Here are 100 books that Zoom fans have personally recommended if you like
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I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
Impeccable artwork, precision storytelling, and singularly unique invention are all packed into this amazing book experience. The basic concept is brilliant and mind-bending, and actually maybe even a little bit mind-melting. On top of that is an additional treat of wonderful and whimsical glimpses into a magical undersea world, obviously painted with true passion for the subject matter.
A bright, science-minded boy goes to the beach equipped to collect and examine flotsam--anything floating that has been washed ashore. Bottles, lost toys, small objects of every description are among his usual finds. But there's no way he could have prepared for one particular discovery: a barnacle-encrusted underwater camera, with its own secrets to share . . . and to keep. In each of his amazing picture books, David Wiesner has revealed the magical possibilities of some ordinary thing or happening--a frog on a lily pad, a trip to the Empire State Building, a well-known nursery tale. This time, a…
As you may notice, in my own stories, I like to find the magic in everyday things and, to a greater or lesser extent, each of the books I have chosen to write about here, do that. Having worked with children as a Rainbow Guide Leader, taught children, for a brief spell, abroad, I know children and their intelligence, understanding, and kindness, amongst other things, can often be underestimated. The books I chose, show how children (girls in particular) win the day by using their intelligence, skills, and talents. Celebrating girls and their achievements is increasingly important in improving their rights and access to opportunities in life.
Perseverance and living in the moment, are probably the lessons to take away from The Wizard of Oz and enjoying the journey, wherever the road may lead and the fact that while having courage, a heart (empathy/ emotional intelligence/ kindness and gentleness) and a brain (intelligence), may be fine by themselves, it is when they work together that the magic happens and good things become real).
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'"Come along, Toto," she said. "We will go to the Emerald City and ask the Great Oz how to get back to Kansas again."'
Swept away from her home in Kansas by a tornado, Dorothy and her dog Toto find themselves stranded in the fantastical Land of Oz. As instructed by the Good Witch of the North and the Munchkins, Dorothy sets off on the yellow brick road to try and find her way to the Emerald City and the Wizard of Oz, who can help her get home.…
Growing up, I loved drawing and painting and disliked writing papers, so always thought of myself solely as an illustrator. Then one day, the tale of a pie-baking worm looking for new digs (Ned’s New Home) popped into my head and I shifted into author-illustrator. Later, the story of some highly innovative forest critters (One Snowy Morning) took form and I flipped fully into the role of author (with illustrator Dana Wulfekotte’s vision filling the pages). Of course, children’s story narratives can carry big ideas. For me, the opportunities surrounding the books themselves have taught me that the ability to see things differently is a very valuable tool.
The grass is not always greener on the other side, especially with these two friends. One wants to travel the world (deserts! mountains! tundra!), while the other wants to stay at home (swimming! baking! ice skating!). Rather than be envious of each other, they share their adventures via postcards and the recipient’s own experience is further deepened. Inspired by this exchange, for many years a friend and I would alternate being “Toot” or “Puddle,” sending postcards to each other about our adventures near and far.
Toot and Puddle are the best of friends. But when Toot leaves Woodcock Pocket to travel and see the world, Puddle chooses to stay at home. Just when Puddle begins to miss his old friend, he embarks on some of his own adventures-right at home. Finally, after Toot returns from his year-long trip, the two discover that true friendship knows no boundaries.
With a delightful mix of humor, warmth, and a classic style all her own, Holly Hobbie captures the all excitement and joy that surround adventures-near and far-and reminds readers that true friendship knows no boundaries.
Growing up, I loved drawing and painting and disliked writing papers, so always thought of myself solely as an illustrator. Then one day, the tale of a pie-baking worm looking for new digs (Ned’s New Home) popped into my head and I shifted into author-illustrator. Later, the story of some highly innovative forest critters (One Snowy Morning) took form and I flipped fully into the role of author (with illustrator Dana Wulfekotte’s vision filling the pages). Of course, children’s story narratives can carry big ideas. For me, the opportunities surrounding the books themselves have taught me that the ability to see things differently is a very valuable tool.
As a recovering perfectionist, it took (and still can take) a long time for me to appreciate an unexpected development. Like my younger self, Farmer McPhee has a clear vision for every one of the perfect yellow lemons growing in his orchard. They will be used for sweet cakes, zingy sherbets, ice-cold drinks, and — [gasp] — he discovers a glaring glitch that could ruin all of his plans. Luckily, not everyone sees things like Farmer McPhee and a glitch for one person is pure inspiration for another.
Farmer McPhee isn't ready for what he's about to discover among his cherished bright yellow fruits . . . a red lemon! Readers young and old will delight in the deliciously vibrant world that acclaimed author-illustrator, Bob Staake, has created. Now available as an affordable Dragonfly paparback!
Growing up, I loved drawing and painting and disliked writing papers, so always thought of myself solely as an illustrator. Then one day, the tale of a pie-baking worm looking for new digs (Ned’s New Home) popped into my head and I shifted into author-illustrator. Later, the story of some highly innovative forest critters (One Snowy Morning) took form and I flipped fully into the role of author (with illustrator Dana Wulfekotte’s vision filling the pages). Of course, children’s story narratives can carry big ideas. For me, the opportunities surrounding the books themselves have taught me that the ability to see things differently is a very valuable tool.
As a kid, I remember staring out the window during car rides and being mesmerized by shapes, repetition, and motion. This masterfully designed book captures that dream-like quality during a daytime road trip from country into city. The detailed black-and-white illustrations use silhouette and pattern to convey the shifting scenery. And just when you think the book has come to an end, you flip the entire thing over and travel back home — at night!
This book isn't just the STORY of a family’s round trip - it IS a round trip! Read forward and look at the sights, then flip the book over to see something different on the way back. The black-and-white illustrations for the trip into the city become something different when the book is turned upside down for the journey home. Clouds turn into puddles, fields of wheat turn into rain, lightning becomes mountain trails, and building lights morph into stars. "Round Trip" was featured on Reading Rainbow, the acclaimed PBS-TV series celebrating books and reading.
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I love being in the gentle and cheery little world of Polo! Polo is a small dog who travels via ingenious visual twists of perspective and imagery. I both admire the cleverness and invention, and enjoy the cozy worlds and friends that Polo meets along the way. The Polo books are unique in being truly action-packed while also being very tranquil and peaceful.
Equipped with a backpack full of supplies, Polo sets off on a little boat--and on a series of delightful adventures that take him across (and under) the ocean, to an island and a frozen iceberg, to space and home again, with a world of magical encounters along the way. Polo's journey is packed with incident and expression; 80 pages of seamless, satisfying picture storytelling are perfectly targeted to the youngest reader. Unique, dynamic, and playful, The Adventures of Polo calls to mind the worlds of film animation, comics, and classic books from Harold and the Purple Crayon to The Snowman--and…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
This is such a beautiful book to me. In it, a lost child from a crowded urban environment encounters a mythic deer who takes her on a journey filled with wonders. I don’t know how, but the author manages to convey such believable tenderness and deep connection between this large wild animal and the small child. The art is made with a soft pencil style that is a perfect match for the atmospheric, dreamy, and magical content.
Hailed by Entertainment Weekly and the Wall Street Journal as a best book of the year, this gorgeous and imaginative story—part picture book, part graphic novel—is utterly transporting and original. USA Today declared it “a compelling and melancholy debut from an important new talent" as well as "an expansive and ageless book full of wonder, sadness, and wild bursts of imagination.” And like Shaun Tan's The Arrival and Raymond Briggs's The Snowman, it is quickly becoming a modern classic.
A little girl—lost and alone—follows a mysterious stag deep into the woods, and, like…
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book outlines how the visual field operates at a psychological level.
I am an architect and cannot believe that we don’t teach straight from this and other Arnheim books more often. If you want to know what is happening to you, why you get chills up your spine when looking at art, read this book.
Arnheim is a psychologist, not a designer, so he breaks art down from this perspective.
For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of "The Dynamics of Architectural Form", "Film as Art", "Toward a Psychology of Art", and "Art and Visual Perception", asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. This is an indispensable tool for students and for those interested in the arts.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
This is a book of essays about the act of looking, especially looking at photographs and paintings and animals and other people. Thus these are essays about history, memory, suffering, beauty, and the self. Berger had a generous spirit; he wrote often about the lives of peasants and spent the last forty years of his life in rural France. Berger gazed upon the world in all its forms with composure and curiosity.
As a novelist, essayist, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to…
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