Fans pick 85 books like I Can't Wait on God

Henry Louis Gates, Jr. is a renowned Harvard professor and author of a series of deeply insightful books on African American history. He has also become one of the most recognizable public figures in the nation, from the PBS series Finding Your Roots and Reconstruction to a cameo in Watchmen in which he played the United States Treasury Secretary. It can be easy to forget that “Skip” Gates was raised in the hills of West Virginia, part of a tight-knit, quirky, distinctly African American community. In Gates’ affectionate memoir detailing his growing up, a series of fascinating characters leap from the page—some Churchgoing, some anything but; some strait-laced; some definitely not; some ambitious, some content to do as little as possible to get by.  Everyone we meet in Colored People is both recognizable and a revelation, and Gates has created a moving and nostalgic look at African American culture that… show more.

I think WEB DuBois is one of the greatest scholars ever to live. I recommend this book because DuBois eloquently tackles some of American society's greatest challenges. I like that DuBois is not satisfied with contemporary explanations about racial inequities. I am grateful to DuBois for encouraging American society to explore the roles of race and racism and explaining the experiences of people of African ancestry in America.

The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.

The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.  

Kenneth Mack, a professor at Harvard Law School, has chronicled the lives and careers of a series of African American lawyers, most totally unknown to white America, who, although forced to ply their trade in a legal system that was totally white and aggressively unwelcoming, managed to permanently impact American jurisprudence. Some, like Charles Hamilton Houston, Thurgood Marshall’s mentor, and the founder of the prestigious Howard University Law School, saw their impact ripple out nationally; others, merely by demonstrating competence and dedication, fought bigotry on a more local scale. Each of these men and women was forced to navigate between loyalty to their cause and a willingness to adopt the demeanor and professional skills of their adversaries in order to succeed, leaving them distrusted on both sides of the racial divide. Their willingness to cut themselves adrift, however, set the stage for the great civil rights battles of the second… show more.

I usually find the informants more interesting to read about than the diehard gangsters because they’re the people in the middle, squeezed from all sides. This fluid account, by two of New York’s best reporters, is a personal favorite. It’s a smoothly told narrative that avoids romanticizing the mob. 

Selina Kyle, AKA Catwoman, is probably my all-time favorite “Whose side is she really on?” character.

Soulstealer is a brilliant reimagining of Gotham City and its denizens. Catwoman will always be a thief, but it’s her motivations and her heroine’s journey that make her so interesting to me.

It wasn’t until I picked up this book that I realised how little I actually knew about Charles Manson and his followers.

Sure, it had filtered down to me – through a variety of popular culture – that he was a notorious murderer and that his female followers were truly brainwashed, but how had that come to be and was there any way of making sense of his seemingly senseless violence and crimes? Guinn’s meticulously-researched book has the answers. 

Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.

In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.

Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.

That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film. 

Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s… show more.

This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.

Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.

I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.