Here are 100 books that The House of Rust fans have personally recommended if you like
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I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
A trickster god dies, leaving his two sons to squabble with each other and, in that process, identify. At once immersive, magical, and memorable, Gaiman took me through the problems and conflicts of his characters with a potpourri of gravitas, humour, and smartness that only he can conjure with such ease.
Despite the lack of profundity that he's known for amid the scribbled sorcery, I got a lukewarm feel at the end, an all's well that ends well moment that’s an underappreciated and recently overlooked ethic of good-ol’ fantasy.
From bestselling storytelling legend Neil Gaiman, author of American Gods and The Ocean at the End of the Lane, Anansi Boys is a kaleidoscopic journey deep into myth that will thrill Game of Thrones devotees and Terry Pratchett fans alike. 'Exhilarating and terrifying' Independent.
Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared - right now his life is spinning out of control, and it is all his dad's fault.
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
This was one meaty book! Ken Liu has thrown away all the rules of writing and has yet written an absolute masterpiece of fantasy fiction.
I don’t remember being this thrilled, terrified, angry, and chuffed with scene after scene, battle after battle. I am a sucker for sprawling epic fantasies. Give me intricate maps, dozens of characters, multiple POVs, betrayals, puppeteering gods, and a complex plot that ties them all together.
The Grace of Kings is all that and more in its rich and silken reimagining of the Han dynasty and the Chu Han Contention. Imagine my delight when I found out there are three more books to this saga, each meatier than the previous.
Emperor Mapidere was the first to unite the island kingdoms of Dara under a single banner. But now the emperor is on his deathbed, his people are exhausted by his vast, conscriptive engineering projects and his counsellors conspire only for their own gain.
Even the gods themselves are restless.
A wily, charismatic bandit and the vengeance-sworn son of a deposed duke cross paths as they each lead their own rebellion against the emperor's brutal regime. Together, they will journey to the heart of the empire; witnessing the clash of armies, fleets of silk-draped airships, magical books and shapeshifting gods. Their…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!
This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!
"A thrilling, transportative adventure that is everything promised–Chakraborty's storytelling is fantasy at its best." -- R.F. Kuang, #1 New York Times bestselling author of Babel and The Poppy War
"An exhilarating, propulsive adventure, stitched from the threads of real history, Amina’s adventures are the reason to read fantasy." -- Ava Reid, internationally bestselling author of Juniper & Thorn
Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I have not read a more exquisitely crafted fantasy novel in the last couple of years. Two men – a guard and a prisoner – release, and shepherd an ancient god imprisoned beneath a castle across the lands.
Simon’s writing flows like a knife on melted butter spread upon the most perfectly toasted slice of bread. I’ve always been a fan of non-linear narratives. There’s a pleasure in deciphering the arrangement of fantasy stories layered across time, but Spear is layered intricately even within this temporal mishmash in order to deceive, enchant, and ultimately blow your mind away.
It’s gritty, dark, violent, tender, and gorgeously imagined in equal parts and defies conventions to become an ode to storytelling itself. I cannot recommend this book enough.
The people suffer under the centuries-long rule of the Moon Throne. The royal family-the despotic emperor and his monstrous sons, the Three Terrors-hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.
But that god cannot be contained forever.
With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
Murakami is a magical realist genius, and this book is him at his mystifying, dream-like best. Expect otherworldly portals, sexually voracious ghosts, woodlands afflicted by mysterious fainting episodes, and, of course, an entire cast of talking cats.
What amazes me about Murakami’s writing is his ability to transfuse the mundane with the truly magical and to avoid all whimsy–even when writing about something as inherently whimsical as talking cats.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
I grew up on a farm in a musical, artistic family. Poetry, music, animals, and laughter were the fabric of daily life. I happened to be gifted with the ability to draw. With a particular passion for horses, I eventually earned my art degree and created the cartoon character Fergus the Horse. I truly believe that when extraordinarily skilled illustrations are combined with extraordinarily skilled writing to create a published work, then the projected age recommendation for readers becomes irrelevant.
Like Shel Silverstein, Dr. Seuss is one of my illustrating/writing heroes. Every verse, every page takes you to an unexpected place.
I like this book also because of its whimsical philosophy: “You have brains in your head, you have feet in your shoes, you can take yourself any direction you choose…”
This book reminds readers of all ages to lighten up, laugh, and keep going.
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
Musil is a person who you know you’ll never quite keep up with; he has irony within irony within irony. The book is fiction, but few things are better for learning skepticism about "essences" and big ideas, and yes, humility about oneself.
Ulrich, Diotima, General Stumm, sister Agatha, and Moosebrugger are the unforgettable characters, and post-World War I, Vienna is the stage.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
I have a deep-set interest in and passion for human and civil rights, particularly children’s rights. I see the law, with which I have had a fascination since the age of 14, as the primary vehicle for advancing those rights. My research on the law has always been on my own, and apart from several legally themed high school and university courses, I am a layman in this field. Nonetheless, I have extensively studied law privately for many years, with a particular focus on how it affects relations among people, including those between children and adults. Activism for social change is one of my primary motivators in life, my main purpose and direction, and my reason for being.
I love this classic novel; it is one of my old favorites.
Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.
I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.
Lauren's fed up. She's been dumped by her boyfriend and pushed around by her parents. Everyone seems to be making decisions for her - she's even got to share a bedroom with her annoying little sister. Which is why she decides to take a new class at school: Law for Children and Young People. She's determined to find out her rights, and stand up for them. What she isn't expecting to find is a new boyfriend - especially one who's a whole year younger than her...
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
The Trio captures the essence of friendship and love and the coexisting yet diametrically opposed social anxieties that can accompany them. This is why I love this book–love is presented as complex, challenging, and fraught with more that is unsaid than actually expressed.
I also love this book because it expresses love as a real feeling, something that is experienced but not always easy to explain (or get along with). The characters are relatable, honest, and flawed, yet likable. The book is also set in beautiful locations–Stockholm, Paris, London–which makes it beautiful to read.
Elegant, mature and richly atmospheric, a bittersweet love story glimpsed through the veil of memory
'The love child of Normal People and Brideshead Revisited... Sublime and elegiac' Francesca Reece
'[A] heady mix of hope and nostalgia, of desire and regret, of new love and lost love' Sunday Times
Thora, August and Hugo come from different worlds. One is an art school dreamer, one a wealthy scion of the old-world elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together…
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