Here are 6 books that Regeneration fans have personally recommended if you like
Regeneration.
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I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
While the Bogle and Cripps books were written during the 1970s Blaxploitation era, this one emerged during the next great Black film movement, the “urban cinema” era of the 1990s, triggered by movies like Do the Right Thing and Boyz n the Hood.
Particularly influential for my book is the chapter “Slaves, Monsters, and Others,” which touches upon the racialized metaphors and allegories in horror, fantasy, and science fiction.
Even if you don’t agree with its assertions, the book provides fascinating food for thought.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is an absolutely indispensable reference – Donald Bogle may well be dubbed the “godfather” of race studies in film as he meticulously chronicled and chartered black images in early film.
The book’s title alone already clues readers into the idea that Bogle will not pull any punches in describing popular black film caricatures that we now regard as problematic today.
This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars…
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
Another pioneering work, this 1977 book was written during the late “Blaxploitation” film movement, but rather than focus on that era, it looks back at the first half of the 20th century, during the foundation of Hollywood as a filmmaking industry, to detail the harrowing trials and tribulations that Black performers had to endure.
With a scholarly yet accessible approach, this book drums home the fact that cinema—and American society as a whole—is not that far removed from slavery, as evidenced by Black portrayals in popular films like Uncle Tom’s Cabinand The Birth of a Nation. Like Bogle, Cripps is a legend in the field of Black film studies.
Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film-both before and behind the camera-from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations…
I’m Black, and I’m a horror movie fan, two things that, per the well-worn trope that “the Black guy dies first,” don’t seem to go together. However, I’ve been able to use the treatment that Black characters have received in horror to explore the ways in which Black people have been marginalized in Hollywood, placed into specific roles in which they served as expendable, ancillary characters rather than stars. While things have improved dramatically in recent years, that makes it all the more important to not forget how much Black progress there has been in film, because those who forget the past are condemned to repeat it.
This is a sweeping epic of a book and should be required reading for any student of film history.
Told in a manner that is at once intimate and authoritative, it reads like both a textbook and a biography, detailing the lives of a series of historical figures as a means of relating the history of the Black image in film.
In doing so, Haygood contextualizes the cinematic developments of the past by placing them alongside the social and political developments of the time, showing that you can never truly separate fact from fiction.
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR
“At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland
This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
A massive influence on my own cultural approach to understanding cinema and intersectional representation, hooks offers acute analyses of the way films can affect us on a personal, political, and communal level, for better and for worse.
Hooks is smart, sharp, and switched on to how misogyny and racism can adversely affect the treatment of female characters of colour, especially.
Movies matter - that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks - one of America's most celebrated and thrilling cultural critics - talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Curious about what life was like in the Chicago speakeasies of the 1920s—especially for Black chorus women?
Follow ambitious, yet vulnerable, Honoree Palcour, as she envelops you in her past. Like to feel like what it was like to be alive in an earlier era? You won’t be disappointed by this exciting and well-written tale!
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