world (and maybe start entering more radio contests!).
People We Meet on Vacation meets The Unhoneymooners in this sparkling debut romantic comedy about two near strangers—and complete opposites—who win a radio contest for a trip around the world.
Love's about to take flight.
Feeling stuck at work and tired of London’s dreary weather, magazine writer Dylan Coughlan impulsively rings a radio station one day only to win a once-in-a-lifetime trip around the world. The catch? Her travel partner must be a contact randomly selected on her phone. And of course this stressful game of contact roulette lands on a number listed only as Jack the Posho, an uptight,…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
Valeria Luiselli dissects the odd systems and networks of our world’s cities and reveals in their hidden corners and corridors strange and magical identities. Luiselli’s essays further interrogate a city’s relationship to the bodies, cultures, artifacts, and languages that inhabit its spaces. In the essay, “Flying Home,” Luiselli journeys to Mexico City, the place of her birth, and, staring out of her airplane window, considers the city’s layout from this great height. This act of “mapping” according to her extraordinary vantage (suspended in flight), allows for a greater, incantatory meditation on our various perceptions of “home,” and how said perceptions depend as much on the imagination and on ephemeral memories as they do on reality.
Luiselli's essays (originally published in Mexico) have been released to great acclaim abroad and has been translated for and published in the UK, Italy, Germany, and The Netherlands Alma Guillermoprieto called Luiselli "one of the most important new voices in Mexican writing" at BEA and Luiselli is similarly known to and beloved by Latin American writers and venues including PEN America, the Americas Society, and the Mexican Cultural Institute Luiselli's work is well known to bilingual Spanish language readers (including invitations to appear at Instituto Cervantes in Chicago and the Spanish language bookclub at McNally Jackson) Luiselli is an engaging…
