100 books like Orange World and Other Stories

Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.

While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.

Aimee Bender takes you on a wild and emotional ride with stories that are as resonant as they are magical. Whether you’re reading about a woman whose husband is undergoing reverse evolution or about the sisters with hands of fire and ice, no matter how exotic Bender’s premises might seem, there is always, at their core, something utterly human.

I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.

I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.

Short story collections are funny things: some are strong from start to finish, and some… read as if the author wrote all the other stories over the course of a weekend after one of their stories garnered public attention. No, I will not name names.

Peynado’s The Rock Eaters is a glowing example of the former. The collection spans genres: realist, science fiction, magical realist. What all the stories have in common is Peynado’s controlled hand and breadth of imagination, not to mention her keen insights into what it’s like to exist in the real world, a world fraught with gun violence, racism, and xenophobia.

You finish the collection feeling like you’ve traversed worlds and, in the process, learned something new about the world we live in.  

Full disclosure: Anne is a dear friend and was an MFA workshop-mate of mine.

But even if she wasn’t, I’m confident this would still be one of my favorite collections. There is so much magic in Valente’s writing, in the gorgeous prose but also in the content of the stories: ghosts, pink dolphins, tiny librarians, Northern Lights.

Much of the magic is not supernatural, but just the magic of the natural world, and Valente is a master of place; I’ve always admired her use of setting. Many of the stories deal with loss, grief, and pain, but the magic acts as a way to transcend these things, which is what I aim to do in my stories as well.

Most of the books I read with my kids have animals as the main characters, but few books aimed at adults do, so I was thrilled to find these stories where wolves, vultures, and tigers provide nuanced, complex perspectives on a threatened world. I learned about love and deep ocean noise from a young whale and felt the loneliness of a polar bear who is parted from his mother, his twin, and others of his kind.

Through these mythic stories, I realized the deep strangeness that comes from losing my connection to other animals and the true pleasure of returning to my place as a creature of the world—something I felt when I became a mother and again as I read these stories.

I keep returning to this collection of stories when I want to get closer to the feeling that flickers between grief and love, which I’ve felt in both large ways and in the small losses that I feel as my kids get older.

Many of the mothers in Romm’s book are dying, but her unwavering attention and humor make these stories feel like a balm, not a wound. There are stories about a man who carries an egg around to test out fatherhood and about a woman planting a crop of mothers in her garden while she grieves her own.

In my own life, plenty of eggs get broken, and the garden has a mind of its own—so these stories also feel familiar, personal, and comforting.

I want to end with a book that showed me that parenting was perfect material for leaning into the surreal. Around the time I read it, the regular rhythm of my life included morning dropoffs at daycare and evening lice checks while my kids watched Power Rangers.

Opening up this story collection, I immediately found stories that took these experiences to fantastical places—like Spells, where a lice lady does her steady work for ashamed mothers as a strange spell takes over her own sons, or Wild Milk, where a mom’s experience with her son’s daycare provider becomes increasingly bizarre.

The entire collection gave me the confidence to surrender to the strangeness, both in my writing and with my kids.

If you’re looking for a darker, more violent set of short stories, look no further. Another running theme in this collection I loved is the cleverness that goes into the plots, many of which deal with revenge and murder in unique ways. I liked how the things doing the killing were varied and utilized in unexpected styles. Whether that was a truck driver seeking revenge on a gang of bikers or carousel horses coming to life to terrorize teens, or a faun doling out justice to a group of hunters, these stories left me unsettled yet creatively satisfied. 

Post-apocalypse and gritty science fiction doesn’t get any better than this collection. Harlan Ellison writes in a rough and unflinching style that, to me, was like watching a classic 80s action/sci-fi movie. And the novella in this book, A Boy and His Dog, is another favorite of mine. It’s bloody and raw and felt ahead of its time for its prose and structure. After reading it, I saw this was published over fifty years ago, yet it still resonated as something fresh and new.