100 books like Young Blood

In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.

I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of which Present Tense is the first. I hope you enjoy it, and also the other books I’ve recommended here.

Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.

Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.

Growing up in a house filled with books – my father was a publisher –  meant that I fell in love with the written word at an early age. Growing up in apartheid South Africa and witnessing the brutal regime at work meant that I was sensitised to issues of injustice and racial prejudice at an early age too, issues which would come to inform much of my writing. I’ve always been drawn to the underdog’s story and often write to shine a light on the lives of the marginalised. My first literary heroes were brave authors such as Nadine Gordimer, Athol Fugard, and Alan Paton, who used their pens to provoke change. 

Matthew Stokoe has been translated and published around the world, his books have set new boundaries in urban horror and gritty, pull-no-punches noir. After Cows, Stokoe turned his sights on Hollywood, producing the now-famous High Life – both a page-turning mystery and one of the most brutal critiques of Tinsel Town ever committed to fiction. Stokoe has continued to explore his uniquely dark view of lives lived in the modern world, and in 2014 was nominated for the Grand Prix de Littérature Policière – France’s most prestigious crime writing award – for his novel, Empty Mile. Colony of Whores, is his latest novel.

I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.

When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us.  I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.

One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.

I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.