Here are 100 books that The Girl in the Flammable Skirt fans have personally recommended if you like
The Girl in the Flammable Skirt.
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With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
I was a new mother when I read this Alzheimer’s memoir and immediately felt that I’d found a friend. Elizabeth Cohen is funny, lyrical, and sometimes (understandably) frustrated as she takes on the bruising balance of managing a career while simultaneously caring for her aging father and her young daughter. The book is a testimony to the healing power of story and provided a valuable model to me as I sought to make sense of my own family experience by committing my memories to the page.
'Daddy walks around, dropping pieces of language behind him, the baby following, picking them up. He asks for 'the liquid substance from the spigot'. She asks for 'wawa'. He wants a tissue to wipe his 'blowing device'. She says 'Wipe, Mummy' and points to her runny nose. The brain of my father and the brain of my daughter have crossed. On their ways to opposite sides of life, they have made an X-On his way out of life, Daddy has passed her the keys.' Soon after her daughter's first birthday, her husband walked out of their rambling old house in…
With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
The title poem in this collection, (made from lines spoken by the poet’s mother,) manages to embody both caregiver and loved one as Constantine gives gentle structure to a string of seemingly disconnected utterances. Each poem in the book explores themes of loss, memory, and family through a different lens, creating an almost kaleidoscopic vision of the world. The collection is a rumination, a celebration, and a beautiful example of how poetry can expand our perspectives and teach us to speak and hear new rhythms.
As with Constantine's previous titles, Dementia, My Darling can be enjoyed at random or in order. However, when taken in sequence, the poems construct a thesis on life as we remember it from moment to moment. What is your first memory of love? How soon will you forget answering that question?
With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
When 68 year-old Gregory Tate is diagnosed with Alzheimer’s, his family members reckon with the past and try to move toward an unexpected future with love and honesty. This beautifully written novel offers readers a chance to see the crisis from varying points of view and encourages empathy for every member of the family. In addition, Golden works to raise awareness of the way Alzheimer’s disproportionately affects Black and Latino communities. African Americans are more than twice as likely as whites to develop the disease, and yet, are gravely underrepresented in research and clinical trials. Part of a diverse chorus represented by #AlzAuthors, Golden is a vital voice to follow.
A 2018 NAACP Image Award nominee and an NPR Best Book of 2017, a moving African-American family drama of love, devotion, and Alzheimer's disease.
Diane Tate never expected to slowly lose her talented husband to the debilitating effects of early-onset Alzheimer's disease. As a respected family court judge, she's spent her life making tough calls, but when her sixty-eight-year-old husband's health worsens and Diane is forced to move him into an assisted living facility, it seems her world is spinning out of control.
As Gregory's memory wavers and fades, Diane and her children must reexamine their connection to the man…
With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
Akin to peering into the pages of a private journal, The Authenticity Experiment, is an unvarnished reaction to a series of heartbreaking losses. Tired of the way social media has forced us to create a relentlessly curated and cheerful version of ourselves, de Gutes presents a museum of true emotion. The consecutive deaths of her mother, a dear friend, and a beloved mentor move de Gutes to map her own identity around the absence of three critical landmarks. Musing on perfectionism, guilt, joy, love, and success, de Gutes finds the route to self-compassion is a long and winding one. We readers are lucky enough to be able to walk beside her.
* * * Winner of the Independent Publisher Book Award (IPPY) BRONZE MEDAL in LGBT Non-Fiction! * * *
The Authenticity Experiment: Lessons from the Best and Worst Year of My Life is the new collection of essays from award-winning writer Kate Carroll de Gutes.
In 2012, Kate Carroll de Gutes found herself at a rest stop “ruined with anxiety. And when I say ruined, I mean in a car, in hundred-degree weather, with all the windows rolled up, sobbing and crouched in the passenger’s seat rocking and waiting for the Ativan to take effect. I posted on Facebook, ‘Hello,…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I’m a writer who loves all kinds of fiction, but I’m most passionate about magical realism and related genres (like fabulism and speculative fiction). I love when writers skirt several genres, especially when their use of the “strange” holds a funhouse mirror up to our world and allows us to see a deeper truth. My favorite writers craft prose that rivals poetry and delve into their characters’ interior worlds; for me, one of fiction’s greatest magic tricks is the ability to enter another’s world and create empathy. The five authors on this list do all of these things and more, and they serve as some of my greatest inspirations.
InOrange World, Karen Russell guides readers expertly through a multitude of weird worlds, but in her hands the weird becomes familiar as we enter her characters’ inner lives.
The title story—about a mother striking a deal with the devil to protect her child, only this deal involves breastfeeding the devil himself—struck a chord with me, as my collection also focuses on motherhood, and I wrote many of the stories while in the throes of taking care of my young child.
Other standouts in Russell’s collection are “Bog Girl,” a love story between an ordinary teenage boy and a two-thousand-year-old bog girl; and “The Prospectors” a Depression-era ghost story. I’m inspired by Russell’s level of inventiveness and empathy, her richness of language, and her wide-ranging settings.
'I loved Orange World... a collection of short stories in which demons live in drains, bog women come back from the dead and trees can grow inside the human body' Daisy Johnson, New Statesman BOOK OF THE YEAR
'A rare combination of literary brilliance and unbridled entertainment' Mark Haddon
These exuberant, unforgettable stories showcase Karen Russell's comedic and imaginative talent for creating outlandish predicaments that uncannily mirror our inner lives. In 'The Bad Graft', a couple on a road trip stop in Joshua Tree National Park, where the spirit of a giant tree accidentally infects the young woman, their fates…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Short story collections are funny things: some are strong from start to finish, and some… read as if the author wrote all the other stories over the course of a weekend after one of their stories garnered public attention. No, I will not name names.
Peynado’s The Rock Eaters is a glowing example of the former. The collection spans genres: realist, science fiction, magical realist. What all the stories have in common is Peynado’s controlled hand and breadth of imagination, not to mention her keen insights into what it’s like to exist in the real world, a world fraught with gun violence, racism, and xenophobia.
You finish the collection feeling like you’ve traversed worlds and, in the process, learned something new about the world we live in.
A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia
What does it mean to be other? What does it mean to love in a world determined to keep us apart?
These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one…
I’m a writer who loves all kinds of fiction, but I’m most passionate about magical realism and related genres (like fabulism and speculative fiction). I love when writers skirt several genres, especially when their use of the “strange” holds a funhouse mirror up to our world and allows us to see a deeper truth. My favorite writers craft prose that rivals poetry and delve into their characters’ interior worlds; for me, one of fiction’s greatest magic tricks is the ability to enter another’s world and create empathy. The five authors on this list do all of these things and more, and they serve as some of my greatest inspirations.
Full disclosure: Anne is a dear friend and was an MFA workshop-mate of mine.
But even if she wasn’t, I’m confident this would still be one of my favorite collections. There is so much magic in Valente’s writing, in the gorgeous prose but also in the content of the stories: ghosts, pink dolphins, tiny librarians, Northern Lights.
Much of the magic is not supernatural, but just the magic of the natural world, and Valente is a master of place; I’ve always admired her use of setting. Many of the stories deal with loss, grief, and pain, but the magic acts as a way to transcend these things, which is what I aim to do in my stories as well.
From ghosts to pink dolphins to a fight club of young women who practice beneath the Alaskan aurora borealis, By Light We Knew Our Names examines the beauty and heartbreak of the world we live in. Across 13 stories, this collection explores the thin border between magic and grief.
I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.
She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.
Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.
This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.
Near the island of Black Conch, a fisherman sings to himself while waiting for a catch. But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.
When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
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