Here are 100 books that The Rock Eaters fans have personally recommended if you like
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Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
Aimee Bender takes you on a wild and emotional ride with stories that are as resonant as they are magical. Whether you’re reading about a woman whose husband is undergoing reverse evolution or about the sisters with hands of fire and ice, no matter how exotic Bender’s premises might seem, there is always, at their core, something utterly human.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
It is my sincerest belief that science fiction loses its purpose when it focuses too much on the science and too little on the humans (or aliens, or sentient spores) at the center of the story.
No one can accuse Swyler’s Light from Other Stars of that. Straddling the line between literary and science fiction, this novel is about space travel, yes, but it’s also about parent-child bonds, friendship, and the people of a small town in Florida in all their idiosyncrasies, virtues, and flaws.
This novel will make you think (mostly about physics), but it will also make you deeply feel.
A Long Island Reads 2020 Selection * A Real Simple Best Book of 2019
From the bestselling author of The Book of Speculation, a “tender and ambitious” (Vulture) novel about time, loss, and the wonders of the universe.
Eleven-year-old Nedda Papas is obsessed with becoming an astronaut. In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach--if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda's newborn brother several…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.
I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.
I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents.
'I loved Orange World... a collection of short stories in which demons live in drains, bog women come back from the dead and trees can grow inside the human body' Daisy Johnson, New Statesman BOOK OF THE YEAR
'A rare combination of literary brilliance and unbridled entertainment' Mark Haddon
These exuberant, unforgettable stories showcase Karen Russell's comedic and imaginative talent for creating outlandish predicaments that uncannily mirror our inner lives. In 'The Bad Graft', a couple on a road trip stop in Joshua Tree National Park, where the spirit of a giant tree accidentally infects the young woman, their fates…
I’m a writer who loves all kinds of fiction, but I’m most passionate about magical realism and related genres (like fabulism and speculative fiction). I love when writers skirt several genres, especially when their use of the “strange” holds a funhouse mirror up to our world and allows us to see a deeper truth. My favorite writers craft prose that rivals poetry and delve into their characters’ interior worlds; for me, one of fiction’s greatest magic tricks is the ability to enter another’s world and create empathy. The five authors on this list do all of these things and more, and they serve as some of my greatest inspirations.
Full disclosure: Anne is a dear friend and was an MFA workshop-mate of mine.
But even if she wasn’t, I’m confident this would still be one of my favorite collections. There is so much magic in Valente’s writing, in the gorgeous prose but also in the content of the stories: ghosts, pink dolphins, tiny librarians, Northern Lights.
Much of the magic is not supernatural, but just the magic of the natural world, and Valente is a master of place; I’ve always admired her use of setting. Many of the stories deal with loss, grief, and pain, but the magic acts as a way to transcend these things, which is what I aim to do in my stories as well.
From ghosts to pink dolphins to a fight club of young women who practice beneath the Alaskan aurora borealis, By Light We Knew Our Names examines the beauty and heartbreak of the world we live in. Across 13 stories, this collection explores the thin border between magic and grief.
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Yu’s Interior Chinatown won the National Book Award because it married form and function in the most spectacular way.
Written in part like a screenplay, the novel tells the story of Willis Wu, an actor trying to break out from the role of “Generic Asian Man.” Unless you’ve been living under a rock for the past few years, you’ve probably heard about the push for better Asian representation in Hollywood. That certainly plays a role in the book, but there is also interrogation and critique here.
A novel written in the form of a screenplay could have easily turned into a gimmick. Yu made it art.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Is Fried’s short story collection The Great Frustration literary, science fiction, fantasy, absurdist, or something else? I have no idea, and I suspect neither does he, but that’s one of the reasons I love this book so much.
Whether Fried is writing about the animals in the Garden of Eden or a town that refuses to change its ways despite its pesky recurrent problem of massacres, these stories will make you laugh.
After you’re done laughing, when you’ve had some time to think, you’ll realize that you were only laughing because Fried is adept at pointing out those aspects of society and human nature that we find uncomfortable—which, of course, the best comedians have always done.
Equal parts fable and wry satire, The Great Frustration is a sparkling debut. Seth Fried balances the dark--a town besieged, a yearly massacre, the harem of a pathological king--with moments of sweet optimism--researchers unexpectedly inspired by discovery, the triumph of a doomed monkey, the big implications found in a series of tiny creatures.
In "Loeka Discovered," a buzz flows throughout a lab when scientists unearth a perfectly preserved prehistoric man who suggests to them the hopefulness of life, but the more they learn, the more the realities of ancient survival invade their buoyant projections. "Frost Mountain Picnic Massacre" meditates on…
My engagement in the topic has two distinct vectors, academic, and personal, or, if you wish, existential. My academic engagement began when Buber's son Raphael (1900-91), who served as the Executor of the Martin Buber Literary Estate, invited me to assemble and edit his father's writings on the "Arab Question." He explained that of all of his father's publications, his ramified writings promoting the political and human dignity of the Palestinian Arabs spoke most dearly and, as a citizen of the State of Israel, most immediately to him. I accepted Rafael's invitation with alacrity, for like Raphael I'm an Israeli by choice, having emigrated to the country in 1970.
Partition—the idea of separating Jews and Arabs along ethnic
or national lines—is a legacy at least as old as the Zionist-Palestinian
conflict. Challenging the widespread "separatist imagination" behind
partition, Gil Hochberg demonstrates the ways in which works of contemporary
Jewish and Arab literature reject simple notions of separatism and instead
display complex configurations of identity that emphasize the presence of
alterity within the self—the Jew within the Arab, and the Arab within the Jew. In
Spite of Partition examines Hebrew, Arabic, and French works that are
largely unknown to English readers to reveal how, far from being independent,
the signifiers "Jew" and "Arab" are inseparable.
Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
The watercolor illustrations in this book are absolutely gorgeous, and the story itself mixes magical realism with an insightful truth. In providing us with opportunities, our parents have to sacrifice a little bit of themselves. Throughout the book, this abstract sacrifice is portrayed by the parent’s shrinking scale. The parents offer a few inches of their height in exchange to give their child a birthday cake, education, and books. Throughout time, the reader sees the parents shrink smaller and smaller as they give more and more of themselves to the young boy. This is a book that made us want to tear up, and a book that we wish we could have written.
From the author of the award-winning picture book This Small Blue Dot comes a new tale of a family that doesn’t look like all the others, carrying an enduring message of the transformative power of love, and the shape a life can take.
It goes without saying that all children believe their parents to be strange. Mine were unusual for a different reason . . .
One boy’s parents travel from far-off lands to improve their son’s life. But what happens next is unexpected. What does it mean when your parents are different? What shape does love take? And what…
