Here are 100 books that Grown fans have personally recommended if you like
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I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.
There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.
A thrilling debut, reminiscent of new fan favorites like One of Us Is Lying and the beloved classics by Agatha Christie, that will leave readers guessing until the explosive ending.
"Welcome to dinner, and again, congratulations on being selected. Now you must do the selecting."
What do the queen bee, star athlete, valedictorian, stoner, loner, and music geek all have in common? They were all invited to a scholarship dinner, only to discover it's a trap. Someone has locked them into a room with a bomb, a syringe filled with poison, and a note saying they have an hour to…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
Most of this novel is narrated by Grace Marks, a servant girl who is supposed to have committed a murder but says she doesn’t remember doing it.
She is being interviewed by a psychiatrist who is trying to jog her memory. But is she telling him the truth? I love this use of a possibly unreliable narrator, based on a true story that remains unresolved to this day. It’s a disturbing and compelling read.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Gabriella Lepore is a YA author from Wales in the UK. When she isn’t reading or writing, she can usually be found exploring the coastline or perusing a bookstore. She enjoys autumn days and cups of tea and is always searching for the next mystery!
Next, we have a true standout in YA—a novel that arguably revolutionized the mystery genre for teen readers.
While mysteries have long been a staple in YA literature, in my view, this book sparked a new age. This novel, now adapted into a popular Netflix series, firmly established YA mystery as a force to be reckoned with, largely thanks to its clever twist.
Taut, scandalous, and enthralling, this book exemplifies the blame game genre.
NOW A MAJOR NETFLIX SERIES. This stunning collector's edition of the internationally bestselling YA smash hit, ONE OF US IS LYING, contains a thrilling BONUS chapter!
Five students go to detention. Only four leave alive.
Yale hopeful Bronwyn has never publicly broken a rule.
Sports star Cooper only knows what he's doing in the baseball diamond.
Bad boy Nate is one misstep away from a life of crime.
Prom queen Addy is holding together the cracks in her perfect life.
And outsider Simon, creator of the notorious gossip app at Bayview High, won't ever talk about any of them again.…
Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one.
The Cocktail Waitress is the last work of total master James M. Cain, posthumously published in 2014. I started this on a hike and did not stop listening until it was done, netting me quite a bit of cardio. This firsthand explanation of a tabloid murder scandal, as told by its prime suspect, is often hilarious, surprisingly feminist, and darkly sinister. As the titular waitress innocently recalls meeting and marrying a much older millionaire and his baffling demise soon after, it’s clear she’s lying through her teeth. But deducing how and why is the fun of the book. Still, the ending is a gut punch. My book hangover was a solid 72 hours (could’ve been the hike though).
Following her husband's death in an accident, beautiful young widow Joan Medford is forced to take a job serving drinks in a cocktail lounge to make ends meet. At the job she encounters two men who take an interest in her, a handsome young schemer and a wealthy but unwell older man who rewards her for her attentions with a $50,000 tip and an unconventional offer of marriage...
Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one.
I’m fascinated by the Manson family; my big bad in my book is essentially doing a Charlie impression, so I’ve read a lot about America’s Boogeyman. This autobiography stands out from the crowd because of its absolutely bonkers voice. Every trigger warning in the world applies, but there are two worthwhile aspects to this lurid tale: one, how much institutional violence created Manson, who spent his adolescence and young adult life in the penal system (when they released him at 32 he begged to stay in jail.) And two, how the charismatic “family” could easily pass for some carefree Instagram influencers these days.
"The myth of Charles Manson is not likely to survive the impact of his own words," Nuel Emmons writes in the introduction to Manson In His Own Words, the shocking true confessions that lay bare the life and mind of the cult leader and notorious criminal. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Great Depression to an unmarried fifteen-year-old, Manson lived through a succession of changing homes and substitute parents, until…
I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
I love thrillers featuring twins. Ever since watching Freaky Friday as a child, I’ve been very interested in books and shows about people switching places. The 2022 series, Echoes, and the 2021 series, I Know What you Did Last Summer, both captivated me with twins trading lives.
In this novel, Emma, who lives in a foster home, sees a video of a girl who looks exactly like her being strangled, starts wondering if this girl is a twin sister she never knew about, and decides to investigate. This book had me up way too late, devouring every word.
From the author of the New York Times bestselling PRETTY LITTLE LIARS comes a killer new series, THE LYING GAME.
Sutton Mercer had a life anyone would kill for - and someone did. But thanks to a view from the afterlife and Emma Paxton, her long-lost twin sister, Sutton has a chance to solve her own murder. Emma slips into Sutton's old life to piece together her disappearance. But can Emma keep up the charade long enough to discover what really happened to Sutton...or will she become the next victim?
I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
This book is thought-provoking and I love how the author switches it up and keeps it interesting through her use of different story-telling devices including text messages, police interviews, and diary entries.
This inspired me in my own writing because of how much I appreciated it as a reader. This riveting novel has a quick pace and I found it original. I was fascinated by the fact that everyone’s perspective on the murder of a teenaged boy is included—except for his girlfriend’s—the one who was accused of killing him.
Seventeen-year-old Tabby went into the woods with her boyfriend, but she came out alone. Originally praised as a survivor, Tabby is now widely suspected to be her boyfriend's killer. Tabby didn't even like hiking - why would she have gone into the woods that day? Did she push her boyfriend off the cliff?
All Eyes on Her is a vivid, evocative thriller told from the point of view of six people in Tabby's life - everyone except Tabby herself. Because everybody thinks they know a girl better than she knows herself. As each character uncovers details about the events leading…
Stories of the past are always about making claims to the present and future. These claims include which stories—whose stories—are persistently silenced, ignored, or made very hard to hear, see, and know in the dominant culture. I am a cultural historian of U.S. political history, broadly imagined. My work is almost always driven by the same question: Why didn’t I already know this? Quickly followed by: What has it meant that I didn’t know this? Invariably, the answers are found in the histories of women, gender, race, sexuality, class, and immigration.
Bailey originated the term “misogynoir” in 2008 to describe, she writes, “the anti-Black racist misogyny that Black women experience, particularly in US visual and digital culture.” The controlling image of the “Mammy” has long been a hyper-visible, toxic presence in this milieu. In this book, Bailey examines the digital resistance and social media-based activisms of Black women—particularly queer and trans women—who seize representational power to dismantle the distorting stereotypes, expose their systemic impacts, and make spaces for telling their own diverse, gendered Black stories and enable others to do so as well. Throughout, Bailey makes clear that cultural representations have material, life-and-death effects, but also the capacity to create new and better worlds.
Where racism and sexism meet-an understanding of anti-Black misogyny
When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black…
I’ve been fascinated by the Civil Rights Movement in the Deep South in the 1950s and 60s for many years. Keen to understand not just events in that timeframe, I also needed to understand how those entrenched and diametrically opposed positions had occurred. What triggered the responses of water cannon, German shepherd dogs, and Billy clubs to seemingly peaceful students marching or seated in a particular section of a café? Over a period of seventeen years, I amassed a private collection of books, magazines, newspapers, over two hundred in all, along with material from various state-run Departments of Archives of History, further amplifying my fascination and providing fodder for my book.
This was the book, which truly drew me into the world of the Civil Rights struggle in America, a personalized account by Myrlie Ever’s of her life (and that of their children), with her civil rights worker husband and father, until his untimely assassination in 1963.
It is a very personal and moving account of their family life, their passion, and pursuit of the American Dream of equal rights for their family, set against the backdrop of a deeply segregated social order of their time in the Deep South.
I found this book compelling, enlightening, and touching.
In 1967, when this brave book was first published, Myrlie Evers said, ""Somewhere in Mississippi lives the man who murdered my husband.""Medgar Evers died in a horrifying act of political violence. Among both blacks and whites the killing of this Mississippi civil rights leader intensified the menacing moods of unrest and discontent generated during the civil rights era. His death seemed to usher in a succession of political shootings--Evers, then John Kennedy, then Martin Luther King, Jr., then Robert Kennedy.
At thirty-seven while field secretary for the NAACP, Evers was gunned down in Jackson, Mississippi, during the summer of 1963.…
