Here are 100 books that Slow Fade to Black fans have personally recommended if you like
Slow Fade to Black.
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I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.
Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.
Even if you don’t agree with its assertions, the book provides fascinating food for thought.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is an absolutely indispensable reference – Donald Bogle may well be dubbed the “godfather” of race studies in film as he meticulously chronicled and chartered black images in early film.
The book’s title alone already clues readers into the idea that Bogle will not pull any punches in describing popular black film caricatures that we now regard as problematic today.
This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars…
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
This is a sweeping epic of a book and should be required reading for any student of film history.
Told in a manner that is at once intimate and authoritative, it reads like both a textbook and a biography, detailing the lives of a series of historical figures as a means of relating the history of the Black image in film.
In doing so, Haygood contextualizes the cinematic developments of the past by placing them alongside the social and political developments of the time, showing that you can never truly separate fact from fiction.
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR
“At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland
This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism…
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
This is a large, gorgeous work that comes off as part textbook and part coffee table book.
It carries an air of officiality, serving as the official companion piece to the exhibition of the same name displayed at the Academy Museum of Motion Pictures in Los Angeles. Not a page goes by without a dazzling image or an intriguing story from the history of Black representation in Hollywood. It features a wide range of content, from essays to case studies to glamor portraits, movie poster galleries, filmographies, chronologies, and interviews.
If you can’t make it to LA to view the dazzling exhibit in person, this is as close as you can get.
The overlooked yet vibrant history of Black participation in American film, from the beginning of cinema through the civil rights movement
From the dawn of the medium onward, Black filmmakers have helped define American cinema. Black performers, producers and directors―Bert Williams, Oscar Micheaux, Herb Jeffries, Lena Horne, Dorothy Dandridge, Ruby Dee and William Greaves, to name just a few―had a vast and resounding impact. Black film artists not only developed an enduring independent tradition but also transformed mainstream Hollywood, fueled and reflected sociopolitical movements, captured Black experience in all its robust complexity, and influenced generations to come. As harrowing as…
Before I’m a writer, I’m a reader and I need the realness when it comes to military service. I started as an Army journalist so the details matter to me. When I pick up a book to relax and the main character draws me with a story I can get all the five senses of it, I’m in! On the other hand, I'm usually turned off by books that use veterans as props or either heroes or villains with nothing in between. That’s not who I served with. Where was the gray of the human existence in veteran characters? Gimme books that bring more depth to characters that round out personal experience.
I loved this was a historical fiction novel that featured the Six Triple Eight unit from the Women’s Army Corps. The Midwest was heavily featured including Iowa and the way race played in the way women were allowed to serve. This reminded me that I stand on the shoulders of the women who came before me in the Women’s Army Corps and the treatment of women has come a long way. I struggled with some of the scenarios the two main characters, Grace Steele and Eliza Jones were put into but they rang true for a fictional novel.
Kaia Alderson's debut historical fiction novel reveals the untold, true story of the Six Triple Eight, the only all-Black battalion of the Women's Army Corps, who made the dangerous voyage to Europe to ensure American servicemen received word from their loved ones during World War II.
Grace Steele and Eliza Jones may be from completely different backgrounds, but when it comes to the army, specifically the Women's Army Auxiliary Corps (WAAC), they are both starting from the same level. Not only will they be among the first class of female officers the army has even seen, they are also the…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Baldwin first opened my eyes to the possibilities of memoir. When English teachers held up fiction as the literary ideal, I was drawn to Baldwin’s essays instead. I was a New Yorker, living not far from the author’s Harlem, and growing up at the time of the civil rights movement. Baldwin was writing autobiographical non-fiction that, knitted together individual temperament and social history. “I left America because I doubted my ability to survive the fury of the color problem here,” he wrote in Nobody Knows My Name. I read that paragraph as the daughter of Czech Jewish immigrants, white people who had survived both Nazism and Stalinism. Baldwin’s voice was like the voices I heard at home telling stories of the Second World War. It was both compelling and trustworthy. Fifty years later, I still think so.
'These essays ... live and grow in the mind' James Campbell, Independent
Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and Andre…
My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
This book takes you back to living in World War II America, from watching movies and listening to radio to enduring rationing and blackouts to changes in the family as (mostly) men went off to war and more women were working outside the home.
It’s well-researched and well-written, with a good sense of how popular culture helped shaped American society.
Lingeman really recreates what it was like for the average person, from silly fads and rumors to the sadness of telegrams and the seriousness of labor shortages and internment camps.
The tragic events of September 11, 2001 brought to the surface memories of an earlier time of unprecedented national emergency—Pearl Harbor—and America's subsequent involvement in World War II. In this evocative cultural history, Richard Lingeman re-creates the events—historic, humorous, and tragic—and personalities of the American home front. From V-girls and V-mail, blackouts and the internment of the Japanese, to new opportunities for African-Americans and women, Lingeman recaptures a unique time in American history in this New York Times Notable Book.
I work in aviation, so it was natural to write about it when I started as a freelance writer. But I quickly realized that writing about aviation people is much more interesting than writing about airplanes. Because of my military background I found myself writing veterans’ stories. I’ve uncovered many stories that have never been told or have been forgotten over the years. And because I was in the Air Force in the 1980s and 1990s, I knew the events in my new book had never been told. During my research, I found more books with hidden histories and rediscovered some I read decades ago. This list is my favorites.
This book represents another facet of military women, those with a double whammy: Black women. This was especially a problem during WWII, when the army still practiced segregation and initially prohibited Black women from serving overseas, unlike their white counterparts.
After pressure from groups such as the NAACP and intervention by President Roosevelt, the army formed the 6888th Central Postal Directory Battalion as an all-Black Women’s Army Corps unit. About 850 women served in the 6888th, which was stationed in the UK and France from January 1945 until March 1946. The unit was responsible for routing mail to about 7 million U.S. personnel who served in the European Theater of Operations.
This “double whammy” is a topic that I hope is explored more in future books!
The story of the historic 6888th, the first United States Women's Army Corps unit of African American women to serve overseas
While African American men and white women were invited, if belatedly, to serve their country abroad, African American women were excluded for overseas duty throughout most of WWII. However, under political pressure from legislators like Adam Clayton Powell, Jr., the NAACP, the Black press, and even President Roosevelt, the US War Department was forced to deploy African American women to the European theater in 1945.
African American women answered the call to serve from all over the country, from…
Growing up, I often told neighborhood kids about my father’s internment, what he remembered of Camp Crystal City, Texas, where he spent three years, age seven to ten, going to school, swimming, playing in nearby orchards, and other normal experiences—except for the barbed wire, guard towers, and lack of freedom. Later, I wanted to know more and learned that what happened to my family can happen to anybody else if they are feared. More recently, families have been ripped apart, children put in cages, and countless people treated as less than human. My book reminds us of what can happen when fear leads to calling those among us enemies or worse.
As part of the American History Series, I thoroughly enjoyed Winkler’s book because it provides solid general coverage of America’s “arsenal of democracy”—the mobilization for war, along with an examination of our society at war including mood and morale along with shortages and controls; the book also has a chapter dealing with outsiders and ethnic groups and finally the last chapter is dedicated to politics and war.
I find the book provides excellent coverage of major home front issued during the war. I would highly recommend to any reader who wants to know more about the United States home front during the war.
New scholarship on World War II continues to broaden our understanding. With each passing year we know more about the triumphs and the tragedies of America's involvement in the momentous conflict. Tapping into this greater awareness of the accomplishments of both soldiers and civilians and a better recognition of the consequences of decisions made, Allan Winkler presents the third edition of his highly popular series volume.
Informed by the latest historical literature and featuring many new thoughtfully chosen photographs, the third edition of Home Front U.S.A. continues to ponder the question of "the good war," the moral implications of the…
As a child, I was one of Mister Rogers’ television neighbors. During Mister Rogers’ Neighborhood, he empowered children to name their feelings and act on them appropriately. Every show ended with his signature affirmation that each viewer was special. As an elementary teacher, I learned about “emotional intelligence” and “social and emotional learning”, terms that emerged in the fields of psychology and education in the 1990s. Fred Rogers was ahead of his time. I hope my stories follow Mister Rogers’ example: affirming big feelings, building self-esteem, and emphasizing positive relationships.
Woodson and Lewis weave a rich tapestry of lyrical text and lush watercolors to give readers a glimpse into the life of Ada Ruth, a girl growing up in the Midwest during World War II. Her mama has to leave home to find work. Ada Ruth and Grandma wait for word while caring for a stray kitten. This story overflows with longing, loneliness, empathy, worry, and, above all, love.
Ada Ruth's mama must go away to Chicago to work, leaving Ada Ruth and Grandma behind. It's war time, and women are needed to fill the men's jobs. As winter sets in, Ada Ruth and her grandma keep up their daily routine, missing Mama all the time. They find strength in each other, and a stray kitten even arrives one day to keep them company, but nothing can fill the hole Mama left. Every day they wait, watching for the letter that says Mama will be coming on home soon. Set during World War II, Coming On Home Soon has…
