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Manson in His Own Words.
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When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
Grace Marks was a real Irish-Canadian maid who, in 1840s Ontario, was convicted of murdering her employer. Did she do it? If so, why?
Margaret Atwood uses the lens of interviews with a (fictional) doctor to unpeel Grace’s many layers (or is she only adding lies?). Dreamy, Gothic, and tragic; I loved it. I also loved the miniseries adaptation from Sarah Polley.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one.
The Cocktail Waitress is the last work of total master James M. Cain, posthumously published in 2014. I started this on a hike and did not stop listening until it was done, netting me quite a bit of cardio. This firsthand explanation of a tabloid murder scandal, as told by its prime suspect, is often hilarious, surprisingly feminist, and darkly sinister. As the titular waitress innocently recalls meeting and marrying a much older millionaire and his baffling demise soon after, it’s clear she’s lying through her teeth. But deducing how and why is the fun of the book. Still, the ending is a gut punch. My book hangover was a solid 72 hours (could’ve been the hike though).
Following her husband's death in an accident, beautiful young widow Joan Medford is forced to take a job serving drinks in a cocktail lounge to make ends meet. At the job she encounters two men who take an interest in her, a handsome young schemer and a wealthy but unwell older man who rewards her for her attentions with a $50,000 tip and an unconventional offer of marriage...
I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
I felt changed after I read it and talked about it with everyone who would listen. Not only is this book a riveting, fast-paced read, but it’s an important novel about assault, grooming, and the abuse of power.
The protagonist is an aspiring teenaged singer who gets discovered and then manipulated and abused by a much older celebrity R&B artist. When she wakes up with her hands covered in his blood and finds him dead, she realizes she has no memory of what occurred the night before. This novel was enticing as much as it was heartbreaking.
An instant New York Times bestseller! "Grown exposes the underbelly of a tough conversation, providing a searing examination of misogynoir, rape culture, and the vulnerability of young black girls. Groundbreaking, heart-wrenching, and essential reading for all in the #MeToo era." -Dhonielle Clayton, New York Times bestselling author of The Belles
Award-winning author Tiffany D. Jackson delivers another riveting, ripped-from-the-headlines mystery that exposes horrific secrets hiding behind the limelight and embraces the power of a young woman's voice.
When legendary R&B artist Korey Fields spots Enchanted Jones at an audition, her dreams of being a famous singer take flight. Until Enchanted…
During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.
On December 11, 1966, a mysterious assassin shot Henry Stockton to death, set his house on fire, and left the scene without a trace. A year later, when a woman was found brutally killed, shreds of evidence suggested a connection between the two murders.
In the Palliko-Stockton trial, prosecutor Vincent Bugliosi offered a brilliant summation that synthesized for the jury the many inferences and shades of meaning in the testimony, fitting all the pieces together in a mosaic of guilt. But will the jury be persuaded?
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
The third of the five-book Riplead series, Ripley’s Game throws a twist on the traditional cat-and-mouse thriller.
The youthful homoerotic panic of The Talented Mr. Ripley has calmed down, and Tom Ripley is now a married man with a château in France. Trouble begins when he plays a game with his neighbor, Jonathan Trevanny—a man with a terminal illness, desperate to leave money to his wife and child. Ripley sets him up for an offer he can’t refuse: murder for hire.
I find the best facet of the novel to be Ripley’s begrudging humanity. He softens enough to help Jonathan when the job of garroting organized crime thugs is too horrible for him to stomach. While not explicitly gay, the queer vibes are strong as Ripley’s growing tenderness for Jonathan helps to humanize him.
Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime-forgery, extortion, serial murder-Ripley still finds his appetite unquenched and longs to get back in the game.
In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime-and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most…
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
A brilliant hypnotic novel that almost no one read. Albert French was the victim of a publishing nightmare—his editor and his publisher, both of whom had primed his novel for a major publicity push, left for new jobs before the pub date, after which his book was orphaned and abandoned. For anyone not in the book business, it might seem hard to believe that a terrific novel would be left to languish, but, sadly, such an event is not uncommon in American publishing.
Set in an African American section of Pittsburgh in 1950,I Can’t Wait on God evokes both the day-to-day lives of ordinary people and the striving and hopelessness of African Americans trying to escape the doomed existence to which so many are condemned. French weaves a tale that is starkly realistic, yet with a mystical overtone that creates a sort of intoxicating haze. The narrative seems straightforward,…
The crowded joys and familiar despair of poor, back-alley life in 1950 Pittsburgh have a hold on most people there, but there are those who need to escape. Jeremiah Henderson and his woman, Willet Mercer, set their sights on New York City - but making good is easier said than done. Left with no choice but to give in to the pimp who'd like to try Willet on for size before selling her to his clientele, Jeremiah and Willet try to focus on the future. But just before the pimp has his way with her, Willet balks, stabbing him to…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
Having grown up in Minnesota, I didn’t even know about the existence of the Mafia until I saw The Godfather! After I moved to New York to work in journalism, I was stunned to see how intertwined mob guys were with every facet of life, from government to entertainment to grocery stores. I became a passionate reader (and now writer) of Mafia history so that I could understand it. I find mob stories endlessly fascinating because of what they reveal about human nature. Organized crime hasn’t gone away, and we ignore it at our peril. I think you'll enjoy these recommendations.
I loved this book because it put me right there in the life, with all the violence, plots, girlfriends, and craziness. Author Nicholas Pileggi is a master of the craft. He drew me in immediately by capturing the voice of Henry Hill; mob associate turned informant.
I learned things I didn’t know–and some things I didn’t want to know–about the life. When I saw Goodfellas, the Martin Scorsese movie based on the book, it all rang true again.
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness.
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