Here are 64 books that The Grace of Kings fans have personally recommended if you like
The Grace of Kings.
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As a kid, I had a tough time finding books with characters who looked like me after moving from Taiwan to America. That’s usually bad for most kids. However, I was a hideously self-absorbed kid. Having to read about characters who didn’t look or live like me made my childhood infinitely richer. Since becoming an author, I’ve written books that draw from my heritage and lectured about East Asian storytelling at various universities and writing programs. I do this as a love letter to my own heritage but also as a thank you letter to America for sharing its culture with me. Here’s a bit of mine in return.
This wonderful Asian fantasy (the first of a duology) is about a young woman who has the rare ability to control flying wolf-like creatures. This ability plunges her into the middle of political intrigue as forces push her to weaponize this ability and use the beasts as battle mounts. The most unique thing about the book is how it questions the ethics of humans using animals for their purposes. Most fantasies unquestioningly use animal mounts as weapons/vehicles or at most use an animal’s death to trigger a cheap emotional response. This book puts the ethics of using magnificent creatures for human concerns at its very heart. It demonstrates a respect for the natural world that seems consistent with Shinto teaching and that I find too rare in fantasy.
Elin's family have an important responsibility: caring for the fearsome water serpents that form the core of their kingdom's army. So when some of the beasts mysteriously die, Elin's mother is sentenced to death as punishment. With her last breath she manages to send her daughter to safety.
Alone, far from home, Elin soon discovers that she can talk to both the terrifying water serpents and the majestic flying beasts that guard her queen. This skill gives her great powers, but it also involves her in deadly plots that could cost her life. Can she save herself and prevent her…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
As a kid, I had a tough time finding books with characters who looked like me after moving from Taiwan to America. That’s usually bad for most kids. However, I was a hideously self-absorbed kid. Having to read about characters who didn’t look or live like me made my childhood infinitely richer. Since becoming an author, I’ve written books that draw from my heritage and lectured about East Asian storytelling at various universities and writing programs. I do this as a love letter to my own heritage but also as a thank you letter to America for sharing its culture with me. Here’s a bit of mine in return.
This book, the first in the rollicking The Tales of the Otori series, has been called “Shogun meets The Lord of the Rings.” The first book centers on a young man with some special abilities who is groomed to become an assassin due to one special talent — the ability to walk silently across a special floor composed of boards that chitter like birds when stepped on, which warlords sleep in the middle of as an alarm system. The series is one of the most gripping, wildly entertaining, and moving fantasies I’ve ever read. It is proof that it is possible for an artist to come to understand a culture deeply enough to honor its spirit, even if they weren’t born into that culture.
'The most compelling novel to have been published this year' - Amanda Craig, "Observer". In his palace at Inuyama, Lord Iida Sadamu, warlord of the Tohan clan, surveys his famous nightingale floor. Its surface sings at the tread of every human foot, and no assassin can cross it. But 16-year-old Otori Takeo, his family murdered by Iida's warriors, has the magical skills of the Tribe - preternatural hearing, invisibility, a second self - that enable him to enter the lair of the Tohan. He has love in his heart and death at his fingertips...The stunningly powerful bestseller, "Across the Nightingale…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
A trickster god dies, leaving his two sons to squabble with each other and, in that process, identify. At once immersive, magical, and memorable, Gaiman took me through the problems and conflicts of his characters with a potpourri of gravitas, humour, and smartness that only he can conjure with such ease.
Despite the lack of profundity that he's known for amid the scribbled sorcery, I got a lukewarm feel at the end, an all's well that ends well moment that’s an underappreciated and recently overlooked ethic of good-ol’ fantasy.
From bestselling storytelling legend Neil Gaiman, author of American Gods and The Ocean at the End of the Lane, Anansi Boys is a kaleidoscopic journey deep into myth that will thrill Game of Thrones devotees and Terry Pratchett fans alike. 'Exhilarating and terrifying' Independent.
Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared - right now his life is spinning out of control, and it is all his dad's fault.
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!
This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!
"A thrilling, transportative adventure that is everything promised–Chakraborty's storytelling is fantasy at its best." -- R.F. Kuang, #1 New York Times bestselling author of Babel and The Poppy War
"An exhilarating, propulsive adventure, stitched from the threads of real history, Amina’s adventures are the reason to read fantasy." -- Ava Reid, internationally bestselling author of Juniper & Thorn
Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book sank its hooks into me and refused to let go. When this happens with a book, it’s often because I empathize deeply with the characters and care about their journey. Other times because the writing on a sentence-by-sentence level is beautiful and compulsive. This achieves both.
Simon Jimenez might be the best prose stylist working in the genre right now, and he uses that skill to great effect in crafting a beautiful, slightly surreal world. He also has a keen eye for character and the power to tug on my heartstrings like no one else. I felt hollowed out when I finished this book–in a good way!
The people suffer under the centuries-long rule of the Moon Throne. The royal family-the despotic emperor and his monstrous sons, the Three Terrors-hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.
But that god cannot be contained forever.
With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
It lurks in the hazy landscape between magical realism and weird fantasy, which is an unusual thing per my reading experience for a coming-of-age story of a girl named Aisha from Mombasa. Her voyage to rescue her father from across an ocean of godlike sharks was a strange and unsettling experience to read.
Certainly one of the most unique (even if, in some fleeting moments, it reminded me of Hemingway’s Old Man and the Sea, which I found strictly okay).
I’m an incurable nostalgist and, thanks to early exposure to a curly-haired, scarf-wearing eccentric who travels the universe in a battered old police box, gained an early and ongoing obsession with time travel stories, whether intricately-plotted and filled with brain-tangling paradoxes, or steeped in wistful yearning for days gone by. Young me would, I like to think, be delighted to learn that he would, one day, write a book bursting with both paradoxes AND yearning.
This book has a forbidding reputation, but I was lucky enough to come to it in my teens, not knowing I was supposed to be intimidated by it. Instead, I fell instantly and irretrievably in love with the mind-expanding potential of language and story.
It's about a city (Dublin), about a single day (June 16, 1904), and about a million other things besides. It’s a game, a challenge, a marvel, and I particularly love the way it uses time as a constant motif, as Stephen Dedalus and Leopold Bloom weave their way through Dublin across the course of the day, their interior monologues wandering likewise between past, present and future.
James Joyce's masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on one day in June 1904. It is considered to be one of the most important works of modernist literature and was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another series. I really enjoy getting to know characters and look forward to watching them develop over the time that I read about them. Bryant and May are so very unusual. Quirky, and a little bit mad, it has to be said, as are the whole of the Peculiar Crime Unit. The back stories are expertly woven into the narrative and the detail and relating of little-known facts about London are absolutely fascinating. Again I have read the whole series, though as these two elderly detectives grow older and more frail I found them harder to read, but this book – the first in the series was a delight.
When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940.
In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through…
