Here are 100 books that Till Death Us Do Part fans have personally recommended if you like
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During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
A rising star in the American book scene of the 1960s, novelist Clifford Irving suddenly claimed his greatest fame in 1972 as a criminal who almost succeeded in the most brazen literary hoax of all time by selling rights to a bogus autobiography of reclusive billionaire Howard Hughes. Exposed and convicted of fraud, Irving spent 16 months in federal prison and returned his $765,000 advance. But he may have had the last laugh with the 1981 publication of this raucous and hilarious inside account of the scam, removing all his skeletons from the closet and shaking them for everyone to see. A movie starring Richard Gere as Irving followed in 2006. Irving died at the age of 87 in 2017.
A "fascinating" memoir-and the inspiration for the movie starring Richard Gere-from the man behind the forged autobiography of Howard Hughes (Time).
Novelist Clifford Irving's no-holds-barred account of his faked autobiography of Howard Hughes-one of the greatest literary hoaxes of the twentieth century-is the ultimate caper story.
The plan was concocted in the early 1970s, when eccentric billionaire Hughes was already living as a recluse in the Bahamas. An American author, Irving pitched the scheme to his friend, fellow writer Richard Suskind: Through forged letters and fake interviews, they would recount Hughes's life "in his own words." Meanwhile, Irving's wife would…
During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
Vietnam vet William Queen was capping a 20-year law enforcement career in 1998 when the ATF agent wangled an invitation to join the San Fernando Valley chapter of the notorious Mongols motorcycle club under the code name Billy St. John. He spent the next 28 months rising undercover to the rank of treasurer and vice president, allowing him to provide documents for the arrest and indictment of 54 members by 700 officers in four different states. Queen’s 2005 bestselling true crime memoir of his Mongols days ranges from bone-chilling to side-splitting for terror and laughs. Although Mel Gibson reportedly bought the screen rights, a movie has yet to appear.
When veteran law-enforcement officer and lifelong motorcycle lover William Queen penetrated the San Fernando chapter of the notorious Mongols, he was at the mercy of psychopaths who sought to have him prove his fealty by any means necessary, from selling and doing drugs to arms trafficking, driving getaway cars and, in one shocking instance, stitching up the face of a Mongol 'ol' lady' after a brutal beating at the hands of her boyfriend.
Yet despite the constant criminality of the gang, Queen came to see the genuine camaraderie they shared. When his lengthy undercover work totally isolated Queen from his…
Growing up in the automobile business (my great-grandfather sold horse carriages before cars were invented!), I’ve always been fascinated by salesmen and con artists, and the very thin line that often separates the two. What is a sales pitch, for example, and what is an outright lie? Where does the truth live anymore? Media? Politics? Business? None of the above? It has never been more important to learn the truth, and never has it been harder to find it. And it’s this very issue that is dividing the world. We think the other side has been conned. They think we’ve been conned. One thing’s for sure—someone’s getting conned. And that’s why I love con books!
When I was writing my book, I reached out to Frank Abagnale to thank him for writing Catch Me If You Can. Indeed, I dedicated my book to him. To my great surprise, he asked to read my book and then offered an incredible blurb which the publishers put on the cover. So I must admit that any review I write of Catch Me If You Can will be biased. Plus, what can you say about someone who faked being a doctor, a lawyer, and an airplane pilot? I’ll tell you what. Mr. A is a great writer, storyteller, and a hell of a good guy too!
The story of Frank W. Abagnale, alias Frank Williams, Robert Conrad, Frank Adams and Ringo Monjo, one of the most daring con men, forgers, impostors, and escape artists in history. Dubbed "The Skywayman", he was known by the police of 26 foreign countries and all 50 states in America, living a sumptuous life on the run. In his brief but notorious career, Abagnale donned a pilot's uniform and co-piloted a Pan Am jet, masqueraded as a member of hospital management, practised law without a license, passed himself off as a college sociology professor, and cashed over $2.5 million in forged…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.
Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.
What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.
This thinly fictionalized account of Claude Brown's childhood as a streetwise criminal trying to survive the toughest streets of Harlem of everyday life for the first generation African American raised in the Northern ghettos of the 1940s and 1950s.
Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one.
I’m fascinated by the Manson family; my big bad in my book is essentially doing a Charlie impression, so I’ve read a lot about America’s Boogeyman. This autobiography stands out from the crowd because of its absolutely bonkers voice. Every trigger warning in the world applies, but there are two worthwhile aspects to this lurid tale: one, how much institutional violence created Manson, who spent his adolescence and young adult life in the penal system (when they released him at 32 he begged to stay in jail.) And two, how the charismatic “family” could easily pass for some carefree Instagram influencers these days.
"The myth of Charles Manson is not likely to survive the impact of his own words," Nuel Emmons writes in the introduction to Manson In His Own Words, the shocking true confessions that lay bare the life and mind of the cult leader and notorious criminal. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Great Depression to an unmarried fifteen-year-old, Manson lived through a succession of changing homes and substitute parents, until…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
Richard Vetere’s screenplay Caravaggio won The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wroteThe Third Miraclescreenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage playThe Marriage Foolstarring Walter Matthau and Carol Burnett is the most viewed CBS movie ever and is currently running on Amazon. He also wrote the cult classic film Vigilantecalled by BAM as one of the “best indies of the 1980s.”
Richard Condon shows the mob as a family of degenerates, violent felons who are still human beings who also fall in love. The focus on the novel is how a hit man, looking to embellish his career, dates a big mob guy’s daughter, only to fall in love with another killer who is a woman. She has been hired to kill him but she also is in love with him. Published in 1982 , the novel captures the entanglements of a soap opera with real bite. The movie with Jack Nicholson is also top rate.
A darkly funny novel of mobsters, murder, and marriage: “The surprise ending will knock your reading glasses off.” —The New York Times
Charley Partanna works as a hitman for the Prizzis, New York’s most dangerous crime family. When he meets Irene Walker, an LA-based tax consultant, it’s pretty much love at first sight.
But Irene also moonlights as a hit woman—and had a hand in a big-money heist in Vegas. Now Charley has been told that she’s got to go. Faced with divided loyalties, he must make a choice—between the only family he’s ever known and the woman he loves.…
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
A brilliant hypnotic novel that almost no one read. Albert French was the victim of a publishing nightmare—his editor and his publisher, both of whom had primed his novel for a major publicity push, left for new jobs before the pub date, after which his book was orphaned and abandoned. For anyone not in the book business, it might seem hard to believe that a terrific novel would be left to languish, but, sadly, such an event is not uncommon in American publishing.
Set in an African American section of Pittsburgh in 1950,I Can’t Wait on God evokes both the day-to-day lives of ordinary people and the striving and hopelessness of African Americans trying to escape the doomed existence to which so many are condemned. French weaves a tale that is starkly realistic, yet with a mystical overtone that creates a sort of intoxicating haze. The narrative seems straightforward,…
The crowded joys and familiar despair of poor, back-alley life in 1950 Pittsburgh have a hold on most people there, but there are those who need to escape. Jeremiah Henderson and his woman, Willet Mercer, set their sights on New York City - but making good is easier said than done. Left with no choice but to give in to the pimp who'd like to try Willet on for size before selling her to his clientele, Jeremiah and Willet try to focus on the future. But just before the pimp has his way with her, Willet balks, stabbing him to…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
In a series of interviews, Arthur Harding tells us of his life as an East End rogue at the turn of the century. The characters he encountered are a “Who’s Who” of the underworld at that time and his descriptions of Spitalfields were very useful to me during research for The Worst Street In London.
First published in 1981, this book examines the life of Arthur Harding, a well-known figure in the East End underworld during the first half of the twentieth century. The first five chapters survey his life in the 'Jago' slum between 1887 and 1896, offering a different view of an often vilified district. The subsequent phases of his life as a cabinet-maker, street trader and wardrobe dealer reflect the changing fortunes of the East End from hand-to-mouth conditions in the late-nineteenth century to comparative security in the 1930s.
The reader is introduced to some of the major features of East End…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.
Sipho is a young man with nothing to lose. He drops out of high school and joins a car-stealing syndicate. The novel is part thriller and part coming-of-age tale, and the story takes the reader on an emotional journey as Sipho is sucked deeper and deeper into South African township crime. The author grew up in this township, and but for his other talents might have followed the same path as his protagonist. A remarkable look at the reality of township life and its effect on the youth.
Sipho lives in Umlazi, Durban – he is seventeen, has dropped out of school and helps out at his father’s mechanic shop. But odd jobs do not provide the lifestyle his friend Musa has, with his BMW and designer clothes. Soon Sipho’s love for fast cars and money leads him into a life of crime that brings him close to drugs, death and prison time.
