Here are 100 books that Man V. Nature fans have personally recommended if you like
Man V. Nature.
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I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
I really enjoy all of Gaiman’s collections, but this one is my favorite. “We Can Get Them for You Wholesale” and “The Price” are two stories I particularly love, one so darkly comic I laughed nonstop the first time I read it and one that gave me a genuine chill.
But it’s a deep collection with lots of great stories spanning genres and emotions, and one I’ve read a few times.
***This short fiction collection includes 'Chivalry', this year's Radio 4 Neil Gaiman Christmas Day special, starring Glenda Jackson and Kit Harington. This is the story of Mrs Whitaker, who finds the Holy Grail in a charity shop.***
Open your mind to one of the brightest, most brilliant writers of our generation...
'Gaiman is god in the universe of story' - Stephen Fry
'There's no one quite like Neil Gaiman' - George R. R. Martin
An elderly widow finds the Holy Grail beneath an old fur coat. A stray cat fights and refights a terrible nightly battle to protect his unwary…
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
If you’re looking for a darker, more violent set of short stories, look no further. Another running theme in this collection I loved is the cleverness that goes into the plots, many of which deal with revenge and murder in unique ways. I liked how the things doing the killing were varied and utilized in unexpected styles. Whether that was a truck driver seeking revenge on a gang of bikers or carousel horses coming to life to terrorize teens, or a faun doling out justice to a group of hunters, these stories left me unsettled yet creatively satisfied.
In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in thirteen relentless tales of supernatural suspense, including "In The Tall Grass," one of two stories co-written with Stephen King, basis for the terrifying feature film from Netflix.
A little door that opens to a world of fairy tale wonders becomes the blood-drenched stomping ground for a gang of hunters in "Faun." A grief-stricken librarian climbs behind the wheel of an antique Bookmobile to deliver fresh reads to the dead in "Late Returns." In "By the Silver Water of Lake Champlain," two young friends stumble on the…
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
I loved this collection of short stories primarily for the characters that Kevin Wilson created. The humanity and eclectic traits that he puts into them connected with me on a personal level. It’s almost as if the characters could live in a Wes Anderson film. While the people shine in these stories, the plots still have that inventive odd twist that left me smiling. And the story from which the collection takes its name was a melancholic surreal tale that left me thinking about its layers of meaning long after I finished reading it.
A debut short story collection in the tradition of writers like Kelly Link, Aimee Bender, and George Saunders—strange, imaginative, and refreshingly original—now back in print as part of Ecco’s “Art of the Story” Series, and with a new introduction from the author
Kevin Wilson’s characters inhabit a world that moves seamlessly between the real and the imagined, the mundane and the fantastic. “Grand Stand-In” is narrated by an employee of the Nuclear Family Supplemental Provider—a company that supplies “stand-ins” for families with deceased, ill, or just plain mean grandparents. And in “Blowing Up On the Spot,” a story singled out…
I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to writeWhite Space.
Post-apocalypse and gritty science fiction doesn’t get any better than this collection. Harlan Ellison writes in a rough and unflinching style that, to me, was like watching a classic 80s action/sci-fi movie. And the novella in this book,A Boy and His Dog, is another favorite of mine. It’s bloody and raw and felt ahead of its time for its prose and structure. After reading it, I saw this was published over fifty years ago, yet it still resonated as something fresh and new.
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
I thought this book (another by the king of quirk, Backman) was hysterical. The relationship between the precocious seven-year-old main character, Elsa, and her nutty grandmother is laugh-out-loud funny yet poignant.
I also liked that the story included a bit of magical realism, so I was never quite sure what would happen next.
A must-read for fans of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry and Maria Semple's Where'd You Go, BernadetteHeartbreaking and hilarious in equal measure, by the author of the New York Times bestselling phenomenon A Man Called Ove will charm and delight anyone who has ever had a grandmother. Everyone remembers the smell of their grandmother's house. Everyone remembers the stories their grandmother told them.But does everyone remember their grandmother flirting with policemen? Driving illegally?Breaking into a zoo in the middle of the night? Firing a paintball gun from a balcony in her dressing gown?Seven-year-old Elsa does.Some might call…
I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.
I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents.
'I loved Orange World... a collection of short stories in which demons live in drains, bog women come back from the dead and trees can grow inside the human body' Daisy Johnson, New Statesman BOOK OF THE YEAR
'A rare combination of literary brilliance and unbridled entertainment' Mark Haddon
These exuberant, unforgettable stories showcase Karen Russell's comedic and imaginative talent for creating outlandish predicaments that uncannily mirror our inner lives. In 'The Bad Graft', a couple on a road trip stop in Joshua Tree National Park, where the spirit of a giant tree accidentally infects the young woman, their fates…
Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.
This book plays hide and seek with reality. You’re never a hundred percent sure if you’re in the normal mundane world or the world of magic and danger. The story moves swiftly and compellingly between worlds and raises questions about what we can and cannot believe in.
Some parts seem like drug trips gone wrong and others like the comfort and assurance of close relationships no matter how long they’ve lasted.
Murakami is a master at juggling worlds in such a way that sometimes the fantasy worlds are more real than the actual worlds.
The epic new novel from the internationally acclaimed and best-selling author of 1Q84.
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
This book never fails to astound me with its visual surprises. I have looked at it at least a hundred times, and each time I cannot stop turning the pages to see what is next, despite already knowing! The art is superbly drawn, and has the perfect amount of rich detail to savor while “zooming” before we come to a satisfying rest at the contemplative ending.
As seen on the SERIAL podcast, season 2, episode 1 ("Dustwun")!
Open this wordless book and zoom from a farm to a ship to a city street to a desert island. But if you think you know where you are, guess again. For nothing is ever as it seems in Istvan Banyai's sleek, mysterious landscapes of pictures within pictures, which will tease and delight readers of all ages.
"This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books." -- Kirkus Reviews
Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.
I make a point of reading this novel before I start on each of my own novels. There’s something about the tone, the rhythm, the story, and the humor that attracts me to this book. As usual, the lead character (Tucker Case) is like a leaf blown at crazy angles by the winds of the rest of the world, a world that seems to have turned on him just because he’s him.
I like the way Moore creates the most unbelievable events but makes them seem so normal with the backdrop of a world sliding into madness…and he does it all with the most exquisite humor.
Take a wonderfully crazed excursion into the demented heart of a tropical paradise - a world of cargo cults, cannibals, mad scientists, ninjas, and talking fruit bats. Our bumbling hero is Tucker Case, a hopeless geek trapped in a cool guy's body, who makes a living as a pilot for the Mary Jean Cosmetics Corporation. But when he demolishes his boss's pink plane during a drunken airborne liaison, Tuck must run for his life from Mary Jean's goons. Now there's only one employment opportunity left for him: piloting shady secret missions for an unscrupulous medical missionary and a sexy blond…
I’ve always been a child of the woods. I preferred to leave my home and wade a creek or explore a hillside. Nothing compared to the sight of a black snake or the feel of a mud puppy. School was a torture until an English teacher introduced me to Richard Brautigan and then read my first serious story to the class. Since then, this dyslexic nature lover has become a dream fisher and history miner with a Ph.D. in English Literature and Cultural Studies. Retired from forty-one years of teaching, I now write and publish cultural fiction.
I love Richard Brautigan, and In Watermelon Sugar was my first Brautigan book.
I was in the ninth grade and ready to be transported to a land that was hippie without trying to be so. A living room with trees and a stream. A sun that shines a different color every day, especially on Thursday when the sun shines black and there is no sound.
Written three years before the summer of love, the seeds of the hippie dream-turned-nightmare are already sown. Too much whiskey. And yet, this book lit the way for a life of creativity. Still does.
'A charming and original work... The parable itself is extremely relevant' The Times
iDEATH is a place where the sun shines a different colour every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of the counterculture generation.
'Delicate, fantastic and very funny... A highly individual style, a fertile, active inventiveness... It's cool, joyous, lucid and pleasant to read' Malcolm Bradbury
