Here are 100 books that The Underground Railroad fans have personally recommended if you like
The Underground Railroad.
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I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
I read this book quickly. Its historically informative and inspirational quality caught my interest immediately. From the first chapters, the author brings us into World War II France, which will become a tangled web of occupation by the Nazis.
I discovered in this powerful story a relationship between two sisters that weaves secrets of the heart and key decisions. The characters are caught in a difficult situation: a predicament that reflects the struggle experienced by many people in France during the war years. The story stimulates a sense of empathy and curiosity about what will come next.
The historical setting is drawn colorfully. This novel is valuable both for gaining a broader historical sense and for the sheer you-are-there experience. The narrative skill with which the author weaves this tale and its inherent drama should sustain the reader’s interest, as it did mine. This story touches the core of human…
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.
O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God, Science, and Human Nature.
Humans are always curious about what the future will look like. They are also concerned about the state impinging on their privacy and interfering with their lives. George Orwell masterfully combined these two human impulses in his classic novel. He wrote the book in 1949 to present his view of the future.
I read this book when I was in my mid-20s. I found it an interesting read, especially since many of his predictions did not come true. I was curious to know how past generations viewed our generation.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
A gruesome story of murder and desire that also happens to have the most vivid olfactory descriptions of any genre.
Suskind’s preternatural ability to summon odor from the page makes you feel as if you are there beside him, walking through the flowered hillsides of Provence, or in the back room of a perfume shop on the Pont au Change. His twisted use of classic perfume techniques is as accurate as it is chilling.
An erotic masterpiece of twentieth century fiction - a tale of sensual obsession and bloodlust in eighteenth century Paris
'An astonishing tour de force both in concept and execution' Guardian
In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His name was Jean-Baptiste Grenouille, and if his name has been forgotten today.
It is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts…
Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.
When I first read Cormac McCarthy, I was awestruck by the brutal beauty of the way he used language. His way with words is almost enough to make you look past the truly horrendous things he describes in this book . . . all while telling what appears to be a simple “tale of the Old West.”
I have never read a singularly more elegantly written book, yet I’ve never read anything as mind-numbingly horrific. This book is so intense and complex that it is considered the only Cormac McCarthy book that can never be made into a movie. (He also wrote All The Pretty Horses, The Road, and No Country For Old Men.)
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I have a passion for helping people realize they are only limited by their imagination. By dreaming wildly and acting on one’s dreams, a person can achieve highly unlikely outcomes. People are born to be free and pursue the things in life that make them happy and fulfilled. However, people need education, training, and mentoring. I am driven to do each of these to help others live fulfilling and purposeful lives. My expertise arises from my formal training and applied life lessons acquired from modeling highly-gifted teachers and friends.
This book is so special in its depiction of human beings striving for survival.
It is the only book that shows African American as slaveholders. The charm is the clarity with which Jones writes. His gift is the ability to say complex things simply. He made me strive to be a better writer. His story helped me feel deeply in ways I had not previously known I could feel.
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
I think Atticus Finch represents the best qualities in a father and a man. If he is idealized, as many have said, it is an ideal all fathers can aspire to.
I first read this in high school, and I’m not sure I was mature enough to appreciate it. Later, it was a selection in the book discussion group I was in, where we focused less on the characters and more on the themes. When I read it a third time on my own, as an adult and father, I came to appreciate how Atticus Finch models the behavior he wants to see in the world, and that, I think, is the most effective form of fathering.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I’ve spent a lot of time in Japan, and my new novel, Beautiful Shining People, is a direct result of two profound experiences I had there. The first was when I was hiking through the hills of Kyoto late one night and turned around to see a glowing creature–some have said they think I saw a kami. The second experience happened when I was in Hiroshima at the Peace Park. I immediately started crying, seeing all the schoolchildren learning about the horrible atrocity committed against their ancestors. I have no idea why it affected me so much, but it was one of the most moving experiences of my life.
Memoirs of a Geishais the only book I’ve actually dreamed about while reading – that’s how much it gripped me.
Not only are the characters richly drawn, the cultural details and world of pre-war Japan are so immersive you’ll feel like you are walking the streets of the Kyoto of almost a century ago. This book also fascinates me because it is the only one Arthur Golden ever wrote.
I don’t know why he never wrote again, but how could he top it? It’s the perfect novel.
'An epic tale and a brutal evocation of a disappearing world' The Times
A young peasant girl is sold as servant and apprentice to a renowned geisha house. Many years later she tells her story from a hotel in New York, opening a window into an extraordinary half-hidden world of eroticism and enchantment, exploitation and degradation and summoning up a quarter of a century of Japan's dramatic history.
'Intimate and brutal, written in cool, lucid prose it is a novel whose psychological empathy and historical truths are outstanding' Mail on Sunday
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.
The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.
Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.
