Here are 100 books that Notes on a Scandal fans have personally recommended if you like
Notes on a Scandal.
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.
I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?
If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it).
Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.”
In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.
Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome.
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
For years, I have been a voracious reader of dark psychological thrillers and psychological horror. I read several books every week, and I’m always overjoyed to be knocked sideways by an ingenious twist in a book. As a doctor, I am captivated by people and fascinated by the depths of the human mind. For me, humans are the scariest monsters of them all. In 2020, I decided to have a pop at writing a jaw-dropper myself, and my book was born. I only hope you don’t see that twist coming!
I am partial to a soupçon of the paranormal in my psychological thriller, which I know isn’t everyone’s cup of tea. I was gripped the whole time reading, but although I knew something shocking was coming, I had absolutely no idea what was going on until the final chapters.
The reveal at the end genuinely left me shaking. It is probably my favorite twist of all time. Outstanding.
Don't Trust This Book
Don't Trust These People
Don't Trust Yourself
And whatever you do, DON'T give away that ending...
Louise
Since her husband walked out, Louise has made her son her world, supporting them both with her part-time job. But all that changes when she meets...
David
Young, successful and charming - Louise cannot believe a man like him would look at her twice let alone be attracted to her. But that all comes to a grinding halt when she meets his wife...
Adele
Beautiful, elegant and sweet - Louise's new friend seems perfect in every way. As she…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Originally published as Under Your Wings in Australia, The Majesties could just easily be titled My Sister, the Mass-Murderer. It has one of my favourite openings of all time: beginning in a hospital, where Chinese-Indonesian fashion designer Gwendolyn lies comatose, the sole survivor of her sister Estella’s mass-poisoning of their 300-strong family dynasty. Though it has been compared to Crazy Rich Asians with its globe-trotting plot (taking place in Jakarta, Paris, and Melbourne, among other settings), The Majesties is a more sombre read, exploring corruption and racial tension in the upper echelons of Indonesian society.
Gwendolyn and Estella are as close as sisters can be. But now Gwendolyn is lying in a coma, the sole survivor after Estella poisons their entire family.
As Gwendolyn struggles to regain consciousness, she desperately retraces her memories, trying to uncover the moment that led to such a brutal act.
Journeying from the luxurious world of Indonesia's rich and powerful, to the spectacular shows of Paris Fashion Week, and the melting pot of Melbourne's student scene, The Majesties is a haunting novel about the dark secrets that can build a family…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Writing about the internet is notoriously difficult but Sudjic swings it, sublimely. Although ostensibly set between London and New York, Sympathy almost transcends setting with its focus on millennial Alice Hare’s online haunting of writer Mizuku Himura. After becoming infatuated with Mizuku over Instagram, Alice maneuvers an IRL friendship, which spirals into sexual obsession and possessiveness. It’s a brilliant character study and meditation on alienation, online personas, and the algorithmization of attraction.
THE DEBUT OF 2017THAT EVERYONE IS TALKING ABOUT FROM ONE OF THE MOST EXCITING YOUNG BRITISH NOVELISTS
'A gripping odyssey into one woman's online-addled inner life' -- Independent
'Reads likeThe Talented Mr Ripley for the 21st century' --Vice UK
At twenty-three, AliceHare arrives in New York looking for a place to call home. Instead she finds Mizuko Himura, an intriguing Japanese writer, who she begins to follow online,fixated from afar and increasingly convinced this stranger's life holds a mirror to her own. But as Alice closes in on her 'internet twin', fictional and real lives begin to blur, leaving a…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Almost any of Mary Gaitskill’s books would have suited this theme (and her short story collection Bad Behavior is the obvious choice), but Two Girls, Fat and Thin is a recent discovery and new favourite of mine. Dorothy Never is the titular fat girl, and a former acolyte of an Ayn Rand-like guru, Anna Granite. Thin girl Justine Shade is a journalist who tracks her down while writing a takedown of Granite. From this setup, the novel backtracks to tell the girls’ life stories, in parallel, building up to Justine’s journalistic betrayal of Dorothy, and its surprising aftermath.
This captivating novel shimmers with dark intensity and wicked wit. In a stunning synthesis of eroticism, rage, pathos, and humor, Gaitskill's "fine storyteller's pace and brilliant metaphors" (The New York Times Book Review) create a haunting and unforgettable journey into the dark side of contemporary life and the deepest recesses of the soul.
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.
But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”
It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
