Fans pick 93 books like The Cocktail Waitress

I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.

Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.

Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.

For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.

Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear… show more.

This. Book. 

Wow. 

I felt changed after I read it and talked about it with everyone who would listen. Not only is this book a riveting, fast-paced read, but it’s an important novel about assault, grooming, and the abuse of power.

The protagonist is an aspiring teenaged singer who gets discovered and then manipulated and abused by a much older celebrity R&B artist. When she wakes up with her hands covered in his blood and finds him dead, she realizes she has no memory of what occurred the night before. This novel was enticing as much as it was heartbreaking.

I’m fascinated by the Manson family; my big bad in my book is essentially doing a Charlie impression, so I’ve read a lot about America’s Boogeyman. This autobiography stands out from the crowd because of its absolutely bonkers voice. Every trigger warning in the world applies, but there are two worthwhile aspects to this lurid tale: one, how much institutional violence created Manson, who spent his adolescence and young adult life in the penal system (when they released him at 32 he begged to stay in jail.) And two, how the charismatic “family” could easily pass for some carefree Instagram influencers these days.  

Newly widowed Miss Julia, a pillar of her small southern community, is the poster child for my wise Nana’s theory that things never turn out the way you think they will when she finds herself smack dab in the center of a smarmy love triangle scandal involving her late husband.

I adore Miss Julia’s razer-sharp wit as she morphs from a clueless stuffed shirt into an endearingly strong southern woman who doesn’t take crap from anyone.

I am a big fan of a fast-paced tale that deftly weaves comic characters through a plot wrought with hand-wringing angst. Miss Julia and her cast of crazy characters does not disappoint.   

I love George Eliot’s work, and this, her first novel, is my favourite. Adam Bede is a carpenter who’s in love with dairymaid Hetty Sorrell, but their lives are turned upside down when the squire seduces her. Eliot confronts issues of class, illegitimacy, gender power imbalance, and the double standard – it is not the squire who suffers the consequences of the affair. Dinah Morris, the cousin who stands by Hetty in her trouble, is a wonderful character. She’s a Methodist preacher at a time when church authorities insisted women shouldn’t minister – the Methodist Conference banned women preachers in 1803, and the Church of England didn’t ordain women until 1994 when 32 women were ordained at Bristol Cathedral – I was there! So Dinah represents a strong working woman who is making a truly radical stand against a powerful institution.

Lily King’s Writers & Lovers is set in Cambridge, Massachusetts in 1997, where my own novel takes place a century earlier. It’s a fictional coming-of-age story of a young woman who tries to write her way into adulthood.

Casey Peabody works as a waitress in Harvard Square, spends time with her aspiring writer friends, walks along the Charles River, and sits for hours at her desk trying to write, all of which I did in those same places at her same age and often with the same sense of longing—and which, incidentally, Victoria Swann does, too, albeit while wearing a floor-length skirt and using a fountain pen.

Casey, Victoria, and I, (and I assume Lily King herself), were not alone: so many people I’ve met over the years have spent time in their twenties hanging out around Harvard Square, anxious and waiting to become the grown-ups we hoped to be.… show more.

The Weight of this World is one of my absolute favorite additions to southern literature. I enjoyed this book, and honestly all of David Joy’s books, because it is crafted in a way to show darkness while at the same time showing glimmers of hope within the characters. This novel is real, raw, and a wonderful read that I would recommend to anyone who is looking to read a book that you can’t put down because of the action, the moments of self-discovery, and the depiction of the roughness within the world.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.

I’ve lived in Wisconsin since 1985, and somehow I had no idea there used to be a thriving Playboy resort in Lake Geneva, Wisconsin.

After the book came out I learned I even have a family member who worked security there—that’s how little people around here talk about this juicy history. Christina Clancy’s book is set in the 1980s in both Lake Geneva and the smaller community of East Troy, and she does an excellent job of balancing the celebrity and historical elements with the young Wisconsin women themselves and the complex relationship so many of them had with the seedy perception of Playboy. A lot of them were from farms and rural towns, and their families didn’t even know they worked there.

This particular Playboy resort was even known as a family-friendly destination. I loved learning about a world I had no idea existed, set against one I thought… show more.