100 books like The Wide Circumference of Love

I was a new mother when I read this Alzheimer’s memoir and immediately felt that I’d found a friend. Elizabeth Cohen is funny, lyrical, and sometimes (understandably) frustrated as she takes on the bruising balance of managing a career while simultaneously caring for her aging father and her young daughter. The book is a testimony to the healing power of story and provided a valuable model to me as I sought to make sense of my own family experience by committing my memories to the page.

The title poem in this collection, (made from lines spoken by the poet’s mother,) manages to embody both caregiver and loved one as Constantine gives gentle structure to a string of seemingly disconnected utterances. Each poem in the book explores themes of loss, memory, and family through a different lens, creating an almost kaleidoscopic vision of the world. The collection is a rumination, a celebration, and a beautiful example of how poetry can expand our perspectives and teach us to speak and hear new rhythms.  

Akin to peering into the pages of a private journal, The Authenticity Experiment, is an unvarnished reaction to a series of heartbreaking losses. Tired of the way social media has forced us to create a relentlessly curated and cheerful version of ourselves, de Gutes presents a museum of true emotion. The consecutive deaths of her mother, a dear friend, and a beloved mentor move de Gutes to map her own identity around the absence of three critical landmarks. Musing on perfectionism, guilt, joy, love, and success, de Gutes finds the route to self-compassion is a long and winding one. We readers are lucky enough to be able to walk beside her.

Aimee Bender takes you on a wild and emotional ride with stories that are as resonant as they are magical. Whether you’re reading about a woman whose husband is undergoing reverse evolution or about the sisters with hands of fire and ice, no matter how exotic Bender’s premises might seem, there is always, at their core, something utterly human.

Although her father died when she was only nine, the great scholar of African American life and literature, Farah Jasmine Griffin has never forgotten his admonition to her: “Read until you understand.” In this beautiful book, Professor Griffin guides us to an understanding of the U.S. Constitution, Malcolm X, Marvin Gaye, and Stevie Wonder, the artist Romare Bearden, and writers as different as the enslaved 18th-century poet Phillis Wheatley and Nobel Prize winner Toni Morrison. As educators, we have read and re-read and read again. Every read reveals a new level of understanding and we are grateful for the journey on which Professor Griffin leads us.

Historians have charted the long, slow process of emancipation in Northern states. But no one has looked before at how children fared during this process. Webster’s ground-breaking work shows that it was virtually impossible for Black children in ostensibly free states to escape politics: as individuals living in a racist society, and as symbols of African Americans’ future, whatever they did or said was invariably surveilled, dissected, and judged. Racist thinking and racialised structures also severely curtailed freedom for the young.

Many Black Northern children were indentured or bound out, often in exploitative labor arrangements that restricted future possibilities. Others were confined to institutions like reformatories or orphanages, usually segregated based on pseudoscientific understandings of race that marked Black children as deviant, violent, or inferior. Circumventing the way Black suffering has been obscured in historical records, Webster manages to piece together archival fragments that show widespread victimization of Black children… show more.

This anthology of some of Walker’s most powerful works with a focus on discovering ourselves through studying those who came before us is both incredibly informative and emotional. It explores motherhood not only through the biological role but also in a sense of community mothering and foremothers. There is much to learn about our present by examining lessons laid out for us by generations past.

We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.

This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian. 

On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons. 

This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.

In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.

This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.