Here are 100 books that Two Girls Fat and Thin fans have personally recommended if you like
Two Girls Fat and Thin.
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.
I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Originally published as Under Your Wings in Australia, The Majesties could just easily be titled My Sister, the Mass-Murderer. It has one of my favourite openings of all time: beginning in a hospital, where Chinese-Indonesian fashion designer Gwendolyn lies comatose, the sole survivor of her sister Estella’s mass-poisoning of their 300-strong family dynasty. Though it has been compared to Crazy Rich Asians with its globe-trotting plot (taking place in Jakarta, Paris, and Melbourne, among other settings), The Majesties is a more sombre read, exploring corruption and racial tension in the upper echelons of Indonesian society.
Gwendolyn and Estella are as close as sisters can be. But now Gwendolyn is lying in a coma, the sole survivor after Estella poisons their entire family.
As Gwendolyn struggles to regain consciousness, she desperately retraces her memories, trying to uncover the moment that led to such a brutal act.
Journeying from the luxurious world of Indonesia's rich and powerful, to the spectacular shows of Paris Fashion Week, and the melting pot of Melbourne's student scene, The Majesties is a haunting novel about the dark secrets that can build a family…
In my reading and writing, I’m drawn to complex characters, who embody the unpleasant impulses and mixed motivations we all have. I especially love well-drawn antiheroines, as women tend to be judged more harshly for being badly behaved, in life. All my books revolve around women who fit this description, from the wives and girlfriends of notorious serial killers in The Love of a Bad Man to the inner-circle of Jim Jones’ Peoples Temple in Beautiful Revolutionary to Paulina Novak, the reckless, alcoholic murder victim at the heart of The Newcomer. To me, fiction is a playground for exploring the extremes of human thought and behaviour.
Writing about the internet is notoriously difficult but Sudjic swings it, sublimely. Although ostensibly set between London and New York, Sympathy almost transcends setting with its focus on millennial Alice Hare’s online haunting of writer Mizuku Himura. After becoming infatuated with Mizuku over Instagram, Alice maneuvers an IRL friendship, which spirals into sexual obsession and possessiveness. It’s a brilliant character study and meditation on alienation, online personas, and the algorithmization of attraction.
THE DEBUT OF 2017THAT EVERYONE IS TALKING ABOUT FROM ONE OF THE MOST EXCITING YOUNG BRITISH NOVELISTS
'A gripping odyssey into one woman's online-addled inner life' -- Independent
'Reads likeThe Talented Mr Ripley for the 21st century' --Vice UK
At twenty-three, AliceHare arrives in New York looking for a place to call home. Instead she finds Mizuko Himura, an intriguing Japanese writer, who she begins to follow online,fixated from afar and increasingly convinced this stranger's life holds a mirror to her own. But as Alice closes in on her 'internet twin', fictional and real lives begin to blur, leaving a…
I absolutely love the Pre-Raphaelites, they are my utter passion and these books are the fuel for that fire. Who wouldn't want to be a Pre-Raphaelite woman? Smart, talented, resourceful, these women define what it is to make a mark and great some of the most ground-breaking art in history. I'm particularly obsessed with Pre-Raphaelite women, the artists and muses who created the art we love so much today. After spending almost 30 years researching their lives and loves, it's now my absolute pleasure in telling everyone about these astonishing women, and why we should love them and learn from them.
One of the founder members of the Pre-Raphaelite movement, Dante Gabriel Rossetti, is inextricably linked to the women in his life. His beautiful portraits of his sister, wife, and lovers are some of the most recognisable images of the Pre-Raphaelite movement but this wonderful book goes further, uncovering the lives of these women and the context behind these iconic images.
Dante Gabriel Rossetti (1828-1882), best known and admired for his striking and seductive portraits of women, was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists whose work is inspired by the art of the early Italian Renaissance. Rossetti's powerful and unconventional portraits, with their sumptuous, jewel-like colours, are explored in this beautiful gift book. Examples have been drawn from the full range of Rossetti's work - including paintings, drawings, print illustrations, decorative designs and staged photographs - and chart the artist's lively engagement with mythology, history, literature, biblical subjects and modern life.
I am a vagabondess and storyteller currently rooted in Costa Rica. I have traveled and lived many places, and can comfortably say I feel at home just about everywhere. I have a metaphorical closet full of hats including: Author, Editor, Marketing Consultant, Movement Artist, and Empowerment Self-Defense Instructor. I am the founder of Mujeres Fuertes Costa Rica, a holistic self-defense project creating unique empowerment retreats around the country and region. I believe that words are medicine, and that stories can heal the world. I am passionate about the power of the written word, and I regularly publish writing about travel and life, as well as support others to share their stories in my work as an editor and consultant.
I happened upon this gem of an anthology in a library book sale a couple of years back, and I highly recommend trying to get your hands on a copy if you’re looking for wide-ranging inspiration and guidance on the traveler’s path. With a focus on the spiritual element of women’s journeys, and featuring literary powerhouses like Maya Angelou and Anne Lamott, this collection is an ode to feminine courage, power, and transformation. Each essay is a masterpiece, and can be a guide to a specific kind of journey. You’ll want to carry a dog-eared copy with you to come back to again and again.
A Woman's Path presents inspiring stories of spiritual growth and awakening, written by some of the world's finest women writers. From New Mexico to Niger, Israel to Ireland, India to Chechnya, the wide range of stories in this enthralling collection touch on common themes letting go, opening up, finding an inner peace. Through these tales, we see again and again the grand and subtle ways that travel awakens us, nudging important questions to the surface, directing us to view life from new angles. And while many of these stories take place while on the road, for others the change of…
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topics—New York and women’s history.
This book is a deeply researched account of one of the most famous women-only hotels, the go-to place for ambitious, aspiring career women from writers like Joan Didion and Sylvia Plath to actresses like Ali MacGraw and Jaclyn Smith. It is my favorite kind of history, a journey through the twentieth century told through the lives of fascinating women.
A “captivating portrait” (The Wall Street Journal), both “poignant and intriguing” (The New Republic): from award-winning author Paulina Bren comes the remarkable history of New York’s most famous residential hotel and the women who stayed there, including Grace Kelly, Sylvia Plath, and Joan Didion.
Welcome to New York’s legendary hotel for women, the Barbizon.
Liberated after WWI from home and hearth, women flocked to New York City during the Roaring Twenties. But even as women’s residential hotels became the fashion, the Barbizon stood out; it was designed for young women with artistic aspirations, and included soaring art studios and soundproofed…
This collection started when I had to take a course on Milton as part of my Literature degree program. It didn't make any sense to me blame Eve for the downfall of Man. (I hadn't yet developed much of a feminist consciousness and so didn't realize that women are always blamed... perhaps especially by men, perhaps especially for their own—i.e., men's—behaviour...) "I am Eve" (the first piece in the collection) is actually based on my term paper. After I graduated, I decided to go through the Bible to see who else needed to protest...
Written in 1899, this is still thebook to read. It contains thorough and thoughtful commentary on the books of Genesis, Exodus, Leviticus, Numbers, Deuteronomy (part one) and Joshua to Revelation (part two). 369 pages in all. It includes the original text to be commented upon, so there is no need to go out and buy a Bible. And it is, in a word, mind-blowing. (And it will depress the hell out of you to see where we still are 123 years later.)
The publication of The Woman's Bible in 1895 and 1898 represented the last crusade of pioneer feminist Elizabeth Cady Stanton to strike at the roots of the ideology behind her gender's subordinate role in society. In the tradition of radical individualism that guided her philosophy, Stanton's attack on religious orthodoxy is more a forceful political treatise than a scholarly work. This clarion call to action, assembled by Stanton and a committee of prominent feminists, consists of a book-by-book examination of the Bible, placing events in their historical context, interpreting passages as both allegory and fact, and comparing them with the…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.
As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.
'Words were invented so lies could be told' Mary Ellen Pleasant
San Francisco in the 1890s is a town of contradictions, home to a respectable middle class, but with the Wild West lingering in the imagination, and even the behaviour, of some residents. Lizzie Hayes, a seemingly docile, middle-aged spinster, is praised for her volunteer work with the Ladies' Relief and Protection Society Home, or the Brown Ark. She doesn't know it, but she's waiting for the spark that will liberate her from convention.
When the wealthy and well-connected but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark…
I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
It has been years, and I cannot stop thinking about the visual this book left me with: a young woman sleeping in a makeshift plastic bubble under the sea's surface, tethered to a walkway across the Indian Ocean. I love when a speculative fiction book dives deep into exactly how a futuristic technology looks, feels, smells, integrates into life, and doesn’t just fill a plot point—which is probably why I was left with such a vivid image of this tent-bubble-habitat-material.
I am also an avid camper and know what it’s like to trust techy material in inhospitable circumstances. Take that feeling of trying to sleep while rain pours on a tent you hope is as waterproof as advertised. Now multiply it by 100 and add a violently undulating walkway across the Indian Ocean, and you get why I love this book.
One day Meena gets out of bed covered in blood, with mysterious snakebites on her chest. Her worst fears have been realised: someone is after her and she must flee India at once. As she plots her escape, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation.
Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, Meena sets off for Ethiopia, the place…
