100 books like Song Yet Sung

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

This epic saga of African American history begins with the middle passage and progresses to the struggles of enslaved Black people as chattel in pre-Civil War America.

Whitehead’s ingenious plot device of turning the metaphorical underground railroad of history into an actual subterranean train capable of traveling through space and time adds an element of surprise and anticipation to an already engrossing story. The strong Black women in this novel broaden its perspective and enliven its appeal.

This book is written in a sparse but eloquent style by a master storyteller. Consequently, Whitehead has risen to the top tier of my favorite authors of historical fiction. I use his books as a guide for plot and character development and for telling a story without getting in the way.

This book paints a vivid picture of the symbiotic relationship between 19th-century Southern slave masters and the people they enslaved. It also underscores the fact that for oppressed Black people, allies and enemies came in all colors.

The protagonist, Hiram Walker, is a child prodigy whose intellect and ambition make him poorly suited for a life of servitude. Significantly, Coates speaks to the obligation to “reach back” which those who have achieved a measure of physical, spiritual, or intellectual freedom owe to those who are still enslaved.

Harriet Tubman plays an important role in his narrative because she embodies that ideal.

Reading this book changed my life. It gave me a sense of pride and place that extended beyond the shores of America. The enduring message of Roots is that enslavement severely tested Black people, but it did not break them.

The “factional” story of Alex Haley’s family encouraged me to go in search of my own roots, a quest that continues to this day.

Philip J. Schwarz’s Twice Condemned adeptly analyzes the history of enslaved African Americans' relationship with the criminal courts of the Old Dominion from roughly 1700 to the end of the Civil War.  Based on over four thousand trials from the colonial, early national, and antebellum periods, no other book does such a comprehensive job of analyzing the prevalence, longevity, and variety of behavior attributed to slave convicts. This book also provides a detailed picture of how one slave society evolved, and along the way, it uncovers previously unexamined aspects of slave culture, and of slave owners' attitudes toward the "domestic enemy" in their midst.  Schwarz argues that the judicial system for slaves served two purposes: it helped slave owners control slaves and enabled authorities to sanction criminal behavior. This dual function of slave trials mirrored the two kinds of slaves' behavior judges tried to suppress.

When focused on slave… show more.

I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected. 

I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.

I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!

This book uses census data and other historical facts to highlight the 250,000 free blacks who were in the south post-Civil War. It shows the struggles black people faced in regards to their community, liberty, education, and economic independence inside an oppressive society. Berlin does a good job at depicting the interaction between Blacks and Whites both free and enslaved. He offers a better understanding of the complex race relations that existed in the south. He gives one of the best accounts on record, of the wealth black people accumulated during slavery and 20 years after despite the pushback they faced.

Moral Contagion tells the shocking story of the Seamen Acts, under which free Black sailors were imprisoned during their stay in southern ports during the antebellum era.

At least 20,000 free Black maritime workers, mostly from Britain and northern US states, were confined—and an unknown number, abandoned by their captains, were sold into slavery. The presence of free Black people in the South—widely feared as a source of “moral contagion”—contradicted the logic of slavery and threatened the very survival of that institution.

Why do I include this book on a list about US immigration history in the nineteenth century? Because, as Michael Schoeppner powerfully demonstrates, that history cannot be understood without considering the laws and policies controlling the movement of Black people in a slaveholding republic.

Another pioneering work, this 1977 book was written during the late “Blaxploitation” film movement, but rather than focus on that era, it looks back at the first half of the 20th century, during the foundation of Hollywood as a filmmaking industry, to detail the harrowing trials and tribulations that Black performers had to endure.

With a scholarly yet accessible approach, this book drums home the fact that cinema—and American society as a whole—is not that far removed from slavery, as evidenced by Black portrayals in popular films like Uncle Tom’s Cabin and The Birth of a Nation. Like Bogle, Cripps is a legend in the field of Black film studies.

No one writes like Gayl Jones.

Her language, voice, and narrative style make her a singular entity all unto herself. Her first novel, Corregidora, explores the tumultuous life of a blues singer haunted by a dastardly familial trauma. When the novel opens, the protagonist, Ursa Corregidora, has just suffered a horrible accident that renders her unable to have children. 

What happens afterwards is a complex and raw exploration of lineage, darkness, and sexuality. It’s a haunting, relentless book. And it’s not hyperbole to say that it changed the course of black women’s literature.

The rest of us, trying to grapple with the intricacies of race & sex, are simply writing in her wake.